{"title":"Colour Negative Film","description":"\u003cp\u003eThe colourful side of the dependency. Our C-41 colour negative collection runs from budget-friendly workhorses to cinema-grade emulsions with personality disorders. Saturated Candido for people who think subtlety is overrated, classic Kodak Gold for that golden-hour nostalgia, tungsten-balanced CineStill for making your local high street look like Blade Runner, and experimental stocks from manufacturers you've probably never heard of. All process in standard C-41 chemistry, all developed with the attention your memories deserve. Colour film photography: expensive, time-consuming, and absolutely worth it.\u003c\/p\u003e","products":[{"product_id":"kodak-gold-200-35mm","title":"Kodak Gold 200 - 35mm Colour Negative Film","description":"\u003ch1\u003eKodak Gold 200 - 35mm Colour Negative Film\u003c\/h1\u003e\u003cp\u003eThe gateway drug. Your first roll, your hundredth roll, and every time you need a reliable fix. Kodak Gold 200 is \u003cem\u003ethe\u003c\/em\u003e classic colour negative film, the one that's been enabling analog dependency for generations. With its warm tones, fine grain, and wide exposure latitude, it's the film that makes everything look like a golden-hour memory, even when it's an overcast Tuesday afternoon. ISO 200 keeps it sharp and versatile, perfect for daylight shooting with or without flash. In stock now and shipping fast from the UK.\u003c\/p\u003e\u003ch2\u003eWhat Makes Kodak Gold Good (and Dangerously Addictive)\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eISO 200\u003c\/strong\u003e - The sweet spot for daylight photography. Slow enough for fine grain and gorgeous sharpness, fast enough to shoot handheld in most conditions. The perfect balance for analog enablers everywhere.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWarm, Golden Tones\u003c\/strong\u003e - Everything looks just slightly better than reality. Sunlit portraits glow, landscapes radiate warmth, and even mundane scenes feel like they belong in a shoebox of precious memories. It's not manipulation, it's \u003cem\u003eenhancement\u003c\/em\u003e.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHigh Colour Saturation \u0026amp; Accuracy\u003c\/strong\u003e - Vibrant without being garish. Accurate without being boring. Kodak Gold nails the combination of rich colour and natural reproduction that makes photos feel \u003cem\u003eright\u003c\/em\u003e.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFine Grain Structure\u003c\/strong\u003e - Smooth, clean texture in prints and scans. Detail stays crisp, colours stay pure.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWide Exposure Latitude\u003c\/strong\u003e - Forgiving of imperfect metering. Handles overexposure particularly well, which is reassuring when you're shooting in variable light and don't want to think too hard about it.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eC-41 Processing\u003c\/strong\u003e - Standard colour negative chemistry. Develops everywhere, including here.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDX Coded\u003c\/strong\u003e - Automatic cameras read ISO 200 without any input from you. One less thing.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e24 or 36 Exposures\u003c\/strong\u003e - Choose your adventure length accordingly.\u003c\/p\u003e\u003ch2\u003eBest For\u003c\/h2\u003e\u003cp\u003eEverything you actually do. Family gatherings, travel, street photography, portraits, golden hour, overcast Tuesdays that somehow still look good on film. The everyday colour film that makes the everyday look like it was worth documenting. Once you've shot it, send it our way -- we develop and scan it too.\u003c\/p\u003e\u003chr\u003e\u003cp\u003ePerfect for photographers who want reliable beauty without overthinking it. Kodak Gold has been the gateway for generations of analog dependency. There's a reason it's still here.\u003c\/p\u003e","brand":"Kodak","offers":[{"title":"24","offer_id":56418466922870,"sku":null,"price":9.0,"currency_code":"GBP","in_stock":true},{"title":"36","offer_id":56418466955638,"sku":null,"price":11.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/3892\/5430\/files\/Kodak_Gold_36.jpg?v=1778159635"},{"product_id":"flic-film-elektra-100","title":"Flic Film Elektra 100 - 35mm Colour Negative Film","description":"\u003ch1\u003eFlic Film Elektra 100 - 35mm Colour Negative Film\u003c\/h1\u003e\u003cp\u003eKodak Aerocolor IV, liberated from the skies and re-spooled for your terrestrial photography needs. Flic Film Elektra 100 is medium-speed C-41 colour film with extremely fine grain, sharp acuity, and true-to-life colour rendition — originally manufactured by Kodak for aerial surveillance (yes, really), now freed from mapping missions and given a second life in your camera. It's quirky, it's fun, and it photographs like a dream when you treat it right. In stock now and shipping fast from the UK.\u003c\/p\u003e\u003ch2\u003eWhat Makes Flic Film Elektra Good\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eISO 100\u003c\/strong\u003e - Medium speed with high exposure latitude. Loves good light and rewards proper exposure with gorgeous, accurate colours.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eExtremely Fine Grain\u003c\/strong\u003e - Aerial emulsions are engineered for resolution. That engineering now works in your favour on the ground.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTrue-to-Life Colour\u003c\/strong\u003e - Accurate, natural colour rendition without oversaturation. The kind of results that look like reality remembered well.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eC-41 Processing\u003c\/strong\u003e - Standard colour chemistry. Develops anywhere, including here.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDX Coded\u003c\/strong\u003e - Automatic cameras read ISO 100 correctly. No manual override required.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e36 Exposures\u003c\/strong\u003e - A full roll to explore what an aerial emulsion does at ground level.\u003c\/p\u003e\u003ch2\u003eBest For\u003c\/h2\u003e\u003cp\u003eDaylight shooting, portraiture, travel, landscapes, and photographers curious about what happens when you put a surveillance emulsion in a camera pointed at something worth looking at. Once you've shot it, send it our way — we develop and scan it too.\u003c\/p\u003e\u003chr\u003e\u003cp\u003ePerfect for photographers who want fine grain, accurate colour, and a story to tell about where their emulsion came from.\u003c\/p\u003e","brand":"Flic Film","offers":[{"title":"Default Title","offer_id":56419083780470,"sku":"FF_ELEK_36","price":14.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/3892\/5430\/files\/FlicFilm_Elektra_100.jpg?v=1778159606"},{"product_id":"flic-film-aurora-400","title":"Flic Film Aurora 400 - 35mm Colour Negative Film","description":"\u003ch1\u003eFlic Film Aurora 400 - 35mm Colour Negative Film\u003c\/h1\u003e\u003cp\u003eThe new kid in the Aurora family, now with actual speed and DX coding. Progress is beautiful. Flic Film Aurora 400 is a versatile C-41 colour film that balances accurate skin tones, high dynamic range, and fine grain into a well-rounded package that works for pretty much everything. Crafted by Kodak and re-spooled by Flic Film, this is a native colour negative film — not remjet-removed cinema stock — so it processes cleanly without any mysterious backing layer surprises. The kind of film that makes both newcomers and seasoned shooters happy, which is rarer than you'd think. In stock now and shipping fast from the UK.\u003c\/p\u003e\u003ch2\u003eWhat Makes Flic Film Aurora Good\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eISO 400\u003c\/strong\u003e - Fast enough for low light, versatile enough for everything else. The speed that handles real life.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eAccurate Skin Tones\u003c\/strong\u003e - Balanced colour reproduction that renders people well. Portraits look like the person, not like a colour experiment.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHigh Dynamic Range\u003c\/strong\u003e - Handles highlights and shadows with confidence. Wide latitude means fewer sacrifices when the light isn't cooperating.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFine Grain\u003c\/strong\u003e - Clean results at ISO 400. More refined than the speed suggests.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eNative C-41 Stock\u003c\/strong\u003e - No remjet, no special handling, no explaining to the lab what you've brought them.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDX Coded\u003c\/strong\u003e - Automatic cameras read ISO 400 correctly.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e36 Exposures\u003c\/strong\u003e - A full roll for proper shooting sessions.\u003c\/p\u003e\u003ch2\u003eBest For\u003c\/h2\u003e\u003cp\u003ePortraits, everyday shooting, travel, mixed lighting, and photographers who want a versatile ISO 400 colour film without cinema stock complications. Once you've shot it, send it our way — we develop and scan it too.\u003c\/p\u003e\u003chr\u003e\u003cp\u003ePerfect for photographers who want a reliable, well-rounded colour film from a label that takes the craft seriously.\u003c\/p\u003e","brand":"Flic Film","offers":[{"title":"Default Title","offer_id":56419235201398,"sku":null,"price":15.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/3892\/5430\/files\/FlicFilm_Aurora_400.jpg?v=1775332205"},{"product_id":"street-candy-street-savvy","title":"Street Candy Street Savvy - 35mm Colour Negative Film","description":"\u003ch1\u003eStreet Candy Street Savvy 400 - 35mm Colour Negative Film\u003c\/h1\u003e\u003cp\u003eStreet Candy does colour. ISO 400, warm tones, natural colours, and fine grain without making you work too hard for it. Street Savvy 400 is a C-41 colour negative film that brings the Street Candy character into colour territory: versatile ISO 400 speed, high dynamic range, and forgiving latitude that handles indoors, outdoors, golden hour, and that weird in-between time when you're not quite sure what the light is doing. The worry-free colour option from a brand that's earned the trust of the B\u0026amp;W crowd. In stock now and shipping fast from the UK.\u003c\/p\u003e\u003ch2\u003eWhat Makes Street Candy Street Savvy Good\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eISO 400\u003c\/strong\u003e - The goldilocks speed. Fast enough for most situations, slow enough to keep grain fine and colours rich.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWarm, Natural Tones\u003c\/strong\u003e - Inviting colour palette without oversaturation. Colours look like they belong in the scene rather than fighting for attention.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFine Grain\u003c\/strong\u003e - Clean grain structure at ISO 400. Street Candy's attention to emulsion character carries over from the B\u0026amp;W range.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHigh Dynamic Range\u003c\/strong\u003e - Handles highlights and shadows with confidence. Wide latitude means fewer sacrifices when the light is doing something unpredictable.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eForgiving Latitude\u003c\/strong\u003e - Works across a wide range of exposure conditions without falling apart. Shoot with confidence.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eC-41 Processing\u003c\/strong\u003e - Standard colour chemistry. Any lab, including ours.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e36 Exposures\u003c\/strong\u003e - A full roll for extended shooting sessions.\u003c\/p\u003e\u003ch2\u003eBest For\u003c\/h2\u003e\u003cp\u003eStreet photography, travel, everyday colour shooting, indoor and outdoor work, and photographers who already trust Street Candy for B\u0026amp;W and want to see what they do with colour. Once you've shot it, send it our way, we develop and scan it too.\u003c\/p\u003e\u003chr\u003e\u003cp\u003ePerfect for photographers who want a versatile, warm-toned ISO 400 colour film from a brand with serious analogue credentials.\u003c\/p\u003e","brand":"Street Candy","offers":[{"title":"Default Title","offer_id":56419376071030,"sku":null,"price":15.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/3892\/5430\/files\/StreetCandly_StreetSavvy_400_Canister.jpg?v=1775328485"},{"product_id":"kodak-ultramax","title":"Kodak Ultramax - 35mm Colour Negative Film","description":"\u003ch1\u003eKodak UltraMax 400 - 35mm Colour Negative Film\u003c\/h1\u003e\u003cp\u003eThe people's champion. Reliable, affordable, and consistently good-looking. Kodak UltraMax 400 is the workhorse colour negative film that's been quietly delivering vibrant, saturated colour and crisp detail for decades. With an ISO 400 speed and wide exposure latitude, it handles pretty much any shooting condition you throw at it — bright daylight, overcast skies, indoor lighting, golden hour chaos. It's the all-around film that makes everyday photography look better than it has any right to, without requiring special equipment, perfect technique, or a trust fund. In stock now and shipping fast from the UK.\u003c\/p\u003e\u003ch2\u003eWhat Makes Kodak Ultramax Good\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eISO 400\u003c\/strong\u003e - Fast enough for handheld shooting in varied lighting, slow enough to keep grain fine and colours rich. The goldilocks speed that actually lives up to the hype.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eVivid, Accurate Colour\u003c\/strong\u003e - Bright blues, greens, and reds that pop without looking oversaturated or artificial. Colours feel \u003cem\u003eright\u003c\/em\u003e — vibrant but believable.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eNatural Skin Tones\u003c\/strong\u003e - Balanced for smooth, lifelike skin reproduction. Your portrait subjects will look like humans, not like they've been tangoed or drained of life. Refreshing.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWide Exposure Latitude\u003c\/strong\u003e - Forgiving when your metering isn't perfect (which is most of the time). Handles highlights and shadows with grace.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSharp, Fine Imagery\u003c\/strong\u003e - Detail stays crisp even in challenging conditions. You actually get to see what you photographed.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e24 or 36 Exposures Available\u003c\/strong\u003e - Choose your own adventure. Burn through a roll quickly or make it last.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eC-41 Processing\u003c\/strong\u003e - Standard colour negative chemistry. Every lab develops it without question, including us — send it in once you're done shooting.\u003c\/p\u003e\u003ch2\u003eBest For\u003c\/h2\u003e\u003cp\u003eLiterally everything. Family gatherings, travel, street photography, portraits, action scenes, spontaneous snapshots, weekend getaways, and any situation where you need a film that just \u003cem\u003eworks\u003c\/em\u003e without drama or personality disorders. Once you've shot it, we can develop and scan it for you too.\u003c\/p\u003e\u003chr\u003e\u003cp\u003ePerfect for photographers who want consistent, beautiful results without overthinking it. Sometimes the best film is the one that gets out of your way and lets you shoot.\u003c\/p\u003e","brand":"Kodak","offers":[{"title":"24","offer_id":56419508978038,"sku":null,"price":11.8,"currency_code":"GBP","in_stock":false},{"title":"36","offer_id":56419509010806,"sku":null,"price":13.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/3892\/5430\/files\/Kodak_Ultramax_400.jpg?v=1778159821"},{"product_id":"kodak-colorplus-35mm","title":"Kodak ColorPlus 200 - 35mm Colour Negative Film","description":"\u003ch1\u003eKodak ColorPlus 200 - 35mm Colour Negative Film\u003c\/h1\u003e\u003cp\u003eThe budget-friendly enabler. Great results without the guilt of checking your bank account. Kodak ColorPlus 200 is the film that proves you don't need to spend a fortune to feed your analog habit. As a worldwide bestseller, it delivers fine grain, high sharpness, and rich colour saturation at a price point that lets you actually shoot instead of hoarding precious rolls like they're made of gold. With ISO 200 speed and impressively wide exposure latitude (up to 2 stops under, 3 stops over), it's forgiving, versatile, and consistently good-looking. In stock now and shipping fast from the UK.\u003c\/p\u003e\u003ch2\u003eWhat Makes Kodak ColorPlus Good (and Affordably Habit-Forming)\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eISO 200\u003c\/strong\u003e - Medium speed for bright conditions and general shooting. Slow enough for fine grain, fast enough for handheld daylight work without drama.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRich Colour Saturation\u003c\/strong\u003e - Vivid, pleasing colour reproduction that doesn't require perfect lighting to look good. The kind of saturation that makes ordinary subjects interesting.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFine Grain\u003c\/strong\u003e - Clean, sharp results in prints and scans. More detail than the price tag suggests.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWide Exposure Latitude\u003c\/strong\u003e - Tolerates up to 2 stops under and 3 stops over without falling apart. Forgiving enough for beginners, reliable enough for shooters who know what they're doing.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHigh Sharpness\u003c\/strong\u003e - Crisp detail and good edge contrast. You actually get to see what you photographed.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eC-41 Processing\u003c\/strong\u003e - Develops in standard colour chemistry. Any lab, including ours.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDX Coded\u003c\/strong\u003e - Automatic cameras read the ISO correctly. One less setting to fiddle with.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e24 or 36 Exposures\u003c\/strong\u003e - Both available, depending on how long you want the roll to last.\u003c\/p\u003e\u003ch2\u003eBest For\u003c\/h2\u003e\u003cp\u003eEveryday shooting, travel, street photography, beginners building the habit, and anyone who wants to shoot more and worry less about cost per roll. Once you've shot it, send it our way — we develop and scan it too.\u003c\/p\u003e\u003chr\u003e\u003cp\u003ePerfect for photographers who want to shoot freely without checking their bank balance after every roll. ColorPlus proves the dependency doesn't have to be expensive to be good.\u003c\/p\u003e","brand":"Kodak","offers":[{"title":"24","offer_id":56471217996150,"sku":null,"price":8.5,"currency_code":"GBP","in_stock":false},{"title":"36","offer_id":56471218028918,"sku":null,"price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/3892\/5430\/files\/Kodak_ColorPlus_200_36.jpg?v=1775328485"},{"product_id":"alien-aeronega-35mm-colour-negative-film","title":"Alien Film Aeronega 100 - 35mm Colour Negative Film","description":"\u003ch1\u003eAlien Film Aeronega 100 - 35mm Colour Negative Film\u003c\/h1\u003e\u003cp\u003eKodak aerial surveillance film, liberated from high-altitude reconnaissance for your ground-level photography. Alien Film Aeronega 100 is respooled Kodak Aerocolor IV—originally designed for photographing things from thousands of feet up during reconnaissance missions. Now repackaged by Alien Film Lab, this ISO 100 colour negative film has been freed from military aerial work and made available for still photography. Developed in standard C-41 chemistry, it delivers fine grain, punchy reds, lush greens, strong contrast, and a slightly cool-toned colour palette that sits somewhere between Kodak Portra (less saturated) and Kodak Ektar (longer contrast curve). Expect occasional colour shifts and roll-to-roll variation—this is respooled film with character, not factory-fresh consistency.\u003c\/p\u003e\u003ch2\u003eWhat Makes Alien Film Aeronega 100 Interesting\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eISO 100\u003c\/strong\u003e - Medium speed designed for bright daylight shooting. This film was made to photograph terrain from aircraft, so it's happiest when there's plenty of light to work with.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRespooled Kodak Aerocolor IV\u003c\/strong\u003e - Originally created for high-altitude aerial reconnaissance and still used professionally for that purpose. Now available for considerably less strategic applications like street photography and experimental portraits.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eC-41 Processing\u003c\/strong\u003e - Standard colour negative chemistry. Despite its exotic origins, it develops normally at any lab that does colour film.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003ePunchy Reds \u0026amp; Lush Greens\u003c\/strong\u003e - Colour saturation that's more vibrant than Portra but less aggressive than Ektar. Strong, saturated colours without looking artificial.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFine Grain \u0026amp; High Sharpness\u003c\/strong\u003e - Extremely fine grain with tremendous resolving power. This film was designed to capture detail from altitude, so it handles ground-level detail brilliantly.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eBroad Exposure Latitude\u003c\/strong\u003e - Forgiving exposure range that tolerates slight over or underexposure. Useful when you're experimenting or conditions aren't ideal.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSlightly Cool-Toned Palette\u003c\/strong\u003e - Leans away from warm nostalgic vibes and toward a cooler, slightly archival aesthetic that makes images feel mysteriously cinematic.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRoll-to-Roll Variation\u003c\/strong\u003e - Expect slight differences between rolls and batches. This is respooled film, sometimes into recycled canisters, and may be susceptible to slight light leaks. Part of the charm, not a defect.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eClear Base\u003c\/strong\u003e - No orange mask like typical colour negative film, which affects scanning and printing but contributes to the unique look.\u003c\/p\u003e\u003ch2\u003eBest For\u003c\/h2\u003e\u003cp\u003eStreet photography, documentary work, experimental portraits, urban landscapes, anything requiring fine detail and saturated colour, and photographers who appreciate film with history and character over perfect consistency.\u003c\/p\u003e\u003cp\u003ePerfect for: making ordinary scenes look cinematic, shooting film that was designed for completely different purposes, and explaining to people that yes, this \u003cem\u003eis\u003c\/em\u003e surveillance film, and no, you're not a spy.\u003c\/p\u003e\u003chr\u003e\u003cp\u003ePerfect for photographers who want something different from standard consumer colour film. Aeronega proves that military-grade optics work just as well for documenting your weekend as they do for reconnaissance missions.\u003c\/p\u003e","brand":"Alien Film","offers":[{"title":"Default Title","offer_id":56607820218742,"sku":null,"price":14.8,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/3892\/5430\/files\/Alienfilm_Aeronega_100_35mm.jpg?v=1776320027"},{"product_id":"alien-aeronega-120-colour-negative-film-copy","title":"Alien Film Aeronega - 120 Colour Negative Film","description":"\u003ch1\u003eAlien Film Aeronega 100 - 120 Colour Negative Film\u003c\/h1\u003e\u003cp\u003eKodak aerial surveillance film, liberated from high-altitude reconnaissance for your ground-level photography — now in 120 medium format. Alien Film Aeronega 100 is respooled Kodak Aerocolor IV, originally designed for photographing things from thousands of feet up during reconnaissance missions. Now repackaged by Alien Film Lab for 120 medium format, this ISO 100 colour negative film delivers fine grain, punchy reds, lush greens, strong contrast, and a slightly cool-toned colour palette that sits between Kodak Portra (less saturated) and Kodak Ektar (longer tonal range). The aerial origins show in the resolution. In stock now and shipping fast from the UK.\u003c\/p\u003e\u003ch2\u003eWhat Makes Aeronega 100 Good\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eISO 100\u003c\/strong\u003e - Medium speed for deliberate shooting in good light. Rewards careful exposure with exceptional results.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e120 Medium Format\u003c\/strong\u003e - The aerial resolution on larger negatives. For Hasselblad, Mamiya, Rolleiflex, and any other camera that takes the habit seriously.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFine Grain\u003c\/strong\u003e - Aerial emulsions are engineered for resolution. That resolution is now yours.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDistinctive Colour Palette\u003c\/strong\u003e - Cool-toned, contrasty, with punchy reds and lush greens. Not Portra, not Ektar — its own thing.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eStrong Contrast\u003c\/strong\u003e - Images have presence and tonal punch without oversaturation.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eC-41 Processing\u003c\/strong\u003e - Standard colour chemistry. Any lab, including ours.\u003c\/p\u003e\u003ch2\u003eBest For\u003c\/h2\u003e\u003cp\u003eLandscape photography, portraiture, travel, and medium format photographers who want something visually distinctive with a genuinely interesting backstory. Once you've shot it, send it our way — we develop and scan 120 too.\u003c\/p\u003e\u003chr\u003e\u003cp\u003ePerfect for medium format photographers who want fine grain, distinctive colour, and a film with a more interesting origin story than most.\u003c\/p\u003e","brand":"Alien Film","offers":[{"title":"Default Title","offer_id":56607824675190,"sku":null,"price":14.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/3892\/5430\/files\/Alienfilm_Aeronega_100_120.jpg?v=1776320033"},{"product_id":"lucky-colour-c200-35mm-colour-negative-film","title":"Lucky Colour C200 - 35mm Colour Negative Film","description":"\u003ch1\u003eLucky Colour C200 - 35mm Colour Negative Film\u003c\/h1\u003e\u003cp\u003eChinese colour film, now properly available in the UK. Lucky Colour C200 is freshly manufactured by Lucky Film, a time-honored Chinese film brand that's still producing emulsion while everyone else is either discontinued or permanently \"temporarily out of stock.\" This ISO 200 daylight-balanced colour negative film delivers high contrast and medium grain with character, not the clinical perfection of modern Kodak, but the kind of look that makes everything feel slightly more interesting than it actually was. Developed in standard C-41 chemistry and DX coded for automatic cameras, this is affordable colour film from a brand that's been making film since 1958 and refuses to quit.\u003c\/p\u003e\u003ch2\u003eWhat Makes Lucky Colour C200 Worth Shooting\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eISO 200\u003c\/strong\u003e - Medium speed for daylight shooting. The goldilocks rating that works in bright sun, handles overcast days, and doesn't require perfect light to function.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHigh Contrast\u003c\/strong\u003e - Bold tonal separation that gives images punch and presence. Not subtle, not trying to be.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eMedium Grain\u003c\/strong\u003e - Visible grain structure with character. This isn't the ultra-fine grain of premium films, it's grain that contributes to the aesthetic rather than disappearing. Some people call this \"character,\" others call it \"vintage vibes.\" Both are correct.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDaylight Balanced\u003c\/strong\u003e - Optimised for natural light shooting. Best results under the sun, though it handles mixed lighting with the kind of colour shifts that honestly just add to the charm.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFreshly Made\u003c\/strong\u003e - Not expired stock, not decades-old surplus, not \"vintage\" film that's been sitting in a warehouse since the 90s. Lucky is actively manufacturing this film right now.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eC-41 Processing\u003c\/strong\u003e - Standard colour negative chemistry. Any lab that develops colour film can handle this without special requests or confused looks. Or we can develop it for you too.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDX Coded\u003c\/strong\u003e - Automatic cameras will read the ISO 200 speed correctly. Set it and forget it.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTime-Honored Brand\u003c\/strong\u003e - Lucky Film has been producing photographic materials since 1958. They've survived format changes, digital revolution, and the general collapse of the film industry, now riding the wave of resurgence. That persistence deserves respect.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e36 Exposures\u003c\/strong\u003e - Full roll for extended shooting. Enough frames to work through a proper session without reloading.\u003c\/p\u003e\u003ch2\u003eBest For\u003c\/h2\u003e\u003cp\u003eEveryday colour photography, travel, street shooting, portraits with character, documentary work, and photographers who want something different from the usual Kodak\/Fuji rotation without paying premium prices for it.\u003c\/p\u003e\u003cp\u003ePerfect for: supporting film manufacturers who are still producing new stock, experimenting with lesser-known emulsions, and having genuinely interesting answers when someone asks what film you're shooting.\u003c\/p\u003e\u003chr\u003e\u003cp\u003ePerfect for photographers who believe variety matters and don't see why affordable should mean compromised. Lucky Colour C200 is available, consistent, and full of character, which is more than you can say for half the \"legendary\" films everyone claims to love but can never actually find.\u003c\/p\u003e","brand":"Lucky","offers":[{"title":"Default Title","offer_id":56607905415542,"sku":null,"price":9.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/3892\/5430\/files\/Lucky_C200_35mm.jpg?v=1776320063"},{"product_id":"harman-phoenix-ii-35mm-colour-negative-film","title":"Harman Phoenix II - 35mm Colour Negative Film","description":"\u003ch1\u003eHarman Phoenix II - 35mm Colour Negative Film\u003c\/h1\u003e\n\u003cp\u003eThe sequel. Harman took what worked, refined what didn't, and built something new. Harman Phoenix II is an entirely new second-generation colour film with completely redesigned emulsion, new dyes, new couplers, and an experimental layer construct. Building on the original Phoenix's experimental spirit, Phoenix II offers improved contrast, finer grain, better sharpness, more accurate colour palette, enhanced highlight detail, improved shadow retention, and easier scanning. This is ISO 200 C-41 colour film from Harman Technology (the people behind Ilford) who took the learnings from Phoenix I and rebuilt the film from scratch. If you loved the original's unpredictability, Phoenix II offers a more refined version. If you found Phoenix I challenging, this addresses those concerns while keeping the experimental character. In stock now and shipping fast from the UK.\u003c\/p\u003e\n\u003ch2\u003eWhat's New in Generation Two\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eISO 200\u003c\/strong\u003e - Medium speed for versatile shooting. Works in good daylight, handles overcast conditions, and gives you enough flexibility for general photography without requiring perfect light.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCompletely New Emulsion\u003c\/strong\u003e - Every layer and component has been redesigned and reengineered. New formulation from the ground up, because Harman is committed to genuine innovation rather than just repackaging existing stocks.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eImproved Contrast\u003c\/strong\u003e - Better tonal separation with enhanced shadow detail and highlight retention. More controlled look while maintaining character.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFiner Grain\u003c\/strong\u003e - Significantly improved grain structure. Still has personality, but now it's more refined and intentional rather than overwhelming the image.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBetter Sharpness\u003c\/strong\u003e - Improved detail rendering and edge definition. Images have more clarity and precision while keeping that distinctive Phoenix look.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMore Accurate Colour Palette\u003c\/strong\u003e - Colours that render more faithfully to the scene (for most colours, scanner dependent). Still distinctive, but more predictable and manageable.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eImproved Exposure Latitude\u003c\/strong\u003e - More forgiving when your metering isn't perfect, though Phoenix II still rewards accurate exposure. Wider latitude means more successful frames from varied shooting conditions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBetter Lab Scanning\u003c\/strong\u003e - Scans more accurately at default settings, though some contrast and colour adjustments are still recommended for best results. Less rescue work, more refinement.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExperimental Layer Construct\u003c\/strong\u003e - Harman is doing genuinely experimental work here. This isn't just repackaged film — it's active R\u0026amp;D that you can shoot and support.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eC-41 Processing\u003c\/strong\u003e - Standard colour negative chemistry. Any lab can develop this without confusion or special handling.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e36 Exposures\u003c\/strong\u003e - Full roll for proper shooting sessions. Enough frames to explore the film's characteristics and get consistent results.\u003c\/p\u003e\n\u003ch2\u003eBest For\u003c\/h2\u003e\n\u003cp\u003ePhotographers who loved Phoenix I's experimental character but wanted more refinement, experimental colour photography with better technical foundation, supporting genuinely new film development, and anyone who believes the film industry needs innovation alongside the classics.\u003c\/p\u003e\n\u003cp\u003ePerfect for: trying something genuinely new in colour film, embracing experimental emulsions that are evolving, supporting Harman's R\u0026amp;D efforts, and getting distinctive results that don't look like every other colour stock while maintaining better technical quality. Once you've shot it, we can develop and scan it for you too — we handle C-41 and would love to see what you get.\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003ePerfect for photographers who value innovation and evolution. Phoenix II proves that experimental film can improve while keeping its distinctive character. This is what film development looks like when manufacturers iterate and refine based on real-world use.\u003c\/p\u003e","brand":"Harman","offers":[{"title":"Default Title","offer_id":56608278511990,"sku":null,"price":12.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/3892\/5430\/files\/Harman_Phoenix2_200_35mm.jpg?v=1776320070"},{"product_id":"harman-phoenix-ii-35mm-colour-negative-film-copy","title":"Harman Phoenix II - 120 Medium Format Colour Negative Film","description":"\u003ch1\u003eHarman Phoenix II - 120 Medium Format Colour Negative Film\u003c\/h1\u003e\n\u003cp\u003eThe sequel, now in medium format. Experimental colour film meets larger negatives. Harman Phoenix II is an entirely new second-generation colour film with completely redesigned emulsion, new dyes, new couplers, and an experimental layer construct — now available in 120 medium format for photographers who want that distinctive Phoenix character with the benefits of larger negatives. Building on the original Phoenix's experimental spirit, Phoenix II offers improved contrast, finer grain, better sharpness, more accurate colour palette, enhanced highlight detail, improved shadow retention, and easier scanning. This is ISO 200 C-41 colour film from Harman Technology (the people behind Ilford) in medium format, bringing genuine innovation to your Hasselblad, Mamiya, or Rolleiflex. If you found Phoenix I challenging, this addresses those concerns while keeping the experimental character. In stock now and shipping fast from the UK.\u003c\/p\u003e\n\u003ch2\u003eWhat's New in Generation Two (Now in 120)\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eISO 200\u003c\/strong\u003e - Medium speed for versatile shooting. Works in good daylight, handles overcast conditions, and gives you enough flexibility for general photography without requiring perfect light.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMedium Format Excellence\u003c\/strong\u003e - The improved grain structure, sharpness, and tonal range that make Phoenix II special are even more impressive with 120's larger negative size. More detail, smoother gradations, and that experimental colour palette with better technical foundation.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCompletely New Emulsion\u003c\/strong\u003e - Every layer and component has been redesigned and reengineered. New formulation from the ground up, because Harman is committed to genuine innovation rather than just repackaging existing stocks.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eImproved Contrast\u003c\/strong\u003e - Better tonal separation with enhanced shadow detail and highlight retention. More controlled look while maintaining character, especially noticeable in medium format's tonal range.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFiner Grain\u003c\/strong\u003e - Significantly improved grain structure that looks particularly good in medium format. Still has personality, but now it's more refined and intentional rather than overwhelming the image.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBetter Sharpness\u003c\/strong\u003e - Improved detail rendering and edge definition. Images have more clarity and precision while keeping that distinctive Phoenix look — amplified by medium format's resolution.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMore Accurate Colour Palette\u003c\/strong\u003e - Colours that render more faithfully to the scene (for most colours, scanner dependent). Still distinctive, but more predictable and manageable.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eImproved Exposure Latitude\u003c\/strong\u003e - More forgiving when your metering isn't perfect, though Phoenix II still rewards accurate exposure. Wider latitude means more successful frames from varied shooting conditions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBetter Lab Scanning\u003c\/strong\u003e - Scans more accurately at default settings, though some contrast and colour adjustments are still recommended for best results. Less rescue work, more refinement.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExperimental Layer Construct\u003c\/strong\u003e - Harman is doing genuinely experimental work here. This isn't just repackaged film — it's active R\u0026amp;D that you can shoot and support, now in medium format.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eC-41 Processing\u003c\/strong\u003e - Standard colour negative chemistry. Any lab can develop this without confusion or special handling.\u003c\/p\u003e\n\u003ch2\u003eBest For\u003c\/h2\u003e\n\u003cp\u003eMedium format photographers who loved Phoenix I's experimental character but wanted more refinement, experimental colour photography with better technical foundation, supporting genuinely new film development, and anyone who believes the film industry needs innovation alongside the classics.\u003c\/p\u003e\n\u003cp\u003ePerfect for: trying something genuinely new in medium format colour film, embracing experimental emulsions that are evolving, supporting Harman's R\u0026amp;D efforts, and getting distinctive results that don't look like every other colour stock while maintaining better technical quality with the benefits of larger negatives. Once you've shot it, we can develop and scan it for you too.\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003ePerfect for medium format shooters who value innovation and evolution. Phoenix II in 120 proves that experimental film can improve while keeping its distinctive character, and medium format is the perfect canvas for it.\u003c\/p\u003e","brand":"Harman","offers":[{"title":"Default Title","offer_id":56608278839670,"sku":null,"price":10.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/3892\/5430\/files\/Harman_Phoenix2_200_120.jpg?v=1776320076"},{"product_id":"cinestill-800t-35mm-colour-negative-film","title":"CineStill 800T - 35mm Colour Negative Film","description":"\u003ch1\u003eCineStill 800T - 35mm Colour Negative Film\u003c\/h1\u003e\u003cp\u003eCinema film for stills. Because sometimes you want your Friday night to look like Blade Runner. CineStill 800T is tungsten-balanced colour negative film based on the same motion picture emulsion used by top cinematographers — except CineStill has removed the remjet backing so you can actually process it in standard C-41 chemistry at any photo lab. Rated at ISO 800 and designed for difficult low-light tungsten situations, this film makes artificial light look gorgeous, neon signs glow with that signature halation effect, and night photography feel cinematic. Push it to 3200 if needed, or shoot it in daylight with an 85 filter for a completely different look. In stock now and shipping fast from the UK.\u003c\/p\u003e\u003ch2\u003eWhat Makes CineStill 800T Worth the Dependency\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eISO 800\u003c\/strong\u003e - High speed for low-light shooting. Fast enough for available light indoors, concerts, night streets, and anywhere flash would ruin the mood.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTungsten Balanced\u003c\/strong\u003e - Optimised for artificial light. Tungsten, LED, and mixed sources render beautifully rather than going orange.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHalation Effect\u003c\/strong\u003e - The signature red glow around bright light sources. A byproduct of remjet removal that became a defining aesthetic. Either you love it or you will.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003ePushable to 3200\u003c\/strong\u003e - When ISO 800 isn't enough, push it. The grain climbs, the contrast shifts, the results stay usable.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eC-41 Processing\u003c\/strong\u003e - No specialist chemistry required. Develops anywhere, including here.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e36 Exposures\u003c\/strong\u003e - A full roll for a proper night out with a camera.\u003c\/p\u003e\u003ch2\u003eBest For\u003c\/h2\u003e\u003cp\u003eNight photography, concert shooting, neon-lit streets, indoor available light, tungsten-lit interiors, and anyone who wants their stills to carry a cinematic quality that daylight film simply can't deliver. Once you've shot it, send it our way — we develop and scan it too.\u003c\/p\u003e\u003chr\u003e\u003cp\u003ePerfect for photographers who want to bring cinema home. CineStill 800T doesn't just photograph the night — it makes the night look the way it feels.\u003c\/p\u003e","brand":"CineStill","offers":[{"title":"Default Title","offer_id":56750593409398,"sku":null,"price":18.9,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/3892\/5430\/files\/Cinestill_800T.jpg?v=1775328485"},{"product_id":"lucky-colour-c200-120-medium-format-colour-negative-film","title":"Lucky Colour C200 - 120 Medium Format Colour Negative Film","description":"\u003ch1\u003eLucky Colour C200 - 120 Medium Format Colour Negative Film\u003c\/h1\u003e\u003cp\u003eChinese colour film, now properly available in 120 medium format. Lucky Colour C200 is freshly manufactured by Lucky Film, a time-honored Chinese film brand that's still producing emulsion while everyone else is either discontinued or permanently \"temporarily out of stock\" and now they're doing it in 120 too. This ISO 200 daylight-balanced colour negative film delivers high contrast and medium grain with character, not the clinical perfection of modern Kodak, but the kind of look that makes everything feel slightly more interesting than it actually was. Developed in standard C-41 chemistry and sized for your Hasselblad, Mamiya, or Rolleiflex. In stock now and shipping fast from the UK.\u003c\/p\u003e\u003ch2\u003eWhat Makes Lucky Colour C200 Worth Shooting\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eISO 200\u003c\/strong\u003e - Medium speed for daylight shooting. The goldilocks rating that works in bright sun, handles overcast days, and doesn't require perfect light to function.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHigh Contrast\u003c\/strong\u003e - Bold tonal separation that gives images punch and presence. Not subtle, not trying to be.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eMedium Grain\u003c\/strong\u003e - Visible grain structure with character. This isn't the ultra-fine grain of premium films, it's grain that contributes to the aesthetic rather than disappearing into it.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDaylight Balanced\u003c\/strong\u003e - Optimised for natural light shooting. Best results under the sun, though it handles mixed lighting with the kind of colour shifts that honestly just add to the charm.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFreshly Made\u003c\/strong\u003e - Not expired stock, not decades-old surplus. Lucky is actively manufacturing this film right now.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eC-41 Processing\u003c\/strong\u003e - Standard colour negative chemistry. Any lab that develops colour film can handle this, including us.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e120 Format\u003c\/strong\u003e - For Hasselblad, Mamiya, Rolleiflex, and every other medium format camera with a habit of its own.\u003c\/p\u003e\u003ch2\u003eBest For\u003c\/h2\u003e\u003cp\u003eMedium format street photography, travel, portraiture, and photographers who want something different from the usual Portra rotation without paying Portra prices. Once you've shot it, send it our way, we develop and scan 120 too.\u003c\/p\u003e\u003chr\u003e\u003cp\u003ePerfect for medium format photographers who want affordable, characterful colour film from a brand that's been making it since 1958 and has no intention of stopping.\u003c\/p\u003e","brand":"Lucky","offers":[{"title":"Default Title","offer_id":56891002061174,"sku":null,"price":11.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/3892\/5430\/files\/Lucky_C200_120.jpg?v=1776320069"},{"product_id":"candido-200-35mm-colour-negative-film","title":"Candido 200 - 35mm Colour Negative Film","description":"\u003ch1\u003eCandido 200 - 35mm Colour Negative Film\u003c\/h1\u003e\u003cp\u003eSaturated colour for people who think subtlety is overrated. We respect that. Candido 200 is an ISO 200 colour negative film that believes more is more when it comes to saturation. Designed for daytime shooting with vibrant, punchy colours and fine grain, this film makes your summer holidays look like you remember them feeling rather than how they actually looked. Developed in standard C-41 chemistry, it delivers intense colours and good contrast — the kind of results that make you slightly obsessed with shooting in golden hour even though you claim to be an available light purist. In stock now and shipping fast from the UK.\u003c\/p\u003e\u003ch2\u003eWhat Makes Candido 200 Habit-Forming\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eISO 200\u003c\/strong\u003e - Daylight speed. Loves bright conditions, rewards correct exposure with punchy, saturated results that make a strong first impression.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eVibrant, Saturated Colours\u003c\/strong\u003e - This film has strong opinions about colour. Not subtle, not trying to be.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFine Grain\u003c\/strong\u003e - Clean, sharp results at ISO 200. The saturation doesn't come at the cost of detail.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHigh Contrast\u003c\/strong\u003e - Bold tonal separation. Images have presence.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eC-41 Processing\u003c\/strong\u003e - Standard colour chemistry. Any lab, including ours.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDX Coded\u003c\/strong\u003e - Automatic cameras read ISO 200 correctly.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e36 Exposures\u003c\/strong\u003e - A full roll of unapologetic vibrancy.\u003c\/p\u003e\u003ch2\u003eBest For\u003c\/h2\u003e\u003cp\u003eSummer shooting, travel, golden hour, street photography, portraits with a bold colour palette, and anyone who wants their film to make a statement. The first in the Candido range — pair it with 400 and 800 to cover every situation. Once you've shot it, we develop and scan it too.\u003c\/p\u003e\u003chr\u003e\u003cp\u003ePerfect for photographers who want their colours to announce themselves. Candido 200 is for the dependency that refuses to be tasteful about it.\u003c\/p\u003e","brand":"Candido","offers":[{"title":"Default Title","offer_id":56891411431798,"sku":"candido200","price":14.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/3892\/5430\/files\/Candido_200.jpg?v=1775328541"},{"product_id":"candido-400-35mm-colour-negative-film","title":"Candido 400 - 35mm Colour Negative Film","description":"\u003ch1\u003eCandido 400 - 35mm Colour Negative Film\u003c\/h1\u003e\n\u003cp\u003eThe versatile one. ISO 400 colour negative film that goes wherever your dependency takes you — bright afternoons, overcast days, indoor venues, and everywhere in between. Candido 400 delivers vibrant, saturated colours with characterful grain, developed in standard C-41 chemistry from DX coded canisters. The middle sibling in the Candido range: not as niche as 200, not as committed to darkness as 800. Just reliably excellent across the full range of situations film photographers actually shoot in. In stock now and shipping fast from the UK.\u003c\/p\u003e\n\u003ch2\u003eWhat Makes Candido 400 Habit-Forming\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eISO 400\u003c\/strong\u003e - The goldilocks speed. Fast enough for low-light conditions, indoor venues, late-night parties, and overcast days. Slow enough to work beautifully in bright daylight. The middle sibling that gets along with everyone.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLow-Light Capable\u003c\/strong\u003e - Preserves those unforgettable late-night moments and keeps the energy of the dance floor alive in your photos. Finally, a film that understands your nightlife dependency needs more than just flash and hope.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVibrant, Saturated Colours\u003c\/strong\u003e - The same punchy, eye-catching colour palette as Candido 200, now available when the lighting gets difficult. Colours still pop, saturation still announces itself, just with more ISO to work with.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDelightful Grain\u003c\/strong\u003e - Noticeable grain texture that film enthusiasts adore (or at least claim to). This isn't trying to be ultra-fine—it's leaning into that grainy film aesthetic as a feature. Embrace it or shoot something else.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIndoor\/Outdoor Versatility\u003c\/strong\u003e - Works in varied lighting conditions while retaining natural charm. Bright sunsets, early sunrises, mesmerising ocean views, dimly lit interiors, dance floors, street lights—Candido 400 handles the range without drama.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eC-41 Processing\u003c\/strong\u003e - Standard colour negative chemistry. Any lab can develop this without special instructions or wondering what you've brought them.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDX Coded Canisters\u003c\/strong\u003e - Automatic cameras will read the ISO 400 speed correctly. One less thing to remember when you're loading film at midnight because you just \u003cem\u003ehave\u003c\/em\u003e to shoot that party.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e36 Exposures\u003c\/strong\u003e - Full roll for extended shooting sessions. Enough frames to capture an entire evening, plus some daylight shots when you remember film photography also works during normal hours.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAccessible \u0026amp; User-Friendly\u003c\/strong\u003e - Straightforward colour film that works for both seasoned photographers and newcomers. Point, shoot, get vibrant results with grain you'll either love or learn to love.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSocial Media Ready\u003c\/strong\u003e - Creates authentic, eye-catching, summery vibes on your profiles. Your pictures will look significantly better than phone photos, which is the whole point of this analog dependency anyway.\u003c\/p\u003e\n\u003ch2\u003eBest For\u003c\/h2\u003e\n\u003cp\u003eAll-purpose colour photography, low-light shooting, late-night parties, indoor shooting without flash, street photography after dark, travel in varied lighting, dance floors, concerts, evening events, and maintaining your film habit across all lighting conditions without carrying multiple film stocks. Once you're done shooting, we can develop and scan it for you too.\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003ePerfect for photographers who want Candido's vibrant colour palette with maximum versatility. The middle ground between daylight-only and seriously fast film — Candido 400 delivers saturated colours and characterful grain whenever your dependency strikes.\u003c\/p\u003e","brand":"Candido","offers":[{"title":"Default Title","offer_id":56891412545910,"sku":"candido400","price":14.25,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/3892\/5430\/files\/Candido_400.jpg?v=1775328485"},{"product_id":"candido-800-35mm-colour-negative-film","title":"Candido 800 - 35mm Colour Negative Film","description":"\u003ch1\u003eCandido 800 - 35mm Colour Negative Film\u003c\/h1\u003e\n\u003cp\u003eThe fast one. ISO 800 colour negative film for photographers whose dependency doesn't respect daylight hours. Candido 800 delivers vibrant, saturated colours with that characterful grainy aesthetic in conditions that would make slower films give up entirely — dimly lit venues, night streets, indoor shooting without flash, and any situation where the light is genuinely uncooperative. Developed in standard C-41 chemistry from DX coded steel canisters. The fastest sibling in the Candido range, and the one you reach for when the sun has the audacity to set. In stock now and shipping fast from the UK.\u003c\/p\u003e\n\u003ch2\u003eWhat Makes Candido 800 Habit-Forming\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eISO 800\u003c\/strong\u003e - Seriously fast. Designed specifically for low-light conditions and fast-paced shooting where ISO 400 would make you compromise. This is the speed you need when refusing to use flash becomes a personality trait.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLow-Light Excellence\u003c\/strong\u003e - Excels in dimly-lit rooms, under the stars, late-night walks, moonlit waters, and any situation where you're squinting at your light meter wondering if you're being ambitious or delusional. Candido 800 says yes to both.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAction-Ready\u003c\/strong\u003e - Captures fast-paced scenes and moving subjects without blur. Finally, a film that keeps up with your inability to stay still or shoot in reasonable lighting conditions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVibrant, Saturated Colours\u003c\/strong\u003e - The same punchy Candido colour palette, now available when most films would surrender to grain and give up on saturation. Colours still pop even when the photons are scarce.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGrainy Vintage Aesthetic\u003c\/strong\u003e - That desired grainy look you picked up a film camera for, now with actual low-light capability. The grain is present, characterful, and exactly what you're here for. If you wanted clinical sharpness, you'd shoot digital.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNo Quality Loss\u003c\/strong\u003e - Maintains detail and contrast even in challenging lighting. Sharp, detailed photographs without the blur that comes from desperately underexposing slower film and hoping for the best in development.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVersatile Adaptability\u003c\/strong\u003e - Works seamlessly across various shooting scenarios from bright daylight (if you ever shoot in daylight) to properly difficult low-light situations. Endless possibilities for your artistic vision and midnight photography habits.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eC-41 Processing\u003c\/strong\u003e - Standard colour negative chemistry. Any lab can develop this without special handling or wondering why you're shooting ISO 800 in 2026.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDX Coded Steel Canisters\u003c\/strong\u003e - Automatic cameras will read the ISO 800 speed correctly. Professional packaging for your unprofessional shooting hours.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e36 Exposures\u003c\/strong\u003e - Full roll for extended shooting sessions. Enough frames to capture an entire night of questionable lighting decisions and spontaneous midnight adventures.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIndoor\/Outdoor Ready\u003c\/strong\u003e - Perfect for both indoor and outdoor use when light is scarce, unpredictable, or just generally uncooperative with your creative vision.\u003c\/p\u003e\n\u003ch2\u003eBest For\u003c\/h2\u003e\n\u003cp\u003eSerious low-light photography, night scenes, late-night walks, indoor shooting without flash, moonlit landscapes, concerts, dimly-lit venues, action photography, street photography after dark, and feeding your dependency when the sun has the audacity to set. Once you're done shooting, we can develop and scan it for you too.\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003ePerfect for photographers who need Candido's vibrant colour palette with genuinely fast speed. The eldest sibling that stays up latest — Candido 800 delivers saturated colours and vintage grain when your dependency demands you keep shooting despite terrible lighting.\u003c\/p\u003e","brand":"Candido","offers":[{"title":"Default Title","offer_id":56891426111862,"sku":"candido800","price":14.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/3892\/5430\/files\/Candido_800.jpg?v=1775328485"},{"product_id":"fujifilm-200-35mm-colour-negative-film","title":"Fujifilm 200 - 35mm Colour Negative Film","description":"\u003ch1\u003eFujifilm 200 - 35mm Colour Negative Film\u003c\/h1\u003e\u003cp\u003eThe reliable classic. Because sometimes your dependency needs something that just works. Fujifilm 200 is the latest iteration of the world-famous Fujifilm C200 — a colour negative film that's been quietly enabling analog habits for decades. With ISO 200 speed, enhanced colour reproduction, fine grain, and good sharpness, it delivers natural-looking results across different lighting situations without drama or difficult personality traits. In stock now and shipping fast from the UK.\u003c\/p\u003e\u003ch2\u003eWhat Makes Fujifilm 200 Worth Shooting\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eISO 200\u003c\/strong\u003e - Medium speed for daylight and flash photography. Slow enough for fine grain, versatile enough for most situations.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eEnhanced Colour Reproduction\u003c\/strong\u003e - Natural, accurate colour with that characteristic Fuji rendering. Greens are lush, skin tones are flattering, blues are clean.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFine Grain\u003c\/strong\u003e - Smooth, detailed results in prints and scans. One of the better grain structures at this price point.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eGood Sharpness\u003c\/strong\u003e - Crisp detail and clear edge contrast. What you pointed the camera at is what you get.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWide Exposure Latitude\u003c\/strong\u003e - Forgiving in varied lighting. Handles indoor flash and outdoor daylight with equal reliability.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eC-41 Processing\u003c\/strong\u003e - Standard colour chemistry. Develops anywhere, including here.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDX Coded\u003c\/strong\u003e - Automatic cameras read ISO 200 correctly.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e36 Exposures\u003c\/strong\u003e - A full roll for extended shooting sessions.\u003c\/p\u003e\u003ch2\u003eBest For\u003c\/h2\u003e\u003cp\u003eEveryday colour photography, travel, family occasions, street photography, and any situation where you want consistent, beautiful results without overthinking the film choice. Once you've shot it, send it our way — we develop and scan it too.\u003c\/p\u003e\u003chr\u003e\u003cp\u003ePerfect for photographers who want the classic Fuji colour palette with the reliability that's made it a staple of the analog habit for decades.\u003c\/p\u003e","brand":"Fujifilm","offers":[{"title":"Default Title","offer_id":57228824248694,"sku":null,"price":11.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/3892\/5430\/files\/Fujifilm_200.jpg?v=1776320041"},{"product_id":"fujifilm-400-35mm-colour-negative-film","title":"Fujifilm 400 - 35mm Colour Negative Film","description":"\u003ch1\u003eFujifilm 400 - 35mm Colour Negative Film\u003c\/h1\u003e\u003cp\u003eThe versatile workhorse. Fuji's answer to \"what film should I bring?\". Fujifilm 400 is a superb all-round ISO 400 colour negative film that delivers vivid colours, fine grain, and excellent sharpness across a wide range of lighting conditions. From bright daylight to low-light flash photography, portraits to action shots, this medium-speed film handles everything with the same reliable Fuji character that made its slower sibling famous. Wide exposure latitude, true-to-life skin tones, and rich colour saturation — the film you keep in your bag when you don't know what the day will bring but know you'll be shooting. In stock now and shipping fast from the UK.\u003c\/p\u003e\u003ch2\u003eWhat Makes Fujifilm 400 Worth Shooting\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eISO 400\u003c\/strong\u003e - The goldilocks speed. Fast enough for low light, indoor shooting, and moving subjects. Slow enough for fine grain and rich colour in daylight.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eVivid Colour Saturation\u003c\/strong\u003e - Rich, punchy colour with that characteristic Fuji rendering. Looks good in most situations without requiring perfect light.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTrue-to-Life Skin Tones\u003c\/strong\u003e - Flattering, accurate skin reproduction. Portrait subjects look like themselves.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFine Grain\u003c\/strong\u003e - Remarkably clean at ISO 400. More refined than the speed suggests.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eExcellent Sharpness\u003c\/strong\u003e - Crisp detail across the frame. You get to see what you photographed.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWide Exposure Latitude\u003c\/strong\u003e - Forgiving in varied lighting. Handles the full range of situations without fuss.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eC-41 Processing\u003c\/strong\u003e - Standard colour chemistry. Any lab, including ours.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e36 Exposures\u003c\/strong\u003e - A full roll for a proper shooting session.\u003c\/p\u003e\u003ch2\u003eBest For\u003c\/h2\u003e\u003cp\u003eAll-purpose colour photography, travel, portraits, street shooting, events, and any situation where you want one film that handles everything. Once you've shot it, send it our way — we develop and scan it too.\u003c\/p\u003e\u003chr\u003e\u003cp\u003ePerfect for photographers who want Fuji colour and versatility in a single roll. The all-rounder that earns its place in every camera bag.\u003c\/p\u003e","brand":"Fujifilm","offers":[{"title":"Default Title","offer_id":57229009518966,"sku":null,"price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/3892\/5430\/files\/Fujifilm_400.jpg?v=1776320046"},{"product_id":"candido-film-bundle","title":"Candido Triple Film Bundle","description":"\u003ch1\u003eCandido Triple Film Bundle\u003c\/h1\u003e\u003cp\u003eThe whole family. One habit. Three speeds, one obsession. The Candido Triple Pack is the most efficient way to discover which sibling you can't live without — or whether you need all three. One roll each of Candido 200, 400 and 800, bundled into a single considered introduction to one of the most characterful colour film ranges available today. All three films share the same punchy, saturated Candido colour palette and develop in standard C-41 chemistry, but each brings a different ISO to the table — covering everything from bright summer daylight to genuinely difficult low-light conditions. At the bundle price, it's the most sensible way to meet the whole range before committing to a favourite. In stock now and shipping fast from the UK.\u003c\/p\u003e\u003ch2\u003eWhat's In The Bundle\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eCandido 200\u003c\/strong\u003e - The daylight specialist. Saturated colour and fine grain for bright conditions. The sibling that's most particular about its light.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCandido 400\u003c\/strong\u003e - The versatile middle. ISO 400 colour that goes everywhere — daylight, overcast, indoor venues, late evening. The one you'll probably shoot most.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCandido 800\u003c\/strong\u003e - The night owl. ISO 800 for low-light conditions, indoor shooting without flash, and situations where the other two would leave you underexposed.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eC-41 Processing\u003c\/strong\u003e - All three develop in standard colour chemistry. Send them all in together — we handle them all in the same run.\u003c\/p\u003e\u003ch2\u003eBest For\u003c\/h2\u003e\u003cp\u003ePhotographers new to the Candido range who want to shoot all three before choosing a favourite, those building a varied film stock habit, and anyone who suspects they might need all three speeds in their bag at once. Once you've shot them, send them our way — we develop and scan all three for you.\u003c\/p\u003e\u003chr\u003e\u003cp\u003ePerfect for photographers who want to meet the whole Candido family before deciding which one to keep. The bundle price makes the introduction considerably easier to justify.\u003c\/p\u003e","brand":"Candido","offers":[{"title":"Default Title","offer_id":57514933879158,"sku":null,"price":40.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/3892\/5430\/files\/Candido_200_400_800_Bundle.jpg?v=1775328541"},{"product_id":"kono-smile","title":"Kono Smile Color 200 - 35mm Colour Negative Film","description":"\u003ch1\u003eKono Smile Color 200 - 35mm Colour Negative Film\u003c\/h1\u003e\u003cp\u003eA brand new German colour film. In 2025. Yes, really. New emulsions don't come along often. Kono Smile Color 200 is one of the few genuinely new colour films to arrive in years, and it comes with a proper backstory. An ISO 200 colour negative film developed by KONO Manufaktur's partner in Germany, based on the ORWO Wolfen NC200 emulsion manufactured by InovisCoat GmbH — the modern successor to the historic ORWO film factory in Wolfen. KONO spools and packages it themselves using machinery they designed and built in-house, making this one of the very few genuinely independent colour film operations in the world. When we have stock, it ships fast from the UK.\u003c\/p\u003e\u003ch2\u003eWhat Makes Kono Smile Color 200 Worth Shooting\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eISO 200\u003c\/strong\u003e - Medium speed for daylight and general shooting. Versatile enough for most conditions with good light.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eORWO Wolfen NC200 Emulsion\u003c\/strong\u003e - A genuinely new emulsion from a historically significant factory. This isn't repackaged existing stock — it's new chemistry.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eIndependently Made\u003c\/strong\u003e - KONO spool their own film on custom-built machinery. One of the few truly independent colour film operations in existence.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eC-41 Processing\u003c\/strong\u003e - Standard colour chemistry. Develops anywhere, including here.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e36 Exposures\u003c\/strong\u003e - A full roll of genuinely new colour film.\u003c\/p\u003e\u003ch2\u003eBest For\u003c\/h2\u003e\u003cp\u003ePhotographers who want to support independent film manufacturing, those curious about ORWO emulsions, and anyone who wants to shoot something genuinely new rather than the usual rotation. Once you've shot it, send it our way — we develop and scan it too.\u003c\/p\u003e\u003chr\u003e\u003cp\u003ePerfect for photographers who care where their film comes from and want to support the people still making it from scratch.\u003c\/p\u003e","brand":"Kono","offers":[{"title":"Default Title","offer_id":57614338031990,"sku":"KF525-3","price":12.5,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/3892\/5430\/files\/Kono_Smile_TubFilm.jpg?v=1778159842"},{"product_id":"this-is-how-i-roll-spectrum-400","title":"Spectrum 400 - 35mm Colour Negative Film","description":"\u003ch1\u003eSpectrum 400 - 35mm Colour Negative Film\u003c\/h1\u003e\u003cp\u003eYour dependable ISO 400 colour companion — and proof that small independent film operations can make genuinely good emulsions. Spectrum 400 is from This Is How I Roll Film, a small UK-based outfit with a passion for making analogue photography more accessible. ISO 400 colour negative film that delivers vibrant colours, fine grain, and a broad dynamic range across a wide range of lighting conditions. Comes in a recycled canister with no box, because the habit doesn't need packaging to be real. In stock now and shipping fast from the UK.\u003c\/p\u003e\u003ch2\u003eWhat Makes Spectrum 400 Habit-Forming\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eISO 400\u003c\/strong\u003e - The goldilocks speed. Fast enough for low light and indoor shooting, slow enough for fine grain and rich colour outdoors.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eVibrant Colours\u003c\/strong\u003e - Vivid, punchy colour reproduction. Looks alive in prints and scans.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFine Grain\u003c\/strong\u003e - Clean grain structure at ISO 400. More refined than the humble packaging suggests.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eBroad Dynamic Range\u003c\/strong\u003e - Handles highlights and shadows with confidence across varied lighting conditions.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eUK Independent\u003c\/strong\u003e - Made by This Is How I Roll Film, a small UK operation keeping the analogue habit accessible.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRecycled Canister\u003c\/strong\u003e - No box, no waste, no apology. The film is the product.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eC-41 Processing\u003c\/strong\u003e - Standard colour chemistry. Any lab, including ours.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e36 Exposures\u003c\/strong\u003e - A full roll for a proper shooting session.\u003c\/p\u003e\u003ch2\u003eBest For\u003c\/h2\u003e\u003cp\u003eEveryday colour photography, travel, street shooting, indoor available light, and photographers who want to support independent UK film production while feeding the habit. Once you've shot it, send it our way — we develop and scan it too.\u003c\/p\u003e\u003chr\u003e\u003cp\u003ePerfect for photographers who want reliable, versatile ISO 400 colour from people who actually care about the craft.\u003c\/p\u003e","brand":"This is How I Roll Film","offers":[{"title":"Default Title","offer_id":57614341374326,"sku":null,"price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/3892\/5430\/files\/Thisishowiroll_Spectrum_400.jpg?v=1776320489"},{"product_id":"this-is-how-i-roll-250d","title":"This Is How I Roll 250D - 35mm Colour Negative Film - Without Remjet (AHU)","description":"\u003ch1\u003eThis Is How I Roll 250D - 35mm Colour Negative Film - Without Remjet (AHU)\u003c\/h1\u003e\u003cp\u003eHollywood's daylight workhorse. Now in a recycled canister. ISO 250, daylight balanced, and the same stock used on Inception, The Big Short, and The Hateful Eight. Some habits have impeccable taste. This Is How I Roll Film Kodak Vision3 250D is an ISO 250 daylight-balanced colour negative motion picture film, hand-rolled from a fresh Kodak roll into recycled canisters. The AHU version carries no remjet layer, meaning it develops cleanly in standard C-41 chemistry at any colour lab, including ours. If you know CineStill 400D, this is the same underlying emulsion. Outstanding skin tones, extended highlight latitude, and neutral colour rendering that makes everything look considered. In stock now and shipping fast from the UK.\u003c\/p\u003e\u003ch2\u003eWhat Makes TIHR 250D Worth The Habit\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eISO 250\u003c\/strong\u003e - Daylight-balanced, versatile speed. Sits between 200 and 400 in a way that handles most situations with ease.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eKodak Vision3 250D Stock\u003c\/strong\u003e - Professional motion picture emulsion used on major productions. The cinema credentials are real.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eNo Remjet (AHU)\u003c\/strong\u003e - Factory Anti-Halation Undercoat instead of remjet backing. Develops cleanly in standard C-41 without any special handling or cinema lab required.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eOutstanding Skin Tones\u003c\/strong\u003e - Professional cinema-grade colour rendering. Portraits look exceptional.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eExtended Highlight Latitude\u003c\/strong\u003e - Handles bright highlights without blowing out. Wide dynamic range for challenging lighting.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eNeutral Colour Rendering\u003c\/strong\u003e - Accurate, controlled colour without oversaturation. Looks deliberate.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eC-41 Processing\u003c\/strong\u003e - Standard colour chemistry. Any lab, including ours.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRecycled Canisters\u003c\/strong\u003e - Hand-rolled into recycled canisters sourced from labs around the UK.\u003c\/p\u003e\u003ch2\u003eBest For\u003c\/h2\u003e\u003cp\u003ePortraiture, travel, documentary work, everyday shooting, and photographers who want cinema-quality colour in a standard C-41 film. Once you've shot it, send it our way — we develop and scan it too.\u003c\/p\u003e\u003chr\u003e\u003cp\u003ePerfect for photographers who want Kodak's professional colour science in their 35mm camera without needing a film set to justify it.\u003c\/p\u003e","brand":"This is How I Roll Film","offers":[{"title":"Default Title","offer_id":57614341505398,"sku":null,"price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/3892\/5430\/files\/Thisishowiroll_250D.jpg?v=1776320605"},{"product_id":"this-is-how-i-roll-500t","title":"This Is How I Roll 500T - 35mm Colour Negative Film - Without Remjet (AHU)","description":"\u003ch1\u003eThis Is How I Roll 500T - 35mm Colour Negative Film - Without Remjet (AHU)\u003c\/h1\u003e\u003cp\u003eHollywood's film stock. In your camera. Without the drama. Kodak Vision3 500T is what they shot Dunkirk on. This Is How I Roll Film put it in a 35mm canister so you don't have to work on a film set to use it. An ISO 500 tungsten-balanced colour negative motion picture film, hand-rolled from a fresh 400ft Kodak roll into recycled canisters sourced from film labs around the UK. The AHU version replaces the original remjet backing with Kodak's factory Anti-Halation Undercoat, which washes away cleanly during processing. Not home-stripped remjet film — the genuine factory AHU version. In stock now and shipping fast from the UK.\u003c\/p\u003e\u003ch2\u003eWhat Makes TIHR 500T Worth The Habit\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eISO 500\u003c\/strong\u003e - Fast, tungsten-balanced, built for difficult light. The cinema speed for available light shooting after dark.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eKodak Vision3 500T Stock\u003c\/strong\u003e - Professional motion picture emulsion. Shot Dunkirk, 1917, and a significant portion of prestige cinema. Now in your camera.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTungsten Balanced\u003c\/strong\u003e - Optimised for artificial light sources. Renders tungsten, LED, and mixed lighting beautifully without going orange.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eNo Remjet (Factory AHU)\u003c\/strong\u003e - The factory Anti-Halation Undercoat version. Develops cleanly in standard C-41. This distinction matters — it's not the same as DIY remjet removal.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eExtended Highlight Latitude\u003c\/strong\u003e - Cinema film is engineered to handle extreme contrast ratios. That capability transfers directly to still photography.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eC-41 Processing\u003c\/strong\u003e - Standard colour chemistry. Any lab, including ours.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRecycled Canisters\u003c\/strong\u003e - Hand-rolled into recycled canisters from UK film labs.\u003c\/p\u003e\u003ch2\u003eBest For\u003c\/h2\u003e\u003cp\u003eNight photography, concerts, indoor available light, tungsten-lit interiors, mixed lighting situations, and photographers who want the cinema colour palette at high speed without wrestling with remjet. Once you've shot it, send it our way — we develop and scan it too.\u003c\/p\u003e\u003chr\u003e\u003cp\u003ePerfect for photographers who want professional cinema colour in difficult light. 500T earns the cinematic comparison.\u003c\/p\u003e","brand":"This is How I Roll Film","offers":[{"title":"Default Title","offer_id":57614357987702,"sku":null,"price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/3892\/5430\/files\/Thisishowiroll_500T.jpg?v=1776320828"},{"product_id":"this-is-how-i-roll-maverick-125","title":"This Is How I Roll Maverick 125 - 35mm Colour Negative Film","description":"\u003ch1\u003e\u003cstrong\u003eThis Is How I Roll Maverick 125 - 35mm Colour Negative Film\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003cstrong\u003eFrom aerial reconnaissance to your camera bag.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eOriginally engineered to photograph the earth from altitude. Now available for photographers whose ambitions are somewhat closer to ground level.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThis Is How I Roll Film Maverick 125 35mm Film is an ISO 125 colour negative film originally designed for aerial photography, hand-rolled into recycled canisters by This Is How I Roll Film. The aerial heritage translates directly into the characteristics that make it interesting for still photography: ultra-fine grain, high definition detail, precise colour accuracy, and a tonal range that handles the extremes of exposure with composure. It shares the same thin polyester base and light piping caveat as the Noir collection, and develops in standard C-41 chemistry. In stock now and shipping fast from the UK. 36 exposures, no DX code.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eWhat Makes This Is How I Roll Film Maverick 125 35mm Film Habit-Forming\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eAerial Origins, Photographic Results\u003c\/strong\u003e Aerial photography demands a film that resolves fine detail accurately from altitude, handles wide dynamic range across varied terrain and lighting conditions, and maintains colour fidelity under circumstances that standard photographic films weren't designed for. Those same engineering requirements translate directly into the characteristics that make Maverick 125 distinctive at ground level: sharpness that holds under scrutiny, colour that doesn't drift, and tonal depth that rewards careful scanning and printing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUltra-Fine Grain\u003c\/strong\u003e The grain structure on Maverick 125 is exceptionally fine, producing negatives with a clean, smooth quality that reflects the film's technical origins. For photographers who want the finest grain available in a colour negative film at ISO 125, the aerial heritage is a genuine advantage rather than a marketing angle.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eISO 125: Precise and Considered\u003c\/strong\u003e ISO 125 is a deliberate speed for deliberate photographers. It rewards good light and careful exposure, producing its best results outdoors in natural light or in controlled studio conditions. It isn't a film for available light interiors or unpredictable conditions; it's a film for situations where you know what you're working with and want the best the format can produce.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCinematic Colour and Contrast\u003c\/strong\u003e Maverick 125 delivers accurate, true-to-life colour with dynamic contrast and a tonal range that gives images genuine depth. The palette is clean and precise rather than warm or stylised, producing results that suit landscape, architectural, and fine detail work where colour accuracy matters as much as aesthetic character.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThin Polyester Base: Flat Negatives, Handle with Care\u003c\/strong\u003e Like the Noir collection from This Is How I Roll Film, Maverick 125 is coated onto a thin base that dries completely flat, making it a strong performer for photographers who scan their own negatives. The same thin base also makes it susceptible to light piping. Load in dim or subdued light and store in the black canister pot rather than a clear one. The same two habits that apply across all This Is How I Roll Film stocks with a thin base.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStandard C-41 Processing\u003c\/strong\u003e Develops in standard C-41 chemistry at any colour lab, including Chemical Dependency Lab. No special handling, no unusual requirements.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNo DX Code: Set Your ISO Manually\u003c\/strong\u003e No DX code on the canister. Set your ISO manually to 125. Cameras without manual ISO control are not compatible.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e36 Exposures\u003c\/strong\u003e A full 36-exposure roll in a recycled canister. No box, no excess packaging.\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003e\u003cstrong\u003eBest For\u003c\/strong\u003e Maverick 125 earns its place for landscape, architectural, travel, and fine detail work in good natural light or controlled studio conditions. The ultra-fine grain and colour accuracy make it a strong choice for any work where image quality and tonal precision are the priority, and for photographers who want a distinctive and technically capable colour film at ISO 125 that goes beyond the mainstream options. The flat-drying polyester base makes it particularly well suited to photographers who develop and scan their own film. C-41 development is available here at Chemical Dependency Lab if you'd rather hand it over.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePerfect for:\u003c\/strong\u003e Landscape and architectural photographers who want the finest grain a colour negative film can offer, studio and controlled light work, home developers who scan their own negatives, and anyone whose colour film dependency has outgrown the standard options and is ready for something with a more interesting history.\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003eMaverick 125 started its working life photographing terrain from altitude. The precision that required, in colour accuracy, grain structure, and tonal range, is exactly what makes it compelling for still photography. It isn't the most versatile film in the bag and it doesn't pretend to be. What it offers is a level of technical quality with an unusual provenance, at a price that reflects both.\u003c\/p\u003e","brand":"This is How I Roll Film","offers":[{"title":"Default Title","offer_id":57743705473398,"sku":null,"price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/3892\/5430\/files\/Thisishowiroll_Maverick_125.jpg?v=1778159729"},{"product_id":"this-is-how-i-roll-50d","title":"This Is How I Roll 50D - 35mm Colour Negative Film - Without Remjet (AHU)","description":"\u003ch1\u003e\u003cstrong\u003eThis Is How I Roll 50D - 35mm Colour Negative Film\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003cstrong\u003eThe finest grain in Hollywood. Now in your camera.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eISO 50, daylight balanced, and the same stock that Christopher Nolan used on Tenet. Some habits have excellent taste.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThis Is How I Roll Film Kodak Vision3 50D AHU 35mm Film is an ISO 50 daylight-balanced colour negative motion picture film, hand-rolled from fresh Kodak Vision3 stock into recycled canisters. The 50D is the slowest and finest-grained film in the Vision3 lineup, producing images with exceptional clarity, natural colour accuracy, and the kind of dynamic range that professional cinema demands. The AHU version carries no remjet layer, meaning it develops cleanly in standard C-41 chemistry at any colour lab, including ours. In stock now and shipping fast from the UK. Rolled fresh, no box, no DX code.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eWhat Makes This Is How I Roll Film 50D AHU 35mm Film Habit-Forming\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eThe Finest Grain in the Vision3 Lineup\u003c\/strong\u003e ISO 50 is where motion picture engineering produces its most refined results. Vision3 50D was designed to deliver the cleanest, sharpest image the format can produce, and the grain structure reflects that. For still photographers this translates to negatives with extraordinary detail and smoothness that faster films simply can't replicate. If you want to know what 35mm is genuinely capable of, this is a strong argument.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDaylight Balanced: Colours That Behave\u003c\/strong\u003e Unlike the tungsten-balanced 500T, Vision3 50D is calibrated for daylight, which means colours render naturally and accurately in outdoor light without filtration. The palette is neutral and precise, with reviewers consistently drawing comparisons to Kodak Portra 160: clean, faithful, and flattering without being overly warm or cool. In golden hour light the saturation lifts pleasingly, rewarding photographers who chase that quality of light.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExceptional Dynamic Range\u003c\/strong\u003e Vision3 50D carries around 11 stops of dynamic range in ECN-2 development, with C-41 adding a modest increase in contrast and saturation. In practical terms this means highlights that hold detail long after other films would block up, and shadows that retain information in conditions where a less capable emulsion would simply go dark. For outdoor photography in high-contrast daylight, where the difference between sky and shadow is extreme, that latitude is directly useful.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe CineStill 50D Connection\u003c\/strong\u003e CineStill 50D is based on this emulsion. The difference is that CineStill removes the remjet before respooling, which introduces the characteristic halation glow around bright light sources. This Is How I Roll Film's AHU version uses the factory Anti-Halation Undercoat, which washes away cleanly in processing without the halation effect. For photographers who want the Vision3 50D look without the glow, or who simply want the underlying emulsion in its intended form, this is the version to choose.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eC-41 Compatible: No Special Processing\u003c\/strong\u003e The AHU layer washes away cleanly in standard C-41 chemistry. Any colour lab can develop it, including Chemical Dependency Lab. ECN-2 is still the native process and produces the classic cinema look; C-41 is equally valid and significantly more accessible. Either route works without special handling or prior warning to the lab.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eISO 50: Slow and Deliberate\u003c\/strong\u003e ISO 50 demands good light and a considered approach to exposure. It isn't the film for dim interiors or fast-moving subjects in low light. In the right conditions, outdoors in good natural or golden light, it delivers results that make the slower pace entirely worth it. This is a film for photographers who are willing to work with the light rather than around it.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNo DX Code: Set Your ISO Manually\u003c\/strong\u003e There is no DX code on the canister. Set your ISO manually to 50. Cameras without manual ISO control are not compatible.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e36 Exposures\u003c\/strong\u003e A full roll in a recycled 35mm canister. No box, no excess packaging.\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003e\u003cstrong\u003eBest For\u003c\/strong\u003e Vision3 50D AHU earns its place for outdoor photography in good natural light: landscapes, portraiture, travel, architecture, and any situation where fine grain, accurate colour, and wide dynamic range in bright conditions are the priority. The golden hour saturation lift makes it a particularly rewarding choice for photographers who shoot in that quality of light. It's also a compelling option for photographers already familiar with CineStill 50D who want to understand the base emulsion without the halation, or who simply want the finest grain a colour negative film can offer at this price point. C-41 development is available here at Chemical Dependency Lab when you're ready.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePerfect for:\u003c\/strong\u003e Landscape and travel photographers, portrait work in natural daylight, architecture and fine detail work, CineStill 50D shooters curious about the source emulsion, and anyone whose colour film dependency has been looking for an excuse to slow down and shoot something exceptional.\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003eKodak Vision3 50D has been in major productions because it produces the finest, cleanest image the format is capable of. The AHU version from This Is How I Roll Film makes it accessible without the processing complications that kept most photographers at arm's length. Exceptional grain, wide dynamic range, accurate daylight colour, and standard C-41 development: the film that cinematographers reach for when quality is the only criterion, now available at a price that won't require a production budget.\u003c\/p\u003e","brand":"This is How I Roll Film","offers":[{"title":"Default Title","offer_id":57743706128758,"sku":null,"price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/3892\/5430\/files\/Thisishowiroll_50D.jpg?v=1778159474"},{"product_id":"ektar-100","title":"Kodak Ektar 100 - 35mm Colour Negative Film","description":"\u003ch1\u003e\u003cstrong\u003eKodak Ektar 100 - 35mm Colour Negative Film\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003cstrong\u003eThe one Kodak calls the world's finest grain. They're not wrong.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eVivid, sharp, and unforgiving of bad light. Ektar 100 has strong opinions about how it wants to be shot and rewards photographers who listen.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eKodak Ektar 100 35mm Film is an ISO 100 daylight-balanced professional colour negative film and one of the most celebrated emulsions in the analogue photography world. Built on Kodak's T-GRAIN emulsion technology with VISION Film cinematic heritage, it delivers ultra-fine grain, exceptional sharpness, and a vivid, saturated colour palette that sits closer to slide film than most colour negative stocks. Kodak describes it as having the world's finest grain of any colour negative film, and the results bear that out. In stock now and shipping fast from the UK. DX coded, 36 exposures, standard C-41 chemistry.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eWhat Makes Kodak Ektar 100 35mm Film Habit-Forming\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eThe World's Finest Grain\u003c\/strong\u003e Kodak's own claim, and one that holds up to scrutiny. The T-GRAIN emulsion produces grain so fine that at normal print sizes it's essentially invisible, and even at 40 megapixel scans it remains barely perceptible. In 35mm the results rival what you'd expect from medium format; in medium format the grain disappears entirely. If fine grain in a colour film is the dependency, this is where it ends.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVivid, Saturated Colour\u003c\/strong\u003e Ektar 100 sits in unusual territory for a colour negative film. The saturation is closer to slide film than most C-41 stocks, with blues and greens that are particularly vivid and a colour palette that makes landscapes look genuinely extraordinary in good light. Kodak positioned it as a successor to Kodachrome for a reason, and for photographers who've chased that look through various modern alternatives, Ektar is the most direct route to it. It doesn't aim for flattery; it aims for accuracy and intensity simultaneously.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExceptional Sharpness\u003c\/strong\u003e The combination of T-GRAIN emulsion and proprietary DIR couplers gives Ektar 100 sharpness that makes the lens and scanner the limiting factors rather than the film. For enlargements, fine art prints, and any work where resolving fine detail matters, it delivers results that make 35mm feel considerably more capable than its reputation sometimes suggests.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBuilt for Scanning\u003c\/strong\u003e The T-GRAIN micro-structure was optimised with scanning in mind, and it shows. Negatives scan with remarkable clarity and hold colour information cleanly. The thin orange base is well behaved in most scanning setups, though underexposed shadows can produce blue-cyan shifts that benefit from careful inversion using Ektar-specific profiles or software like Negative Lab Pro.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExposure: Give It Light\u003c\/strong\u003e Ektar 100 has medium to low exposure latitude compared to more forgiving stocks like Portra. It tolerates around two stops of overexposure and one stop of underexposure, but it performs at its best when exposed correctly in good light. Underexposure compresses the shadows aggressively and loses the tonal nuance the film is capable of. In good daylight it is exceptional; in difficult or mixed light it requires more care than most films. This is not a criticism; it's information worth having before you load it.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLandscape and Nature Photography's Favourite\u003c\/strong\u003e The vivid blues and greens, exceptional sharpness, and fine grain make Ektar 100 a natural choice for landscape, nature, travel, and architectural photography where colour intensity and detail are the priorities. It's the film that makes a good landscape look like a great one, and a great landscape look like a postcard that actually does the scene justice.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA Word on Portraits\u003c\/strong\u003e Ektar's strong saturation and contrast can make skin tones challenging, particularly for lighter complexions where the heightened colour can read as unflattering. Photographers who shoot portraits regularly tend to reach for Portra instead. That said, careful scanning and considered post-processing can produce excellent portrait results, and in diffused or shadow light the colour rendering is considerably more gentle. Worth knowing, not worth avoiding the film over.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eC-41 Processing, DX Coded\u003c\/strong\u003e Standard C-41 chemistry, compatible with any colour lab including Chemical Dependency Lab. DX coded for automatic cameras. No special handling required.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e36 Exposures\u003c\/strong\u003e A full 36-exposure roll in standard 35mm format.\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003e\u003cstrong\u003eBest For\u003c\/strong\u003e Ektar 100 earns its place firmly in landscape, travel, nature, and architectural photography where the combination of fine grain, vivid colour, and exceptional sharpness can be used to full effect in good light. It's a strong choice for any work destined for large prints or high-resolution output, and for photographers who want the closest colour negative approximation to the look of slide film without the processing limitations. It rewards careful exposure and good light, and produces results under those conditions that are difficult to achieve with any other C-41 film. C-41 development is available here at Chemical Dependency Lab if you'd rather hand the developing over.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePerfect for:\u003c\/strong\u003e Landscape and travel photographers who want vivid, saturated colour with the finest grain available, architectural and nature work in good light, photographers making large prints who want 35mm to hold up to scrutiny, and anyone whose colour film dependency has been looking for an excuse to stop compromising on grain.\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003eEktar 100 has been earning its reputation since 2008 and the film community's growing enthusiasm for it shows no sign of slowing. The grain, the sharpness, the saturation: these are characteristics that reward photographers who understand them and work with them deliberately. Give it good light, expose it carefully, and Ektar 100 will produce colour negative results that make you wonder why you ever shot anything else outdoors. That's a very particular kind of dependency, and one that tends to stick.\u003c\/p\u003e","brand":"Kodak","offers":[{"title":"Default Title","offer_id":57815267901814,"sku":null,"price":17.7,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/3892\/5430\/files\/Kodak-Ektar-100.jpg?v=1778188867"},{"product_id":"candido-50","title":"Candido 50 - 35mm Colour Negative Film","description":"\u003ch1\u003e\u003cstrong\u003eCandido 50 - 35mm Colour Negative Film\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003cstrong\u003eThe youngest sibling. The most demanding. The finest grain in the family.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCandido 200 loves daylight. Candido 50 insists on it. In return it delivers colour and detail that the rest of the range can't match.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eCandido 50 35mm Film is the slowest and most technically refined member of the Candido family, an ISO 50 daylight-balanced colour negative film built on Kodak Vision3 motion picture emulsion. Where Candido 200, 400 and 800 prioritise vibrant, punchy colour across a range of conditions and speeds, Candido 50 takes a different approach: extraordinary colour accuracy, extremely fine grain, highly controlled contrast, and the kind of image quality that rewards photographers who give it the light it needs. In stock now and shipping fast from the UK. Developed in standard C-41 chemistry, DX coded steel canister, 36 exposures.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eWhat Makes Candido 50 35mm Film Habit-Forming\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eKodak Vision3: The Cinema Emulsion Underneath\u003c\/strong\u003e Candido 50 is built on Kodak Vision3 motion picture stock, the same professional cinema emulsion used across major productions for its combination of fine grain, wide dynamic range, and faithful colour reproduction. Applied to still photography in C-41 chemistry, it delivers images with a quality and character that the Candido range's other stocks, built for speed and versatility, aren't designed to match. This is the Candido film for photographers who want the best the format can produce.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExtremely Fine Grain\u003c\/strong\u003e ISO 50 is where colour film grain essentially disappears. The Vision3 emulsion at this speed produces images of exceptional smoothness: clean, detailed negatives that hold up to serious enlargement and scan with a clarity that faster films can't replicate. If grain has ever been something you've noticed in your colour work and wished wasn't there, Candido 50 is the answer.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExtraordinary Colour Reproduction\u003c\/strong\u003e The colour palette is accurate and refined rather than the bold, saturated character of the faster Candido stocks. Colours are rendered with nuance and depth: natural, precise, and detailed in a way that suits commercial, product, and fine art work where colour accuracy matters as much as aesthetic impact. The Candido family's vibrancy is still present, but here it's channelled into fidelity rather than drama.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHighly Controlled Contrast\u003c\/strong\u003e The contrast is measured and precise, giving images a smooth tonal gradation from shadow to highlight that suits careful, deliberate work. This isn't a film for photographers who want punchy, bold results; it's a film for photographers who want the full tonal range rendered with composure and accuracy. Studio work, product photography, and fine art output are natural territory.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eISO 50: Give It What It Needs\u003c\/strong\u003e ISO 50 demands good light. In bright outdoor conditions, controlled studio lighting, or any environment where the light is plentiful and predictable, Candido 50 delivers exceptional results. In mixed, low, or unpredictable light, load one of the faster siblings instead. This isn't a limitation; it's a specification. The finest grain and most refined colour in the Candido range come directly from the slower speed.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStandard C-41 Processing\u003c\/strong\u003e Developed in standard C-41 chemistry at any colour lab including Chemical Dependency Lab. No special handling required.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDX Coded Steel Canister, 36 Exposures\u003c\/strong\u003e Packaged in a high-quality DX-coded steel canister with the film attached directly to the spool, making loading and processing straightforward. Compatible with any 35mm camera, including fully automatic models. 36 exposures per roll.\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003e\u003cstrong\u003eBest For\u003c\/strong\u003e Candido 50 earns its place for commercial and product photography, fine art and studio work, landscape photography in good natural light, and any situation where maximum sharpness, minimum grain, and precise colour reproduction are the priorities. It's also a compelling choice for photographers who want to understand what the Candido range is capable of at its most technically refined, and for anyone whose colour film dependency has reached the point where ISO 400 no longer feels like enough of a challenge. C-41 development is available here at Chemical Dependency Lab whenever you're ready to see the results.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePerfect for:\u003c\/strong\u003e Commercial and product photographers, studio and controlled lighting work, landscape and fine art photography in good light, and anyone in the Candido family who's been waiting for the sibling that takes quality more seriously than convenience.\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003eThe Candido range built its reputation on vibrant, accessible colour film at speeds that work across a wide range of conditions. Candido 50 is the family member that asks more of both the light and the photographer, and delivers more in return. Extremely fine grain, extraordinary colour accuracy, and the motion picture engineering of Kodak Vision3: the most demanding Candido, and arguably the most rewarding.\u003c\/p\u003e","brand":"Candido","offers":[{"title":"Default Title","offer_id":57815268819318,"sku":null,"price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/3892\/5430\/files\/Candido_50.jpg?v=1778188884"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/3892\/5430\/collections\/Kodak_ColorPlus_200_36.jpg?v=1776018910","url":"https:\/\/chemicaldependency.co.uk\/collections\/colour-negative-film.oembed?page=2","provider":"Chemical Dependency Lab","version":"1.0","type":"link"}