{"title":"Black and White Film","description":"\u003cp\u003eThe purist's poison. Our black and white collection spans decades of emulsion technology, from Kodak Tri-X (getting the shot since 1940) to modern T-grain engineering that makes photographers question the laws of physics. Classic Ilford HP5 for the legendary workhorse approach, fine-grain options for the technical perfectionists, high-contrast creative films for those who believe midtones are optional, and budget Fomapan for when the habit needs to be affordable. Chromogenic options that develop in C-41 if you can't be bothered with separate chemistry. We develop both traditional and chromogenic B\u0026amp;W, because monochrome photography is too important to do badly.\u003c\/p\u003e","products":[{"product_id":"street-candy-atm400","title":"Street Candy ATM400 - 35mm Black \u0026 White Film","description":"\u003ch1\u003eStreet Candy ATM400 - 35mm Black \u0026amp; White Film\u003c\/h1\u003e\u003cp\u003eHigh contrast. High drama. High chance you'll burn through this roll faster than you planned. Street Candy ATM400 is a punchy black and white film that lives for dramatic lighting and doesn't apologize for it. This emulsion loves contrast almost as much as you love pretending you just happened to bring your camera on that walk. In stock now and shipping fast from the UK.\u003c\/p\u003e\u003ch2\u003eWhat Makes Street Candy ATM400 Good\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eISO 400\u003c\/strong\u003e - Fast enough for moody street scenes, golden hour that's rapidly becoming blue hour, and that dimly lit bar you're definitely going to shoot in even though you probably shouldn't.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHigh Contrast\u003c\/strong\u003e - This film has opinions. Deep blacks, bright whites, and a tonal range that makes everything look like it was shot with intent.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCharacterful Grain\u003c\/strong\u003e - Visible, textured grain that adds to the atmosphere rather than detracting from it. The aesthetic you're here for.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eStandard B\u0026amp;W Chemistry\u003c\/strong\u003e - Develops in any black and white developer. No special handling required.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e36 Exposures\u003c\/strong\u003e - A full roll, which you'll get through faster than you expect.\u003c\/p\u003e\u003ch2\u003eBest For\u003c\/h2\u003e\u003cp\u003eStreet photography, available light shooting, moody interiors, dramatic landscapes, and anyone who wants their black and white to have genuine personality. Once you've shot it, send it our way — we develop and scan it too.\u003c\/p\u003e\u003chr\u003e\u003cp\u003ePerfect for photographers who want contrast with conviction. ATM400 doesn't do subtle, and that's entirely the point.\u003c\/p\u003e","brand":"Street Candy","offers":[{"title":"Default Title","offer_id":56418487337334,"sku":null,"price":12.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/3892\/5430\/files\/StreetCandy_ATM_100.jpg?v=1775328484"},{"product_id":"street-candy-mtn100","title":"Street Candy MTN100 - 35mm Black \u0026 White Film","description":"\u003ch1\u003eStreet Candy MTN100 - 35mm Black \u0026amp; White Film\u003c\/h1\u003e\u003cp\u003eThe slower, smoother sibling. Still Street Candy, just with better manners and finer grain. Street Candy MTN100 is a panchromatic black and white film that works beautifully in both bright daylight and controlled indoor settings. From the same OnFilmOnly minds that brought you ATM400, this ISO 100 emulsion is all about clarity, detail, and giving you options — because it can be processed as a standard negative or as a positive with reversal processing. Yes, you can make slides. No, we won't judge you for getting unreasonably excited about it. In stock now and shipping fast from the UK.\u003c\/p\u003e\u003ch2\u003eWhat Makes Street Candy MTN100 Good\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eISO 100\u003c\/strong\u003e - Slow and steady. Best for bright conditions where you want the finest grain and maximum detail.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFine Grain\u003c\/strong\u003e - Smooth, clean texture with good sharpness. The calmer, more considered counterpart to ATM400.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDual Processing\u003c\/strong\u003e - Process as a negative in standard B\u0026amp;W chemistry, or process as a positive (slide) with reversal chemistry. Two results from one emulsion.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eStandard B\u0026amp;W Chemistry\u003c\/strong\u003e - Develops normally without special handling when shooting for negatives.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e36 Exposures\u003c\/strong\u003e - A full roll to work with, however you choose to process it.\u003c\/p\u003e\u003ch2\u003eBest For\u003c\/h2\u003e\u003cp\u003eBright daylight shooting, landscapes, controlled studio work, photographers curious about reversal processing, and anyone who wants the Street Candy character with a finer touch. Once you've shot it, send it our way — we develop and scan it too.\u003c\/p\u003e\u003chr\u003e\u003cp\u003ePerfect for photographers who want the Street Candy DNA in a slower, more refined package. MTN100 rewards patience.\u003c\/p\u003e","brand":"Street Candy","offers":[{"title":"Default Title","offer_id":56418622800246,"sku":null,"price":11.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/3892\/5430\/files\/StreetCandy_MTN_100.jpg?v=1775328484"},{"product_id":"flic-film-double-x","title":"Flic Film Double-X - 35mm Black \u0026 White Negative Film","description":"\u003ch1\u003eFlic Film Double-X - 35mm Black \u0026amp; White Negative Film\u003c\/h1\u003e\u003cp\u003eHollywood's secret weapon, now available for your considerably less glamorous photography. Kodak Eastman Double-X (released as Flic Film Double-X) is a high-speed panchromatic black and white negative film that's been used in cinema for decades — Schindler's List, Raging Bull, and countless others that look considerably better than your holiday snaps. Re-spooled by Flic Film for 35mm still photography, this emulsion delivers very high sharpness, a broad tonal range, and fine grain structure. The film stock that makes everything look slightly more important than it actually is. In stock now and shipping fast from the UK.\u003c\/p\u003e\u003ch2\u003eWhat Makes Flic Film Double-X Good\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eISO 250 (Daylight)\u003c\/strong\u003e - Cinema speed, optimised for available light shooting. Fast enough for handheld work in most conditions.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eVery High Sharpness\u003c\/strong\u003e - Cinema-grade resolution in a still photography canister. Detail is exceptional.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFine Grain Structure\u003c\/strong\u003e - Finer than you'd expect at this speed. The cinematic credentials extend to the grain.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eBroad Tonal Range\u003c\/strong\u003e - Deep blacks, controlled highlights, and rich midtones. The full tonal palette of professional B\u0026amp;W.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003ePush Processing Friendly\u003c\/strong\u003e - Takes push processing well when the light demands it.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eStandard B\u0026amp;W Chemistry\u003c\/strong\u003e - Develops in standard chemistry without special handling.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e36 Exposures\u003c\/strong\u003e - A full roll of cinema DNA for your camera.\u003c\/p\u003e\u003ch2\u003eBest For\u003c\/h2\u003e\u003cp\u003eStreet photography, available light shooting, portraiture, documentary work, and photographers who want cinema-grade black and white results without needing a film set. 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Rollei Blackbird is an orthopanchromatic black and white creative film that lives for contrast, atmosphere, and making everything look more cinematic than it has any right to be. With a nominal sensitivity of ISO 64 (flexible from ISO 25 to 100 depending on how adventurous you're feeling), this film delivers phenomenal sharpness, finest light transmission, and the kind of charismatic contrasts that make you question whether you actually need midtones. Spoiler: sometimes you don't. In stock now and shipping fast from the UK.\u003c\/p\u003e\u003ch2\u003eWhat Makes Rollei Blackbird Good\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eISO 64 (Nominal)\u003c\/strong\u003e - Slow enough to demand good light. Use that as a feature, not a limitation.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eExtreme Contrast\u003c\/strong\u003e - Deep blacks, brilliant whites, and very little in between. High-impact images that don't need any help from post-processing.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFinest Light Transmission\u003c\/strong\u003e - Exceptional sharpness and clarity. Detail stays crisp even in the highest contrast areas.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eOrthopanchromatic Sensitivity\u003c\/strong\u003e - Extended sensitivity range that gives skies and blue tones a distinctive rendering. Different from standard panchromatic films in ways you'll notice.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCreative Flexibility\u003c\/strong\u003e - Rate it from ISO 25 to 100 depending on your lighting and the look you're after.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eStandard B\u0026amp;W Chemistry\u003c\/strong\u003e - Develops in standard black and white chemistry without special handling.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e36 Exposures\u003c\/strong\u003e - A full roll of deliberate, high-impact shooting.\u003c\/p\u003e\u003ch2\u003eBest For\u003c\/h2\u003e\u003cp\u003eCreative black and white work, dramatic landscapes, architecture, any situation where high contrast is an aesthetic choice rather than an accident, and photographers who know exactly what they want from a frame. Once you've shot it, send it our way — we develop and scan it too.\u003c\/p\u003e\u003chr\u003e\u003cp\u003ePerfect for photographers who shoot with intent and want their black and white to reflect that. Rollei Blackbird doesn't compromise.\u003c\/p\u003e","brand":"Rollei","offers":[{"title":"Default Title","offer_id":56419459760502,"sku":null,"price":13.75,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/3892\/5430\/files\/Rollei_Blackbird_Creative.jpg?v=1775332143"},{"product_id":"adox-chs-100-ii","title":"ADOX CHS 100 II - 35mm Black \u0026 White Film","description":"\u003ch1\u003eADOX CHS 100 II - 35mm Black \u0026amp; White Film\u003c\/h1\u003e\u003cp\u003eSoft, airy, and delicate. The 1960s called — they want you to have this film. ADOX CHS 100 II is an orthopanchromatic black and white film that produces delicate, dreamy images with open shadows, creamy highlights, and smooth tonal transitions. With two emulsions coated in a single layer on a crystal-clear archival PET base, this ISO 100 film delivers classical grain, excellent sharpness, and a genuine vintage aesthetic that doesn't feel forced. Fine art photography in a canister, responding beautifully to creative development. In stock now and shipping fast from the UK.\u003c\/p\u003e\u003ch2\u003eWhat Makes ADOX CHS 100 II Good\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eISO 100\u003c\/strong\u003e - Slow, deliberate, designed for photographers who take their time. Best in good light with careful exposure.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDual Emulsion Layer\u003c\/strong\u003e - Two emulsions coated in a single layer on an archival PET base. Engineering that serves the aesthetic.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eOpen Shadows\u003c\/strong\u003e - Retains shadow detail with a softness that harder films can't replicate. Shadows breathe rather than block up.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCreamy Highlights\u003c\/strong\u003e - Smooth, gentle highlight rendering without the harshness of modern emulsions.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eClassical Grain\u003c\/strong\u003e - Visible grain that feels period-appropriate rather than accidental. Part of the look.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eArchival PET Base\u003c\/strong\u003e - Crystal-clear base for clean scanning and long-term archival storage.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eResponds to Creative Development\u003c\/strong\u003e - Adjust your chemistry and development times for different tonal results. Rewards experimentation.\u003c\/p\u003e\u003ch2\u003eBest For\u003c\/h2\u003e\u003cp\u003eFine art photography, portraiture, landscapes with delicate tonal requirements, and photographers who want a vintage aesthetic that's genuinely built into the emulsion rather than applied in post. 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Built with new-generation hexagonal core\/shell tabular silver halide grains, this ISO 200 film delivers excellent resolving power, low granularity, and impressively wide exposure latitude. You can rate it anywhere from ISO 100 to 800 without changing development time, which is the kind of flexibility that makes experimental shooting actually fun instead of anxiety-inducing. In stock now and shipping fast from the UK.\u003c\/p\u003e\u003ch2\u003eWhat Makes Fomapan Creative Good\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eISO 200\u003c\/strong\u003e - The middle ground. Fast enough for overcast days and indoor light, slow enough for fine grain and good detail.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWide Exposure Latitude\u003c\/strong\u003e - Rate it from ISO 100 to 800 without adjusting development. Experiment freely, worry less.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eLow Granularity\u003c\/strong\u003e - Finer grain than the price suggests. Prints and scans hold up at larger sizes.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eExcellent Resolving Power\u003c\/strong\u003e - High resolution for the money. Detail stays sharp and well-defined.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTabular Silver Halide Technology\u003c\/strong\u003e - Modern grain architecture that improves sharpness and reduces granularity. Fancy for a budget film, which is exactly the point.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eStandard B\u0026amp;W Chemistry\u003c\/strong\u003e - Develops in any black and white developer without fuss.\u003c\/p\u003e\u003ch2\u003eBest For\u003c\/h2\u003e\u003cp\u003eEveryday shooting, experimentation, pushing and pulling to explore tonal ranges, and building the habit without burning through your budget in the process. Once you've shot it, send it our way — we develop and scan it too.\u003c\/p\u003e\u003chr\u003e\u003cp\u003ePerfect for photographers who want to shoot more and spend less without giving up on quality. The budget B\u0026amp;W that earns its place in the bag.\u003c\/p\u003e","brand":"Foma","offers":[{"title":"Default Title","offer_id":56471263707510,"sku":null,"price":6.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/3892\/5430\/files\/Fomapan_200_Creative.jpg?v=1776320043"},{"product_id":"fomapan-classic-100-35mm-film","title":"Fomapan Classic 100 - 35mm Black \u0026 White Film","description":"\u003ch1\u003eFomapan Classic 100 - 35mm Black \u0026amp; White Film\u003c\/h1\u003e\u003cp\u003eClassic by name, classic by nature. Timeless black and white without the vintage price tag. Fomapan Classic 100 is a panchromatic black and white negative film that delivers exactly what it promises: high resolution, fine grain, contour sharpness, and a wide range of halftones that make black and white photography look the way it's supposed to. Rated at ISO 100, it's designed for bright conditions and detailed work, but thanks to its generous exposure latitude you can shoot it anywhere from ISO 50 to 400 without changing your development process. Classic film photography made accessible, and in stock now shipping fast from the UK.\u003c\/p\u003e\u003ch2\u003eWhat Makes Fomapan Classic Good\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eISO 100 (Nominal)\u003c\/strong\u003e - Slow and precise. Designed for bright conditions and deliberate shooting where detail and tonal subtlety matter.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHigh Resolution\u003c\/strong\u003e - Capable of capturing fine detail with clarity. The kind of film that rewards careful composition.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFine Grain\u003c\/strong\u003e - Clean, smooth grain structure. Prints and scans stay sharp at larger sizes without falling apart.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWide Exposure Latitude\u003c\/strong\u003e - Rate it anywhere from ISO 50 to 400 without adjusting development time. The flexibility to experiment without the anxiety.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eContour Sharpness\u003c\/strong\u003e - Well-defined edge contrast. Subjects are rendered clearly and distinctly.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWide Halftone Range\u003c\/strong\u003e - Rich tonal gradation from deep blacks to bright whites. This is what proper black and white is supposed to look like.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eStandard B\u0026amp;W Chemistry\u003c\/strong\u003e - Develops in any black and white developer. 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Fomapan Classic 100 has been making the dependency affordable for decades.\u003c\/p\u003e","brand":"Foma","offers":[{"title":"Default Title","offer_id":56471264297334,"sku":null,"price":5.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/3892\/5430\/files\/Fomapan_100_Classic.jpg?v=1776320037"},{"product_id":"fomapan-action-400-35mm-black-white-film","title":"Fomapan Action 400 - 35mm Black \u0026 White Film","description":"\u003ch1\u003eFomapan Action 400 - 35mm Black \u0026amp; White Film\u003c\/h1\u003e\u003cp\u003eFast, flexible, and built for chaos. Action by name, action by capability. Fomapan Action 400 is a panchromatic black and white negative film designed for unfavourable light conditions, fast-moving subjects, and situations where you need speed without sacrificing quality. Rated at ISO 400 but capable of delivering great results anywhere from ISO 200 to 1600 — and reportedly up to 3200 if you're feeling brave — this film features good resolution, low granularity, and the kind of exposure latitude that lets you shoot first and worry about technical perfection never. In stock now and shipping fast from the UK.\u003c\/p\u003e\u003ch2\u003eWhat Makes Fomapan Action Good\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eISO 400 (Nominal)\u003c\/strong\u003e - Fast enough for handheld shooting in difficult light. Versatile enough for everything from overcast days to dimly lit interiors.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWide Exposure Latitude\u003c\/strong\u003e - Rate it from ISO 200 all the way to 1600 (or 3200 at a push) without changing development. The freedom to adapt on the fly.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eGood Resolution\u003c\/strong\u003e - Holds detail well at ISO 400. 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Ilford Delta 400 is a high-speed black and white film built with Core-Shell™ crystal technology to deliver extraordinary depth, exceptional sharpness, and the finest grain structure you'll find at ISO 400. This is modern film engineering done right: fast enough for all weather and difficult lighting, fine-grained enough to rival slower films, and versatile enough to handle exposure ratings from ISO 200 to 1600 without breaking a sweat. When you nail the exposure on Delta 400, the results are genuinely stunning. In stock now and shipping fast from the UK.\u003c\/p\u003e\u003ch2\u003eWhat Makes Ilford Delta 400 Professional\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eISO 400\u003c\/strong\u003e - The goldilocks speed for UK weather and real-world shooting. Fast enough to cope with overcast skies, indoor situations, and movement. Slow enough to retain incredible detail and sharpness. Perfect for life as it actually happens.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCore-Shell™ Emulsion Technology\u003c\/strong\u003e - Ilford's latest crystal technology produces exceptionally fine grain at high speed. This is the technical innovation that makes Delta 400 sharper and smoother than it has any right to be.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eExceptional Sharpness \u0026amp; Detail\u003c\/strong\u003e - Maximum resolution for a 400-speed film. Every nuance of your subject gets captured cleanly and clearly. This is what modern black and white film can do.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFinest Grain Structure\u003c\/strong\u003e - Remarkably smooth for ISO 400. You get the speed without the grainy compromise that plagues lesser high-speed films.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eImpressive Tonal Range\u003c\/strong\u003e - Beautiful contrast, smooth gradations, and striking tonal depth. 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Fine grain, good sharpness, and a broad tonal range make it a capable all-rounder in good light. In stock now and shipping fast from the UK.\u003c\/p\u003e\u003ch2\u003eWhat Makes Kentmere 100 Habit-Forming\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eISO 100\u003c\/strong\u003e - Medium speed for bright conditions and deliberate shooting. The speed that keeps grain fine and results clean.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFine Grain\u003c\/strong\u003e - Harman-quality grain structure at an accessible price. Prints and scans hold up well.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eGood Sharpness\u003c\/strong\u003e - Crisp, well-defined detail. You get what you pointed the camera at.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eBroad Tonal Range\u003c\/strong\u003e - Rich gradation from shadows to highlights. Proper black and white rendering at a budget price.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHarman-Made\u003c\/strong\u003e - Same factory, same standards as Ilford. The family resemblance is real and worth paying for — except you're barely paying for it.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eStandard B\u0026amp;W Chemistry\u003c\/strong\u003e - Develops in any black and white developer without fuss.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e36 Exposures\u003c\/strong\u003e - A full roll. Load it without guilt.\u003c\/p\u003e\u003ch2\u003eBest For\u003c\/h2\u003e\u003cp\u003ePhotographers building the B\u0026amp;W habit, anyone who wants Harman quality at a lower entry point, and shooters who go through enough film that cost per roll actually matters. Once you've shot it, send it our way — we develop and scan it too.\u003c\/p\u003e\u003chr\u003e\u003cp\u003ePerfect for photographers who want Ilford-adjacent quality without the Ilford price tag. 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Like Kentmere 100, it's made to the same production standards as the Ilford range, which means you're getting Harman quality at a price that makes it easy to shoot freely and often. Fine grain for its speed, good sharpness, and a broad tonal range make it a capable all-rounder across a wide range of conditions, processed in standard black and white chemistry.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eWhat Makes Kentmere 400 35mm Film Habit-Forming\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eISO 400: The Useful Speed\u003c\/strong\u003e ISO 400 is where film becomes genuinely versatile. It handles bright outdoor conditions without complaint and keeps working as the light drops, indoors, under cloud cover, or in the kind of unpredictable mixed lighting that lower speed films struggle with. 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The panchromatic sensitisation ensures tonal response across colours is natural and even.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWide Exposure Latitude\u003c\/strong\u003e Like its sibling, Kentmere 400 is forgiving when exposure isn't perfect. The wide latitude makes it a sensible choice for photographers still refining their metering, or for fast-moving situations where you don't always have time to be precise. It absorbs reasonable mistakes without drama, which is exactly what a workhorse film should do.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHarman Heritage\u003c\/strong\u003e Kentmere is manufactured by Harman Technology, the same company that makes Ilford Photo films and papers, on the same equipment and to the same quality standards. The Kentmere range exists at a lower price point, not a lower standard of manufacture. 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The combination of speed, fine grain, and wide exposure latitude also makes it an excellent learning film for beginners building their black and white practice, and the price means you can afford to shoot more and worry less about wasting frames.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePerfect for:\u003c\/strong\u003e Street and travel photographers, beginners building their black and white habit, available light and indoor work, and anyone who wants a dependable fast film from a trusted manufacturer without paying premium prices for the privilege.\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003eKentmere 400 won't win awards for mystique. What it will do is turn up, perform consistently, and leave enough money in your pocket to keep the habit going. 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What separates it from other ISO 200 options is its extended sensitivity into the near-infrared range up to 750nm — which with an infrared filter opens up a distinct second use that most films at this price point simply can't offer. In stock now and shipping fast from the UK.\u003c\/p\u003e\u003ch2\u003eWhat Makes Rollei Superpan 200 Good\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eISO 200\u003c\/strong\u003e - Versatile medium speed. Works well in most lighting conditions and rewards accurate exposure with excellent results.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eVery Fine Grain\u003c\/strong\u003e - Aerial-grade resolution in a still photography canister. Grain is minimal and well-structured.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHigh Sharpness\u003c\/strong\u003e - Crisp, well-defined images with good edge contrast. 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Adox HR-50 is an ISO 50 black and white film built on a high-resolution technical emulsion, produced in Germany by Adox — a company with a photochemical history stretching back to 1860. Left to its own devices this emulsion is too slow and too contrasty for ordinary photography. Adox's Speed Boost technology changes that, bringing it to a usable ISO 50 and taming the contrast enough for landscapes, street photography, and portraits. What remains is ultrafine grain, exceptional sharpness, and a tonal rendering that faster films simply can't produce. In stock now and shipping fast from the UK.\u003c\/p\u003e\u003ch2\u003eWhat Makes Adox HR 50 Good\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eISO 50\u003c\/strong\u003e - Slow, deliberate, demanding. This is the film for photographers who control their light rather than chasing it.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eUltrafine Grain\u003c\/strong\u003e - Some of the finest grain available in any format. Large prints and scans stay exceptionally clean.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eExceptional Sharpness\u003c\/strong\u003e - High-resolution technical emulsion delivering maximum detail. Every frame earns its place.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSpeed Boost Technology\u003c\/strong\u003e - Adox's process that makes a technical emulsion usable in a conventional camera. Without it, this film wouldn't exist in this form.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eProduced in Germany\u003c\/strong\u003e - Adox has been making photographic chemistry since 1860. The experience shows.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eStandard B\u0026amp;W Chemistry\u003c\/strong\u003e - Develops in standard chemistry, though Adox's own developers are recommended for best results.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e36 Exposures\u003c\/strong\u003e - A full roll. 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ISO 80 is an unusual speed. The skin rendering is an unusual bonus. Rollei Retro 80S is an unusual film, and film photographers who find it tend to stay found. Derived from Agfa's Aviphot Pan 80 aerial surveillance emulsion, it delivers fine grain, broad tonal range, high contrast, and extended near-infrared sensitivity to 775nm. The near-infrared sensitivity does something particularly useful in portraiture — it renders skin tones with a softness and smoothness that standard panchromatic films don't produce naturally. The film that accidentally became a portrait specialist. In stock now and shipping fast from the UK.\u003c\/p\u003e\u003ch2\u003eWhat Makes Rollei Retro 80S Good\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eISO 80\u003c\/strong\u003e - Slow enough for excellent fine grain and detail. An unusual speed that rewards deliberate shooting.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFine Grain\u003c\/strong\u003e - Clean, well-structured grain with strong sharpness. Aerial origins deliver aerial-grade resolution.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHigh Contrast\u003c\/strong\u003e - Bold tonal separation with deep blacks and clear highlights.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eNear-Infrared Sensitivity (to 775nm)\u003c\/strong\u003e - Extended into the near-infrared range, enabling both infrared-style shooting and that distinctive portrait skin rendering.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFlattering Skin Rendering\u003c\/strong\u003e - The near-infrared sensitivity produces unusually smooth, soft skin tones in portraiture. A happy accident that became a feature.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eStandard B\u0026amp;W Chemistry\u003c\/strong\u003e - Develops in standard chemistry without special handling.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e36 Exposures\u003c\/strong\u003e - A full roll of unexpected versatility.\u003c\/p\u003e\u003ch2\u003eBest For\u003c\/h2\u003e\u003cp\u003ePortraits wanting smooth skin rendering, landscapes, architecture, near-infrared shooting, and photographers who want a film that does something other films simply don't. Once you've shot it, send it our way — we develop and scan it too.\u003c\/p\u003e\u003chr\u003e\u003cp\u003ePerfect for photographers who discover Rollei Retro 80S by accident and then can't shoot portraits on anything else.\u003c\/p\u003e","brand":"Rollei","offers":[{"title":"Default Title","offer_id":57614337311094,"sku":"RR1811","price":8.2,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/3892\/5430\/files\/Rollei_Retro_80S.jpg?v=1776320271"},{"product_id":"this-is-how-i-roll-noir-100","title":"Noir 100 - 35mm Black and White Film","description":"\u003ch1\u003eNoir 100 - 35mm Black and White Film\u003c\/h1\u003e\u003cp\u003eCinema in black and white. Without needing a director's chair. Noir 100 takes its name seriously — ISO 100, near-infrared sensitivity, and the kind of tonal character that makes everything look like it was shot with intent. This Is How I Roll Film Noir 100 is an ISO 100 panchromatic black and white film inspired by the visual language of classic noir cinema. Hand-rolled from fresh stock into recycled canisters, it's coated onto a transparent polyester base that dries completely flat, making it a particularly strong choice for photographers who scan their own negatives. Extended near-infrared sensitivity adds a further dimension for those who want it. In stock now and shipping fast from the UK.\u003c\/p\u003e\u003ch2\u003eWhat Makes Noir 100 Good\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eISO 100\u003c\/strong\u003e - Slow and deliberate. Designed for good light and careful shooting where tonal character matters.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eStrong Tonal Character\u003c\/strong\u003e - Images look intentional. The noir namesake isn't just branding.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eNear-Infrared Sensitivity\u003c\/strong\u003e - Extended sensitivity for those who want to explore near-infrared work.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTransparent Polyester Base\u003c\/strong\u003e - Dries completely flat. Excellent for scanning — no curl, no fight.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHand-Rolled\u003c\/strong\u003e - Fresh stock in recycled canisters. Independent film production done properly.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eStandard B\u0026amp;W Chemistry\u003c\/strong\u003e - Develops in standard chemistry without special handling.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e36 Exposures\u003c\/strong\u003e - A full roll with cinematic intentions.\u003c\/p\u003e\u003ch2\u003eBest For\u003c\/h2\u003e\u003cp\u003eStreet photography, fine art work, photographers who scan their own film and appreciate a flat base, and anyone who wants black and white with a deliberate aesthetic character. 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This Is How I Roll Film Noir 400 is the fastest member of the Noir collection, rated at ISO 400 and sharing the same transparent polyester base, cinematic character, and hand-rolled recycled canister approach as the rest of the range. Where the slower Noir films reward careful, deliberate shooting in good light, Noir 400 opens the collection up to indoor available light, overcast conditions, and street photography where speed matters. In stock now and shipping fast from the UK.\u003c\/p\u003e\u003ch2\u003eWhat Makes Noir 400 Good\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eISO 400\u003c\/strong\u003e - The speed that handles most situations. 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Independent film production done properly.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eStandard B\u0026amp;W Chemistry\u003c\/strong\u003e - Develops in standard chemistry without special handling.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e36 Exposures\u003c\/strong\u003e - A full roll for situations that don't give you time to think.\u003c\/p\u003e\u003ch2\u003eBest For\u003c\/h2\u003e\u003cp\u003eStreet photography, indoor available light, overcast conditions, documentary work, and photographers who want the Noir collection's character without being limited to bright conditions. 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Originally designed for motion picture use, it produces images with a distinctively strong tonal character and very fine grain that sets it apart from conventional still photography films. Processes in standard black and white chemistry and rewards photographers who are willing to work with its particular personality rather than against it. If you want predictable and unremarkable, there are plenty of other films on this site. If you want something that photographs with genuine character, you're in the right place. In stock now and shipping fast from the UK.\u003c\/p\u003e\u003ch2\u003eWhat Makes DragonFilm No.I Good\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eISO 100\u003c\/strong\u003e - Slow and precise. Designed for deliberate shooting in good light where the fine grain can do its work.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTasma Svema NK-2SH Stock\u003c\/strong\u003e - Ukrainian cinematic emulsion with a distinctive tonal character that conventional still films don't replicate. The backstory is part of the result.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eVery Fine Grain\u003c\/strong\u003e - Exceptionally clean grain structure. Enlargements and scans stay sharp and detailed.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eStrong Tonal Character\u003c\/strong\u003e - A distinct rendering that sets images apart. Not just black and white — this particular black and white.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eStandard B\u0026amp;W Chemistry\u003c\/strong\u003e - Develops in standard chemistry without special handling.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e36 Exposures\u003c\/strong\u003e - A full roll of Ukrainian cinema stock for your camera.\u003c\/p\u003e\u003ch2\u003eBest For\u003c\/h2\u003e\u003cp\u003ePhotographers who want something genuinely different, fine art work, landscapes, portraiture, and anyone willing to shoot with a film that has its own opinions. Once you've shot it, send it our way — we develop and scan it too.\u003c\/p\u003e\u003chr\u003e\u003cp\u003ePerfect for photographers who are bored of the obvious choices. 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Push it and the contrast climbs further. Pull it and things get a little more controlled. Either way, images that look like they were made with intent. In stock now and shipping fast from the UK.\u003c\/p\u003e\u003ch2\u003eWhat Makes DragonFilm No.IV Good\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eISO 400\u003c\/strong\u003e - Fast enough for street photography, indoor available light, and challenging conditions. Versatile enough for most situations.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHigh Silver Content\u003c\/strong\u003e - Rich, dense blacks and strong tonal separation. The silver does the heavy lifting.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eStrong Contrast\u003c\/strong\u003e - Bold, characterful images with clear tonal separation. Similar character to Kodak Tri-X, built on completely different stock.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTasma Svema 42L Aerial Stock\u003c\/strong\u003e - Ukrainian surveillance emulsion with distinctive visual character. The aerial origins show in the resolution and contrast.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003ePush\/Pull Friendly\u003c\/strong\u003e - Push for more contrast, pull for more control. 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Pay attention. \u003c\/em\u003eDragonFilm No.VII 35mm Film is an ISO 400 panchromatic black and white cinematic film built on A-2SH emulsion, manufactured in Ukraine using old Svema formulas and original Svema machinery in Shostka. Designed for both still photography and motion picture use, it combines high contrast and a wide tonal range with fine grain, which is a more unusual combination than it sounds at ISO 400. Rated at ISO 400 and pushable to ISO 3200, it has the speed range to cover everything from careful daylight work to seriously demanding low-light shooting. In stock now and shipping fast from the UK. Standard black and white chemistry, 24 exposures, no DX code.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eWhat Makes DragonFilm No.VII 35mm Film Habit-Forming\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eISO 400: Fast, Flexible, Cinematic\u003c\/strong\u003e ISO 400 is the most versatile speed in black and white film photography, and No.VII makes the most of it. It handles bright daylight without complaint, performs confidently under overcast skies and in indoor available light, and with its push range it keeps working long after most films would have asked you to change rolls. The panchromatic sensitisation ensures natural tonal rendering across colours, which matters for both portrait and landscape work.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFine Grain at ISO 400\u003c\/strong\u003e This is where No.VII distinguishes itself clearly from DragonFilm No.IV. Where No.IV carries bold, characterful grain in the Tri-X tradition, No.VII is fine-grained for its speed. The A-2SH emulsion was developed for cinematic use where image quality under enlargement matters, and that engineering shows. You get the contrast and tonal depth of a high-speed film without the grain structure dominating the image. For photographers who want impact without sacrificing detail, this is the more technically refined of the two ISO 400 DragonFilm options.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHigh Contrast, Wide Tonal Range\u003c\/strong\u003e The combination of high contrast and wide tonal range gives No.VII images genuine presence without losing nuance. Shadows hold their depth, highlights retain detail, and the separation across the midtones is clear and confident. It's the kind of contrast that comes from the emulsion rather than from heavy-handed processing: inherent, consistent, and repeatable.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSvema Heritage, Shostka Manufacture\u003c\/strong\u003e No.VII is built on old Svema formulas using original Svema machinery in Shostka, Ukraine. Svema was one of the major Soviet film manufacturers, with a production history stretching back decades. The A-2SH emulsion carries that lineage directly: this is a film formula with a long history in Eastern European cinema, produced with the original equipment it was designed for. That's a provenance that no amount of modern emulsion engineering can replicate.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePush Range: ISO 200 to ISO 3200\u003c\/strong\u003e The push range on No.VII is serious. From ISO 200 at the conservative end to ISO 3200 at the other, it covers conditions from bright studio work to genuinely dark environments. At ISO 3200 the contrast intensifies and the grain becomes more visible, but the underlying quality of the emulsion means the images hold together rather than falling apart. Microphen at stock for 32 minutes at ISO 3200 is the manufacturer's own recommendation, which is a useful starting point for home developers.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDual Purpose: Stills and Motion Picture\u003c\/strong\u003e The A-2SH emulsion was designed to perform in both still and motion picture applications, which means its quality requirements were set by two different and demanding disciplines simultaneously. In practice, this translates to consistent tonal rendering, reliable behaviour across processing chemistry, and image quality that holds up to scrutiny whether you're printing in a darkroom or scanning for digital output.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStandard Black and White Processing\u003c\/strong\u003e No.VII is compatible with a wide range of developers including D-76, ID-11, Rodinal, Microphen, and others, with development times well documented across multiple ISO settings. Home developers have solid data to work from; lab customers can drop it in without any special handling requirements.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNo DX Code\u003c\/strong\u003e Like all DragonFilm stocks, No.VII carries no DX code. Cameras with manual ISO override work without issue; fully automatic cameras that depend entirely on DX coding will not read the speed correctly. Set to ISO 400 manually and proceed as normal.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e24 Exposures\u003c\/strong\u003e A 24-exposure roll. The same considered approach to frame count as the rest of the DragonFilm range.\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003e\u003cstrong\u003eBest For\u003c\/strong\u003e DragonFilm No.VII suits photographers who want the versatility and speed of ISO 400 with finer grain than the No.IV delivers. It's a strong choice for portraiture where contrast is welcome but fine detail matters, for street and documentary photography across a wide range of lighting conditions, and for any situation where the push range to ISO 3200 gives you a meaningful safety net. The cinematic heritage makes it particularly well suited to work where tonal richness and depth are priorities, and the fine grain means enlargements and scans hold up to close inspection. Once you're done shooting, we develop black and white film here at Chemical Dependency Lab -- drop it in the bag with your other rolls.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePerfect for:\u003c\/strong\u003e Portrait and documentary photographers, street shooting across mixed lighting conditions, push processing enthusiasts who want fine grain even at high ISOs, and anyone whose dependency on Ukrainian cinematic emulsions has progressed beyond No.IV and is ready for something more refined.\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003eDragonFilm No.VII is what happens when a cinematic emulsion formula with decades of history behind it gets applied to the demands of still photography by people who understand both disciplines. The fine grain, high contrast, wide tonal range, and genuine push capability to ISO 3200 don't often appear together in the same film at this price point. 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It produces images of exceptional sharpness and smoothness that slower speeds make possible, with a tonal quality that faster films simply cannot match. What sets it apart from other fine-grain slow films is an additional characteristic that most stocks at this speed don't offer: sensitivity extending into the near-infrared range, which combined with a red filter opens up a whole separate set of creative possibilities. In stock now and shipping fast from the UK. Standard black and white chemistry, 24 exposures, no DX code.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eWhat Makes DragonFilm No.VI 35mm Film Habit-Forming\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eISO 64: Slow by Design\u003c\/strong\u003e ISO 64 is not a compromise or a limitation. It is a deliberate choice made by photographers who want the finest grain, the highest resolution, and the smoothest tonal gradation that a black and white emulsion can produce. 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The FN-64 emulsion's sensitivity extends into the near-infrared part of the spectrum, which means that shooting with a red filter produces results with the classic infrared look: darkened skies, luminous foliage, and a tonal rendering of the world that the human eye doesn't see and standard panchromatic films don't record. It isn't a full infrared film, but the effect with a red filter is pronounced and worth exploring. For photographers interested in infrared aesthetics without committing to a dedicated infrared stock, No.VI offers a credible and accessible entry point.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWide Tonal Range and Smooth Gradation\u003c\/strong\u003e At ISO 64 the tonal gradation across the full range from deep shadow to bright highlight is notably smooth, with transitions that feel natural and continuous rather than compressed or abrupt. 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At ISO 64 with a tripod and a red filter, 24 frames is a generous afternoon's work.\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003e\u003cstrong\u003eBest For\u003c\/strong\u003e DragonFilm No.VI is for photographers who shoot slowly and deliberately, and who want images with the finest grain and highest resolution the DragonFilm range offers. It excels at landscape and architectural photography in good natural light, controlled studio work, fine art and still life where tonal quality matters above all else, and any situation where enlargement or high-resolution output is the end goal. The near-infrared sensitivity makes it a compelling choice for photographers interested in the infrared aesthetic without investing in a dedicated infrared stock. It is not a film for available light, fast-moving subjects, or photographers in a hurry. When you're done shooting, black and white development is available here at Chemical Dependency Lab.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePerfect for:\u003c\/strong\u003e Landscape and architectural photographers, fine art and studio work, photographers curious about near-infrared effects with a red filter, and anyone whose dependency has slowed down enough to appreciate what ISO 64 actually offers.\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003eDragonFilm No.VI is the most patient film in the range and arguably the most rewarding for the right kind of shooting. The very fine grain, high resolution, and near-infrared sensitivity of the FN-64 emulsion combine to produce images that stand apart from anything faster or more convenient. 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We respect that decision. \u003c\/em\u003eDragonFilm No.V 35mm Film is a limited edition experimental black and white film built on Kodak 2484 emulsion, originally engineered for high-speed scientific and defence photography including missile tracking, nuclear testing, and spark-chamber applications. It is very high contrast, pronounced in its grain, and capable of being shot anywhere between ISO 3 and ISO 200 depending on what you want from it and what the light allows. It is not a film for the cautious or the undecided. It is a film for photographers who find the backstory as compelling as the results, and who want images with a character that no mainstream emulsion can replicate. In stock now and shipping fast from the UK. Standard black and white chemistry, 24 exposures, no DX code. Limited edition.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eWhat Makes DragonFilm No.V 35mm Film Habit-Forming\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eKodak 2484: A Genuinely Unusual Emulsion\u003c\/strong\u003e Kodak 2484 was developed for scientific and defence applications requiring the ability to capture fast-moving subjects under extreme or challenging lighting conditions. High contrast and pronounced grain were not incidental qualities; they were requirements. In still photography, those same characteristics produce images with a distinctive intensity that is difficult to describe accurately and easier to understand by simply shooting a roll.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eISO 3 to ISO 200: An Unusually Wide Experimental Range\u003c\/strong\u003e DragonFilm recommend shooting No.V anywhere between ISO 3 and ISO 200, which is a range wide enough to represent very different approaches to the same film. Although the \"box speed\" is 25 ISO. At the slower end, in bright conditions with long exposures, the contrast and grain take on one character; pushed towards ISO 200 in lower light they produce something quite different. There is no single correct way to shoot this film, which is part of what makes it experimental in the truest sense. Experimentation and note-taking are strongly encouraged.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVery High Contrast\u003c\/strong\u003e The contrast on No.V is not subtle. Deep blacks and bright whites with compressed midtones are the natural output of an emulsion designed to record fast physical phenomena clearly and unambiguously. In architectural and technical photography this translates to images with real graphic strength. In portraiture or softer subjects it requires more considered exposure to avoid losing detail entirely. Know what you're loading before you load it.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePronounced Grain\u003c\/strong\u003e The grain structure is a significant part of the visual identity of No.V. It is present, it is visible, and it contributes directly to the texture and mood of the final image. Photographers who shoot this film for the grain rather than despite it will find it a reliable and characterful collaborator.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHigh-Speed Scientific Origins\u003c\/strong\u003e The Kodak 2484 emulsion was designed for situations where standard photographic film wasn't fast or capable enough: missile re-entry tracking, spark-chamber photography, high-speed phenomena requiring precise image capture under difficult conditions. That heritage is embedded in the emulsion's fundamental characteristics, and those characteristics are exactly what give No.V its particular look. Not many films can claim to have photographed nuclear physics.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStandard Black and White Processing\u003c\/strong\u003e For all its unusual origins, No.V processes in standard black and white chemistry. D-76, HC-110, Ilfotec DD-X, and Rodinal all have documented times. Labs can handle it without special instructions; home developers have a straightforward starting point.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNo DX Code\u003c\/strong\u003e No.V carries no DX code. Manual ISO override is required; set your chosen ISO before loading. Fully automatic cameras without manual ISO control are not compatible.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e24 Exposures, Limited Edition\u003c\/strong\u003e A 24-exposure roll. This is a limited edition film: once current stock is gone, availability cannot be guaranteed. If you're curious, now is the sensible time to find out what Kodak 2484 does in your camera.\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003e\u003cstrong\u003eBest For\u003c\/strong\u003e DragonFilm No.V suits experimental and fine art photographers who want images with strong graphic character, high contrast, and visible grain. It is particularly well suited to architectural and technical photography where the contrast works in favour of the subject, and to creative projects where a distinctive and unconventional aesthetic is the point. It rewards careful exposure decisions and benefits from testing before committing a whole roll to an important shoot. It is not recommended for beginners, for photographers wanting smooth tonal gradation, or for anyone who hasn't read this description carefully. Black and white development is available here at Chemical Dependency Lab when you're ready to see what Kodak 2484 actually did.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePerfect for:\u003c\/strong\u003e Experimental and fine art photographers, architectural and graphic work, anyone drawn to high-contrast film aesthetics, and photographers whose dependency has reached the point where mainstream emulsions no longer feel like enough of a challenge.\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003eDragonFilm No.V is the most singular film in the range and arguably the most honest about what it is: a scientific emulsion repurposed for artistic use, with a backstory involving missile tracking and nuclear physics, available in a 35mm canister while limited stock lasts. Some habits take you to unexpected places. 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Standard black and white chemistry, 36 exposures, no DX code.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eWhat Makes This Is How I Roll Film Noir 64 35mm Film Habit-Forming\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eISO 64: The Finest Grain in the Collection\u003c\/strong\u003e ISO 64 is the slowest speed in the Noir range and delivers the finest grain as a result. In good natural light it produces images with exceptional clarity, smooth tonal gradation, and a level of detail that faster films in the same family can't quite match. It rewards photographers who work deliberately and want the best the Noir collection has to offer when the light is on their side.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNear-Infrared Sensitivity\u003c\/strong\u003e Noir 64 has spectral sensitivity extending into the near-infrared range, comparable to Ilford SFX. Shot unfiltered it behaves as a conventional panchromatic film. 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Standard black and white chemistry, 36 exposures, no DX code.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eWhat Makes This Is How I Roll Film Noir 200 35mm Film Habit-Forming\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eISO 200: A Useful Middle Ground\u003c\/strong\u003e ISO 200 is an underrated speed in black and white film photography. It handles a wider range of conditions than ISO 64 or 100 without the grain trade-off that comes with ISO 400. For photographers who want the tonal quality of a slower film with more flexibility in mixed or variable light, Noir 200 sits in exactly the right place within the collection.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNear-Infrared Sensitivity\u003c\/strong\u003e Like Noir 64 in the collection, Noir 200 has spectral sensitivity extending into the near-infrared range, comparable to Ilford SFX. Shoot unfiltered for conventional panchromatic results; add an R72 filter for the infrared look. 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Standard black and white chemistry.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eWhat Makes This Is How I Roll Film Noir 64 120 Film Habit-Forming\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eISO 64 in Medium Format: The Finest Grain in the Collection\u003c\/strong\u003e ISO 64 is the slowest speed in the Noir range and delivers the finest grain as a result. Combined with the larger negative of medium format, that fine grain becomes even less of a factor: detail and smoothness reach a level that the 35mm version can only hint at. In good natural light it produces images with exceptional clarity and tonal gradation that rewards every millimetre of the larger negative.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHand-Rolled and Foil-Wrapped\u003c\/strong\u003e Every roll of Noir 64 120 is hand-rolled by This Is How I Roll Film and individually wrapped in foil before dispatch. 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Standard black and white chemistry.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eWhat Makes This Is How I Roll Film Noir 100 120 Film Habit-Forming\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eISO 100 in Medium Format: Slow and Rewarding\u003c\/strong\u003e ISO 100 suits photographers who work with their light rather than around it. In good natural light or a controlled studio environment it delivers fine grain, high detail, and the tonal quality that slower films are known for. In medium format, those same qualities are distributed across a larger negative, producing images with a depth and smoothness that makes the slower pace entirely worth it.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHand-Rolled and Foil-Wrapped\u003c\/strong\u003e Every roll is hand-rolled by This Is How I Roll Film and individually wrapped in foil before dispatch. In a market where most film arrives off an automated production line, that level of care is worth noting. 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Standard black and white chemistry.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eWhat Makes This Is How I Roll Film Noir 200 120 Film Habit-Forming\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eISO 200 in Medium Format: Versatile and Capable\u003c\/strong\u003e ISO 200 handles a wider range of conditions than the slower Noir stocks without the grain trade-off that comes with ISO 400. In medium format that flexibility is particularly useful: the larger negative gives you more to work with in variable outdoor light, and the combination of ISO 200 speed with medium format quality produces images that sit in genuinely useful territory for a wide range of shooting situations.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHand-Rolled and Foil-Wrapped\u003c\/strong\u003e Every roll is hand-rolled and individually wrapped in foil before dispatch. 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A practical advantage for home developers that becomes apparent quickly when compared to curling acetate-based films.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLight Piping: Load in Dim Light\u003c\/strong\u003e The thin polyester base makes Noir 200 susceptible to light piping. Load in dim or subdued light and store in the black canister pot. The backing paper on 120 film offers some protection, but care during loading remains important.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e10 Exposures\u003c\/strong\u003e A standard 120 roll gives 10 exposures at 6x7, 12 at 6x6, or 16 at 6x4.5 depending on your camera.\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003e\u003cstrong\u003eBest For\u003c\/strong\u003e Noir 200 120 suits outdoor photography in variable light, portraiture, travel, and any situation where ISO 100 feels a little limiting but ISO 400 feels like more speed than the scene needs. The near-infrared sensitivity and wide developer compatibility make it the most versatile film in the Noir 120 collection, and the larger medium format negative gives the tonal quality of the Noir range more room to express itself. Black and white development for 120 format is available here at Chemical Dependency Lab when you're ready.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePerfect for:\u003c\/strong\u003e Photographers who want a versatile middle-speed option with near-infrared capability in medium format, home developers who want to experiment with stand development, travel and portrait work in variable light, and anyone whose Noir dependency has moved up to a larger format.\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003eNoir 200 doesn't make the loudest case for itself within the collection. It simply offers the most flexibility: useful speed, near-infrared sensitivity, stand development capability, a flat-drying polyester base, hand-rolled and foil-wrapped with care, and a medium format negative that makes the most of all of them.\u003c\/p\u003e","brand":"This is How I Roll Film","offers":[{"title":"Default Title","offer_id":57948840362358,"sku":null,"price":8.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/3892\/5430\/files\/Noir_120-200.jpg?v=1779720489"},{"product_id":"this-is-how-i-roll-film-noir-400-120-medium-format-black-white-film","title":"This Is How I Roll Film Noir 400 - 120 Medium Format Black \u0026 White Film","description":"\u003ch1\u003e\u003cstrong\u003eThis Is How I Roll Film Noir 400 - 120 Medium Format Black \u0026amp; White Film\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003cstrong\u003eThe fastest in the collection. Built for when the light doesn't cooperate. Now in medium format.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Noir range covers four speeds. Noir 400 is the one you reach for when the other three would leave you underexposed, whatever format you're shooting.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThis Is How I Roll Film Noir 400 120 Film is the fastest member of the Noir collection in medium format, rated at ISO 400 and sharing the same transparent polyester base, cinematic character, and hand-rolled approach as the rest of the range. Each roll is individually wrapped in foil before dispatch, an artisan detail that reflects the care This Is How I Roll Film puts into every stock they produce. Where the slower Noir films reward careful, deliberate shooting in good light, Noir 400 opens the collection up to indoor available light, overcast conditions, and any situation where speed matters across a medium format negative. In stock now and shipping fast from the UK. Standard black and white chemistry, 10 exposures, no DX code.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eWhat Makes This Is How I Roll Film Noir 400 120 Film Habit-Forming\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eISO 400 in Medium Format: The Noir Collection After Dark\u003c\/strong\u003e ISO 400 is where the Noir collection becomes genuinely versatile across all lighting conditions. It handles indoor available light, overcast skies, and fast-moving subjects that the slower films in the range can't keep pace with. In medium format that versatility is particularly welcome: the larger negative absorbs the faster speed gracefully, producing images with the tonal quality of medium format and the flexibility of ISO 400.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHand-Rolled and Foil-Wrapped\u003c\/strong\u003e Every roll is hand-rolled and individually wrapped in foil before dispatch. In a market where most film arrives off an automated production line, that level of care is worth noting. Your medium format rolls are handled with the same consideration you bring to using them.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSharpness and Grain Across a Larger Negative\u003c\/strong\u003e The combination of sharpness, controlled grain, and tonal quality that distinguishes Noir 400 in 35mm is amplified in medium format. The grain is distributed across a larger area, the detail resolves more fully, and the cinematic tonal character of the Noir collection benefits from having more negative to work with.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTransparent Polyester Base: Flat Negatives, Better Scans\u003c\/strong\u003e The transparent polyester base dries completely flat, making medium format negatives easy to load into scanning carriers and producing consistent results. A practical advantage for home developers, particularly with the larger medium format frame where flatness matters even more than in 35mm.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLight Piping: Load in Dim Light\u003c\/strong\u003e The thin polyester base makes Noir 400 susceptible to light piping. Load in dim or subdued light and store in the black canister pot. The backing paper on 120 film offers some protection, but care during loading remains important.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStandard Black and White Processing\u003c\/strong\u003e Compatible with standard black and white developers. Consult the 35mm developing times as a starting point and adjust for your equipment and preferences.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e10 Exposures\u003c\/strong\u003e A standard 120 roll gives 10 exposures at 6x7, 12 at 6x6, or 16 at 6x4.5 depending on your camera. At ISO 400 in mixed light, those frames go quickly. Make them count.\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003e\u003cstrong\u003eBest For\u003c\/strong\u003e Noir 400 120 earns its place for street, documentary, portrait, and travel photography in mixed or difficult light. The polyester base makes it a strong choice for home developers who scan their own film, and the combination of ISO 400 versatility with medium format image quality makes it a capable and distinctive choice for photographers who want to push the Noir collection into conditions the slower films can't handle. Black and white development for 120 format is available here at Chemical Dependency Lab.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePerfect for:\u003c\/strong\u003e Street and documentary photographers shooting medium format, home developers who want flat-drying negatives in 120 format, photographers who want a capable ISO 400 black and white film with cinematic character, and anyone whose noir dependency in medium format doesn't clock off when the sun goes down.\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003eNoir 400 takes the tonal quality and flat-drying polyester base of the Noir collection and adds the speed to use it in conditions the rest of the range can't handle. Hand-rolled, foil-wrapped, and ready for whatever the day throws at it. Same character, more format, more situations.\u003c\/p\u003e","brand":"This is How I Roll Film","offers":[{"title":"Default Title","offer_id":57948840558966,"sku":null,"price":8.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/3892\/5430\/files\/Noir_120-400.jpg?v=1779720530"},{"product_id":"ilford-hp5-plus-amp-xp2-super-football-collectors-edition-bundle-1","title":"Ilford HP5 Plus \u0026 XP2 Super Football Collectors Edition Bundle","description":"\u003ch1\u003e\u003cstrong\u003eIlford HP5 Plus \u0026amp; XP2 Super Football Collectors Edition Bundle\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003cstrong\u003eTwo legendary films. One very good reason to shoot sport this summer.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eIlford HP5 Plus and XP2 Super have always been the ISO 400 black and white films to reach for. Now they come in packaging that makes the case for shooting sport on film.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThe Ilford HP5 Plus \u0026amp; XP2 Super Football Collectors Edition Bundle brings together one roll each of two of Ilford's most celebrated black and white films in limited-edition packaging featuring photography by Miles Myerscough-Harris, the sports photographer behind Expired Film Club and the person Ilford chose to put their name to this release. The emulsions themselves are unchanged: this is the same HP5 Plus and XP2 Super that photographers have relied on for decades, now in collector-friendly packaging. Limited edition. One bundle contains one roll of each film.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eWhat's in the Ilford Football Collectors Edition Bundle\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eIlford HP5 Plus 35mm: The Crowd Favourite\u003c\/strong\u003e HP5 Plus is a high speed, fine grain, medium contrast black and white film making it an excellent choice for journalism, documentary, travel, sports, action, and indoor available light photography. Rated at ISO 400 and pushable to ISO 3200, it has the latitude and speed to handle almost any shooting situation, from bright daylight to genuinely difficult low-light environments. Developed in standard black and white chemistry. The Football Collectors Edition packaging features Myerscough-Harris' photography and makes for a roll worth keeping even after the film is shot.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIlford XP2 Super 35mm: The Chromogenic Wildcard\u003c\/strong\u003e XP2 Super is a sharp, fast, fine-grain black and white film with the unique ability to be processed in C-41 chemistry, the same as colour negative films, meaning any lab that processes colour film can develop it without specialist black and white chemistry, including Chemical Dependency Lab. The negatives can be printed on traditional black and white papers. ISO 400, DX coded, outstandingly sharp results across all lighting conditions. Like HP5 Plus, it arrives in the limited-edition Football packaging.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout Miles Myerscough-Harris and Expired Film Club\u003c\/strong\u003e Expired Film Club is renowned for shooting sport on analogue film cameras, from NBA basketball and Major League baseball to snooker, tennis, and football. Myerscough-Harris was chosen by Ilford to front this release because his work makes the most compelling case for shooting sport on film, and his photography is what adorns the packaging. \"Most of the other photographers think I'm mental to even try to use film cameras at a sports event nowadays, but I love the challenge and the results,\" he has said. The bundle is a piece of that spirit in a box.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLimited Edition\u003c\/strong\u003e The cassettes do not bear any limited-edition branding, so once the film is shot the packaging is the collectable element. Keep the boxes.\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003e\u003cstrong\u003eBest For\u003c\/strong\u003e The Football Collectors Edition bundle suits photographers who want to shoot sport, action, or any fast-moving subject on black and white film this summer, with two films that each bring a different processing option to the table. It also suits collectors who want a piece of a genuinely limited release, and anyone who thinks the story behind the film is as important as the emulsion inside it. Both films are versatile well beyond sport: HP5 Plus and XP2 Super between them cover virtually every black and white shooting situation imaginable.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePerfect for:\u003c\/strong\u003e Sport and action photographers shooting on film, collectors who want limited-edition Ilford packaging, photographers who want one roll of classic black and white chemistry and one roll they can send to any colour lab, and anyone whose dependency on film extends to wanting the packaging to match the occasion.\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003eHP5 Plus and XP2 Super are two of the films that defined black and white photography for a generation of film shooters. The Football Collectors Edition puts them in packaging that celebrates what those films can do in the hands of someone who understands sport and analogue photography equally well. Limited stock, two excellent films, one good reason to start loading cameras.\u003c\/p\u003e","brand":"Ilford","offers":[{"title":"Default Title","offer_id":58178152300918,"sku":null,"price":19.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/3892\/5430\/files\/Ilford-Football-Bundle.jpg?v=1782761900"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/3892\/5430\/collections\/Fomapan200-Sample1_Large_47def37d-2721-4a63-aca0-9838b12de321.jpg?v=1776018741","url":"https:\/\/chemicaldependency.co.uk\/collections\/black-and-white-film-stock.oembed?page=2","provider":"Chemical Dependency Lab","version":"1.0","type":"link"}