{"title":"Featured Products","description":"\u003cp\u003eOur favourite film stocks and bestsellers. Tried and tested 35mm and 120 films we love to shoot.\u003c\/p\u003e","products":[{"product_id":"kodak-gold-200-35mm","title":"Kodak Gold 200 - 35mm Colour Negative Film","description":"\u003ch1\u003eKodak Gold 200 - 35mm Colour Negative Film\u003c\/h1\u003e\u003cp\u003eThe gateway drug. Your first roll, your hundredth roll, and every time you need a reliable fix. Kodak Gold 200 is \u003cem\u003ethe\u003c\/em\u003e classic colour negative film, the one that's been enabling analog dependency for generations. With its warm tones, fine grain, and wide exposure latitude, it's the film that makes everything look like a golden-hour memory, even when it's an overcast Tuesday afternoon. ISO 200 keeps it sharp and versatile, perfect for daylight shooting with or without flash. In stock now and shipping fast from the UK.\u003c\/p\u003e\u003ch2\u003eWhat Makes Kodak Gold Good (and Dangerously Addictive)\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eISO 200\u003c\/strong\u003e - The sweet spot for daylight photography. Slow enough for fine grain and gorgeous sharpness, fast enough to shoot handheld in most conditions. The perfect balance for analog enablers everywhere.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWarm, Golden Tones\u003c\/strong\u003e - Everything looks just slightly better than reality. Sunlit portraits glow, landscapes radiate warmth, and even mundane scenes feel like they belong in a shoebox of precious memories. It's not manipulation, it's \u003cem\u003eenhancement\u003c\/em\u003e.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHigh Colour Saturation \u0026amp; Accuracy\u003c\/strong\u003e - Vibrant without being garish. Accurate without being boring. 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One less thing.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e24 or 36 Exposures\u003c\/strong\u003e - Choose your adventure length accordingly.\u003c\/p\u003e\u003ch2\u003eBest For\u003c\/h2\u003e\u003cp\u003eEverything you actually do. Family gatherings, travel, street photography, portraits, golden hour, overcast Tuesdays that somehow still look good on film. The everyday colour film that makes the everyday look like it was worth documenting. Once you've shot it, send it our way -- we develop and scan it too.\u003c\/p\u003e\u003chr\u003e\u003cp\u003ePerfect for photographers who want reliable beauty without overthinking it. Kodak Gold has been the gateway for generations of analog dependency. There's a reason it's still here.\u003c\/p\u003e","brand":"Kodak","offers":[{"title":"24","offer_id":56418466922870,"sku":null,"price":9.0,"currency_code":"GBP","in_stock":true},{"title":"36","offer_id":56418466955638,"sku":null,"price":11.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/3892\/5430\/files\/Kodak_Gold_36.jpg?v=1778159635"},{"product_id":"street-candy-atm400","title":"Street Candy ATM400 - 35mm Black \u0026 White Film","description":"\u003ch1\u003eStreet Candy ATM400 - 35mm Black \u0026amp; White Film\u003c\/h1\u003e\u003cp\u003eHigh contrast. High drama. High chance you'll burn through this roll faster than you planned. Street Candy ATM400 is a punchy black and white film that lives for dramatic lighting and doesn't apologize for it. This emulsion loves contrast almost as much as you love pretending you just happened to bring your camera on that walk. In stock now and shipping fast from the UK.\u003c\/p\u003e\u003ch2\u003eWhat Makes Street Candy ATM400 Good\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eISO 400\u003c\/strong\u003e - Fast enough for moody street scenes, golden hour that's rapidly becoming blue hour, and that dimly lit bar you're definitely going to shoot in even though you probably shouldn't.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHigh Contrast\u003c\/strong\u003e - This film has opinions. Deep blacks, bright whites, and a tonal range that makes everything look like it was shot with intent.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCharacterful Grain\u003c\/strong\u003e - Visible, textured grain that adds to the atmosphere rather than detracting from it. The aesthetic you're here for.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eStandard B\u0026amp;W Chemistry\u003c\/strong\u003e - Develops in any black and white developer. No special handling required.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e36 Exposures\u003c\/strong\u003e - A full roll, which you'll get through faster than you expect.\u003c\/p\u003e\u003ch2\u003eBest For\u003c\/h2\u003e\u003cp\u003eStreet photography, available light shooting, moody interiors, dramatic landscapes, and anyone who wants their black and white to have genuine personality. Once you've shot it, send it our way — we develop and scan it too.\u003c\/p\u003e\u003chr\u003e\u003cp\u003ePerfect for photographers who want contrast with conviction. ATM400 doesn't do subtle, and that's entirely the point.\u003c\/p\u003e","brand":"Street Candy","offers":[{"title":"Default Title","offer_id":56418487337334,"sku":null,"price":12.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/3892\/5430\/files\/StreetCandy_ATM_100.jpg?v=1775328484"},{"product_id":"street-candy-mtn100","title":"Street Candy MTN100 - 35mm Black \u0026 White Film","description":"\u003ch1\u003eStreet Candy MTN100 - 35mm Black \u0026amp; White Film\u003c\/h1\u003e\u003cp\u003eThe slower, smoother sibling. Still Street Candy, just with better manners and finer grain. Street Candy MTN100 is a panchromatic black and white film that works beautifully in both bright daylight and controlled indoor settings. From the same OnFilmOnly minds that brought you ATM400, this ISO 100 emulsion is all about clarity, detail, and giving you options — because it can be processed as a standard negative or as a positive with reversal processing. Yes, you can make slides. No, we won't judge you for getting unreasonably excited about it. In stock now and shipping fast from the UK.\u003c\/p\u003e\u003ch2\u003eWhat Makes Street Candy MTN100 Good\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eISO 100\u003c\/strong\u003e - Slow and steady. Best for bright conditions where you want the finest grain and maximum detail.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFine Grain\u003c\/strong\u003e - Smooth, clean texture with good sharpness. The calmer, more considered counterpart to ATM400.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDual Processing\u003c\/strong\u003e - Process as a negative in standard B\u0026amp;W chemistry, or process as a positive (slide) with reversal chemistry. 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MTN100 rewards patience.\u003c\/p\u003e","brand":"Street Candy","offers":[{"title":"Default Title","offer_id":56418622800246,"sku":null,"price":11.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/3892\/5430\/files\/StreetCandy_MTN_100.jpg?v=1775328484"},{"product_id":"flic-film-elektra-100","title":"Flic Film Elektra 100 - 35mm Colour Negative Film","description":"\u003ch1\u003eFlic Film Elektra 100 - 35mm Colour Negative Film\u003c\/h1\u003e\u003cp\u003eKodak Aerocolor IV, liberated from the skies and re-spooled for your terrestrial photography needs. Flic Film Elektra 100 is medium-speed C-41 colour film with extremely fine grain, sharp acuity, and true-to-life colour rendition — originally manufactured by Kodak for aerial surveillance (yes, really), now freed from mapping missions and given a second life in your camera. It's quirky, it's fun, and it photographs like a dream when you treat it right. 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No manual override required.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e36 Exposures\u003c\/strong\u003e - A full roll to explore what an aerial emulsion does at ground level.\u003c\/p\u003e\u003ch2\u003eBest For\u003c\/h2\u003e\u003cp\u003eDaylight shooting, portraiture, travel, landscapes, and photographers curious about what happens when you put a surveillance emulsion in a camera pointed at something worth looking at. 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Flic Film Aurora 400 is a versatile C-41 colour film that balances accurate skin tones, high dynamic range, and fine grain into a well-rounded package that works for pretty much everything. Crafted by Kodak and re-spooled by Flic Film, this is a native colour negative film — not remjet-removed cinema stock — so it processes cleanly without any mysterious backing layer surprises. The kind of film that makes both newcomers and seasoned shooters happy, which is rarer than you'd think. In stock now and shipping fast from the UK.\u003c\/p\u003e\u003ch2\u003eWhat Makes Flic Film Aurora Good\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eISO 400\u003c\/strong\u003e - Fast enough for low light, versatile enough for everything else. The speed that handles real life.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eAccurate Skin Tones\u003c\/strong\u003e - Balanced colour reproduction that renders people well. Portraits look like the person, not like a colour experiment.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHigh Dynamic Range\u003c\/strong\u003e - Handles highlights and shadows with confidence. Wide latitude means fewer sacrifices when the light isn't cooperating.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFine Grain\u003c\/strong\u003e - Clean results at ISO 400. 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Street Savvy 400 is a C-41 colour negative film that brings the Street Candy character into colour territory: versatile ISO 400 speed, high dynamic range, and forgiving latitude that handles indoors, outdoors, golden hour, and that weird in-between time when you're not quite sure what the light is doing. The worry-free colour option from a brand that's earned the trust of the B\u0026amp;W crowd. In stock now and shipping fast from the UK.\u003c\/p\u003e\u003ch2\u003eWhat Makes Street Candy Street Savvy Good\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eISO 400\u003c\/strong\u003e - The goldilocks speed. Fast enough for most situations, slow enough to keep grain fine and colours rich.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWarm, Natural Tones\u003c\/strong\u003e - Inviting colour palette without oversaturation. 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Kodak Eastman Double-X (released as Flic Film Double-X) is a high-speed panchromatic black and white negative film that's been used in cinema for decades — Schindler's List, Raging Bull, and countless others that look considerably better than your holiday snaps. Re-spooled by Flic Film for 35mm still photography, this emulsion delivers very high sharpness, a broad tonal range, and fine grain structure. The film stock that makes everything look slightly more important than it actually is. In stock now and shipping fast from the UK.\u003c\/p\u003e\u003ch2\u003eWhat Makes Flic Film Double-X Good\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eISO 250 (Daylight)\u003c\/strong\u003e - Cinema speed, optimised for available light shooting. Fast enough for handheld work in most conditions.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eVery High Sharpness\u003c\/strong\u003e - Cinema-grade resolution in a still photography canister. Detail is exceptional.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFine Grain Structure\u003c\/strong\u003e - Finer than you'd expect at this speed. The cinematic credentials extend to the grain.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eBroad Tonal Range\u003c\/strong\u003e - Deep blacks, controlled highlights, and rich midtones. 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Double-X has the credentials to back it up.\u003c\/p\u003e","brand":"Flic Film","offers":[{"title":"Default Title","offer_id":56419406053750,"sku":null,"price":15.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/3892\/5430\/files\/FlicFilm_DoubleX_250.jpg?v=1775332159"},{"product_id":"rollei-blackbird","title":"Rollei Blackbird - 35mm Black \u0026 White Creative Film","description":"\u003ch1\u003eRollei Blackbird - 35mm Black \u0026amp; White Creative Film\u003c\/h1\u003e\u003cp\u003eDeliberately dramatic. Unapologetically high-contrast. Not for the faint of heart. Rollei Blackbird is an orthopanchromatic black and white creative film that lives for contrast, atmosphere, and making everything look more cinematic than it has any right to be. With a nominal sensitivity of ISO 64 (flexible from ISO 25 to 100 depending on how adventurous you're feeling), this film delivers phenomenal sharpness, finest light transmission, and the kind of charismatic contrasts that make you question whether you actually need midtones. Spoiler: sometimes you don't. In stock now and shipping fast from the UK.\u003c\/p\u003e\u003ch2\u003eWhat Makes Rollei Blackbird Good\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eISO 64 (Nominal)\u003c\/strong\u003e - Slow enough to demand good light. Use that as a feature, not a limitation.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eExtreme Contrast\u003c\/strong\u003e - Deep blacks, brilliant whites, and very little in between. High-impact images that don't need any help from post-processing.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFinest Light Transmission\u003c\/strong\u003e - Exceptional sharpness and clarity. Detail stays crisp even in the highest contrast areas.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eOrthopanchromatic Sensitivity\u003c\/strong\u003e - Extended sensitivity range that gives skies and blue tones a distinctive rendering. 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That's the kind of panic that tells you everything about how irreplaceable this film is. Fortunately, it survived, and we're all better for it.\u003c\/p\u003e\u003ch2\u003eBest For\u003c\/h2\u003e\u003cp\u003ePhotojournalism, street photography, documentary work, portraits with character, any situation where you need a film that just \u003cem\u003eworks\u003c\/em\u003e, connecting with photography history, and feeling slightly superior about your film choice (justified, in this case).\u003c\/p\u003e\u003cp\u003ePerfect for indoor or outdoor shooting, any lighting condition, and creating images that look like they matter, because on Tri-X, somehow they do. Once you've shot it, we can develop and scan it for you too.\u003c\/p\u003e\u003chr\u003e\u003cp\u003ePerfect for photographers who want to shoot the same film as the legends. Tri-X isn't just film stock, it's a legacy you load into your camera 36 (or 24) frames at a time.\u003c\/p\u003e","brand":"Kodak","offers":[{"title":"24","offer_id":56471451042166,"sku":null,"price":9.75,"currency_code":"GBP","in_stock":false},{"title":"36","offer_id":56471451074934,"sku":"KDK_400TX_36","price":10.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/3892\/5430\/files\/Kodak_Tri-X_400.jpg?v=1775331952"},{"product_id":"ilford-xp2-super-35mm-chromogenic-black-white-film","title":"Ilford XP2 Super - 35mm Chromogenic Black \u0026 White Film","description":"\u003ch1\u003eIlford XP2 Super - 35mm Chromogenic Black \u0026amp; White Film\u003c\/h1\u003e\u003cp\u003eBlack and white film for people who can't be bothered with separate chemistry. Genius, really. Ilford XP2 Super is a chromogenic black and white film that processes in standard C-41 colour chemicals — which means you can develop it literally anywhere that does colour film. But why would you use any of those folks when Chemical Dependency Lab can develop it for you? No specialised black and white chemistry required, no separate development run, no explaining to the lab tech what you're trying to do. Just drop it in with your colour rolls, and collect sharp, fine-grained black and white results. In stock now and shipping fast from the UK.\u003c\/p\u003e\u003ch2\u003eWhat Makes Ilford XP2 Super Good\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eISO 400\u003c\/strong\u003e - Medium-high speed, versatile for a wide range of lighting conditions. Fast enough for handheld shooting, fine-grained enough to look excellent in prints and scans.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eC-41 Processing\u003c\/strong\u003e - Develops in standard colour chemistry. 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Now repackaged by Alien Film Lab, this ISO 100 colour negative film has been freed from military aerial work and made available for still photography. Developed in standard C-41 chemistry, it delivers fine grain, punchy reds, lush greens, strong contrast, and a slightly cool-toned colour palette that sits somewhere between Kodak Portra (less saturated) and Kodak Ektar (longer contrast curve). Expect occasional colour shifts and roll-to-roll variation—this is respooled film with character, not factory-fresh consistency.\u003c\/p\u003e\u003ch2\u003eWhat Makes Alien Film Aeronega 100 Interesting\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eISO 100\u003c\/strong\u003e - Medium speed designed for bright daylight shooting. 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Now repackaged by Alien Film Lab for 120 medium format, this ISO 100 colour negative film delivers fine grain, punchy reds, lush greens, strong contrast, and a slightly cool-toned colour palette that sits between Kodak Portra (less saturated) and Kodak Ektar (longer tonal range). The aerial origins show in the resolution. In stock now and shipping fast from the UK.\u003c\/p\u003e\u003ch2\u003eWhat Makes Aeronega 100 Good\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eISO 100\u003c\/strong\u003e - Medium speed for deliberate shooting in good light. Rewards careful exposure with exceptional results.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e120 Medium Format\u003c\/strong\u003e - The aerial resolution on larger negatives. For Hasselblad, Mamiya, Rolleiflex, and any other camera that takes the habit seriously.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFine Grain\u003c\/strong\u003e - Aerial emulsions are engineered for resolution. 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Lucky Colour C200 is freshly manufactured by Lucky Film, a time-honored Chinese film brand that's still producing emulsion while everyone else is either discontinued or permanently \"temporarily out of stock.\" This ISO 200 daylight-balanced colour negative film delivers high contrast and medium grain with character, not the clinical perfection of modern Kodak, but the kind of look that makes everything feel slightly more interesting than it actually was. Developed in standard C-41 chemistry and DX coded for automatic cameras, this is affordable colour film from a brand that's been making film since 1958 and refuses to quit.\u003c\/p\u003e\u003ch2\u003eWhat Makes Lucky Colour C200 Worth Shooting\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eISO 200\u003c\/strong\u003e - Medium speed for daylight shooting. 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Rated at ISO 400 and compatible with standard black and white processing chemicals, this film comes from a manufacturer that's been producing photographic materials since 1958 — surviving partnership with Kodak Eastman, the digital revolution, and the general collapse of consumer film, which tells you something about their staying power. In stock now and shipping fast from the UK.\u003c\/p\u003e\u003ch2\u003eWhat Makes Lucky SHD 400 Worth Shooting\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eISO 400\u003c\/strong\u003e - Medium-high speed for medium format. 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Building on the original Phoenix's experimental spirit, Phoenix II offers improved contrast, finer grain, better sharpness, more accurate colour palette, enhanced highlight detail, improved shadow retention, and easier scanning. This is ISO 200 C-41 colour film from Harman Technology (the people behind Ilford) who took the learnings from Phoenix I and rebuilt the film from scratch. If you loved the original's unpredictability, Phoenix II offers a more refined version. If you found Phoenix I challenging, this addresses those concerns while keeping the experimental character. In stock now and shipping fast from the UK.\u003c\/p\u003e\n\u003ch2\u003eWhat's New in Generation Two\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eISO 200\u003c\/strong\u003e - Medium speed for versatile shooting. 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Harman Phoenix II is an entirely new second-generation colour film with completely redesigned emulsion, new dyes, new couplers, and an experimental layer construct — now available in 120 medium format for photographers who want that distinctive Phoenix character with the benefits of larger negatives. Building on the original Phoenix's experimental spirit, Phoenix II offers improved contrast, finer grain, better sharpness, more accurate colour palette, enhanced highlight detail, improved shadow retention, and easier scanning. This is ISO 200 C-41 colour film from Harman Technology (the people behind Ilford) in medium format, bringing genuine innovation to your Hasselblad, Mamiya, or Rolleiflex. If you found Phoenix I challenging, this addresses those concerns while keeping the experimental character. 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New formulation from the ground up, because Harman is committed to genuine innovation rather than just repackaging existing stocks.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eImproved Contrast\u003c\/strong\u003e - Better tonal separation with enhanced shadow detail and highlight retention. More controlled look while maintaining character, especially noticeable in medium format's tonal range.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFiner Grain\u003c\/strong\u003e - Significantly improved grain structure that looks particularly good in medium format. Still has personality, but now it's more refined and intentional rather than overwhelming the image.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBetter Sharpness\u003c\/strong\u003e - Improved detail rendering and edge definition. Images have more clarity and precision while keeping that distinctive Phoenix look — amplified by medium format's resolution.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMore Accurate Colour Palette\u003c\/strong\u003e - Colours that render more faithfully to the scene (for most colours, scanner dependent). Still distinctive, but more predictable and manageable.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eImproved Exposure Latitude\u003c\/strong\u003e - More forgiving when your metering isn't perfect, though Phoenix II still rewards accurate exposure. Wider latitude means more successful frames from varied shooting conditions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBetter Lab Scanning\u003c\/strong\u003e - Scans more accurately at default settings, though some contrast and colour adjustments are still recommended for best results. Less rescue work, more refinement.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExperimental Layer Construct\u003c\/strong\u003e - Harman is doing genuinely experimental work here. This isn't just repackaged film — it's active R\u0026amp;D that you can shoot and support, now in medium format.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eC-41 Processing\u003c\/strong\u003e - Standard colour negative chemistry. 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Phoenix II in 120 proves that experimental film can improve while keeping its distinctive character, and medium format is the perfect canvas for it.\u003c\/p\u003e","brand":"Harman","offers":[{"title":"Default Title","offer_id":56608278839670,"sku":null,"price":10.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/3892\/5430\/files\/Harman_Phoenix2_200_120.jpg?v=1776320076"},{"product_id":"cinestill-800t-35mm-colour-negative-film","title":"CineStill 800T - 35mm Colour Negative Film","description":"\u003ch1\u003eCineStill 800T - 35mm Colour Negative Film\u003c\/h1\u003e\u003cp\u003eCinema film for stills. Because sometimes you want your Friday night to look like Blade Runner. CineStill 800T is tungsten-balanced colour negative film based on the same motion picture emulsion used by top cinematographers — except CineStill has removed the remjet backing so you can actually process it in standard C-41 chemistry at any photo lab. Rated at ISO 800 and designed for difficult low-light tungsten situations, this film makes artificial light look gorgeous, neon signs glow with that signature halation effect, and night photography feel cinematic. Push it to 3200 if needed, or shoot it in daylight with an 85 filter for a completely different look. In stock now and shipping fast from the UK.\u003c\/p\u003e\u003ch2\u003eWhat Makes CineStill 800T Worth the Dependency\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eISO 800\u003c\/strong\u003e - High speed for low-light shooting. Fast enough for available light indoors, concerts, night streets, and anywhere flash would ruin the mood.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTungsten Balanced\u003c\/strong\u003e - Optimised for artificial light. Tungsten, LED, and mixed sources render beautifully rather than going orange.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHalation Effect\u003c\/strong\u003e - The signature red glow around bright light sources. 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This ISO 200 daylight-balanced colour negative film delivers high contrast and medium grain with character, not the clinical perfection of modern Kodak, but the kind of look that makes everything feel slightly more interesting than it actually was. Developed in standard C-41 chemistry and sized for your Hasselblad, Mamiya, or Rolleiflex. In stock now and shipping fast from the UK.\u003c\/p\u003e\u003ch2\u003eWhat Makes Lucky Colour C200 Worth Shooting\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eISO 200\u003c\/strong\u003e - Medium speed for daylight shooting. The goldilocks rating that works in bright sun, handles overcast days, and doesn't require perfect light to function.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHigh Contrast\u003c\/strong\u003e - Bold tonal separation that gives images punch and presence. Not subtle, not trying to be.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eMedium Grain\u003c\/strong\u003e - Visible grain structure with character. This isn't the ultra-fine grain of premium films, it's grain that contributes to the aesthetic rather than disappearing into it.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDaylight Balanced\u003c\/strong\u003e - Optimised for natural light shooting. Best results under the sun, though it handles mixed lighting with the kind of colour shifts that honestly just add to the charm.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFreshly Made\u003c\/strong\u003e - Not expired stock, not decades-old surplus. Lucky is actively manufacturing this film right now.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eC-41 Processing\u003c\/strong\u003e - Standard colour negative chemistry. Any lab that develops colour film can handle this, including us.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e120 Format\u003c\/strong\u003e - For Hasselblad, Mamiya, Rolleiflex, and every other medium format camera with a habit of its own.\u003c\/p\u003e\u003ch2\u003eBest For\u003c\/h2\u003e\u003cp\u003eMedium format street photography, travel, portraiture, and photographers who want something different from the usual Portra rotation without paying Portra prices. 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Designed for daytime shooting with vibrant, punchy colours and fine grain, this film makes your summer holidays look like you remember them feeling rather than how they actually looked. Developed in standard C-41 chemistry, it delivers intense colours and good contrast — the kind of results that make you slightly obsessed with shooting in golden hour even though you claim to be an available light purist. In stock now and shipping fast from the UK.\u003c\/p\u003e\u003ch2\u003eWhat Makes Candido 200 Habit-Forming\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eISO 200\u003c\/strong\u003e - Daylight speed. Loves bright conditions, rewards correct exposure with punchy, saturated results that make a strong first impression.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eVibrant, Saturated Colours\u003c\/strong\u003e - This film has strong opinions about colour. 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The middle ground between daylight-only and seriously fast film — Candido 400 delivers saturated colours and characterful grain whenever your dependency strikes.\u003c\/p\u003e","brand":"Candido","offers":[{"title":"Default Title","offer_id":56891412545910,"sku":"candido400","price":14.25,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/3892\/5430\/files\/Candido_400.jpg?v=1775328485"},{"product_id":"candido-800-35mm-colour-negative-film","title":"Candido 800 - 35mm Colour Negative Film","description":"\u003ch1\u003eCandido 800 - 35mm Colour Negative Film\u003c\/h1\u003e\n\u003cp\u003eThe fast one. ISO 800 colour negative film for photographers whose dependency doesn't respect daylight hours. Candido 800 delivers vibrant, saturated colours with that characterful grainy aesthetic in conditions that would make slower films give up entirely — dimly lit venues, night streets, indoor shooting without flash, and any situation where the light is genuinely uncooperative. Developed in standard C-41 chemistry from DX coded steel canisters. The fastest sibling in the Candido range, and the one you reach for when the sun has the audacity to set. In stock now and shipping fast from the UK.\u003c\/p\u003e\n\u003ch2\u003eWhat Makes Candido 800 Habit-Forming\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eISO 800\u003c\/strong\u003e - Seriously fast. Designed specifically for low-light conditions and fast-paced shooting where ISO 400 would make you compromise. 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ISO 80 is an unusual speed. The skin rendering is an unusual bonus. Rollei Retro 80S is an unusual film, and film photographers who find it tend to stay found. Derived from Agfa's Aviphot Pan 80 aerial surveillance emulsion, it delivers fine grain, broad tonal range, high contrast, and extended near-infrared sensitivity to 775nm. The near-infrared sensitivity does something particularly useful in portraiture — it renders skin tones with a softness and smoothness that standard panchromatic films don't produce naturally. The film that accidentally became a portrait specialist. In stock now and shipping fast from the UK.\u003c\/p\u003e\u003ch2\u003eWhat Makes Rollei Retro 80S Good\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eISO 80\u003c\/strong\u003e - Slow enough for excellent fine grain and detail. An unusual speed that rewards deliberate shooting.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFine Grain\u003c\/strong\u003e - Clean, well-structured grain with strong sharpness. 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An ISO 200 colour negative film developed by KONO Manufaktur's partner in Germany, based on the ORWO Wolfen NC200 emulsion manufactured by InovisCoat GmbH — the modern successor to the historic ORWO film factory in Wolfen. KONO spools and packages it themselves using machinery they designed and built in-house, making this one of the very few genuinely independent colour film operations in the world. When we have stock, it ships fast from the UK.\u003c\/p\u003e\u003ch2\u003eWhat Makes Kono Smile Color 200 Worth Shooting\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eISO 200\u003c\/strong\u003e - Medium speed for daylight and general shooting. Versatile enough for most conditions with good light.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eORWO Wolfen NC200 Emulsion\u003c\/strong\u003e - A genuinely new emulsion from a historically significant factory. This isn't repackaged existing stock — it's new chemistry.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eIndependently Made\u003c\/strong\u003e - KONO spool their own film on custom-built machinery. One of the few truly independent colour film operations in existence.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eC-41 Processing\u003c\/strong\u003e - Standard colour chemistry. Develops anywhere, including here.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e36 Exposures\u003c\/strong\u003e - A full roll of genuinely new colour film.\u003c\/p\u003e\u003ch2\u003eBest For\u003c\/h2\u003e\u003cp\u003ePhotographers who want to support independent film manufacturing, those curious about ORWO emulsions, and anyone who wants to shoot something genuinely new rather than the usual rotation. 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ISO 400 colour negative film that delivers vibrant colours, fine grain, and a broad dynamic range across a wide range of lighting conditions. Comes in a recycled canister with no box, because the habit doesn't need packaging to be real. In stock now and shipping fast from the UK.\u003c\/p\u003e\u003ch2\u003eWhat Makes Spectrum 400 Habit-Forming\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eISO 400\u003c\/strong\u003e - The goldilocks speed. Fast enough for low light and indoor shooting, slow enough for fine grain and rich colour outdoors.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eVibrant Colours\u003c\/strong\u003e - Vivid, punchy colour reproduction. Looks alive in prints and scans.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFine Grain\u003c\/strong\u003e - Clean grain structure at ISO 400. 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This Is How I Roll Film Kodak Vision3 250D is an ISO 250 daylight-balanced colour negative motion picture film, hand-rolled from a fresh Kodak roll into recycled canisters. The AHU version carries no remjet layer, meaning it develops cleanly in standard C-41 chemistry at any colour lab, including ours. If you know CineStill 400D, this is the same underlying emulsion. Outstanding skin tones, extended highlight latitude, and neutral colour rendering that makes everything look considered. In stock now and shipping fast from the UK.\u003c\/p\u003e\u003ch2\u003eWhat Makes TIHR 250D Worth The Habit\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eISO 250\u003c\/strong\u003e - Daylight-balanced, versatile speed. Sits between 200 and 400 in a way that handles most situations with ease.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eKodak Vision3 250D Stock\u003c\/strong\u003e - Professional motion picture emulsion used on major productions. 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This Is How I Roll Film Noir 100 is an ISO 100 panchromatic black and white film inspired by the visual language of classic noir cinema. Hand-rolled from fresh stock into recycled canisters, it's coated onto a transparent polyester base that dries completely flat, making it a particularly strong choice for photographers who scan their own negatives. Extended near-infrared sensitivity adds a further dimension for those who want it. In stock now and shipping fast from the UK.\u003c\/p\u003e\u003ch2\u003eWhat Makes Noir 100 Good\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eISO 100\u003c\/strong\u003e - Slow and deliberate. Designed for good light and careful shooting where tonal character matters.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eStrong Tonal Character\u003c\/strong\u003e - Images look intentional. 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This Is How I Roll Film Noir 400 is the fastest member of the Noir collection, rated at ISO 400 and sharing the same transparent polyester base, cinematic character, and hand-rolled recycled canister approach as the rest of the range. Where the slower Noir films reward careful, deliberate shooting in good light, Noir 400 opens the collection up to indoor available light, overcast conditions, and street photography where speed matters. In stock now and shipping fast from the UK.\u003c\/p\u003e\u003ch2\u003eWhat Makes Noir 400 Good\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eISO 400\u003c\/strong\u003e - The speed that handles most situations. 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This Is How I Roll Film put it in a 35mm canister so you don't have to work on a film set to use it. An ISO 500 tungsten-balanced colour negative motion picture film, hand-rolled from a fresh 400ft Kodak roll into recycled canisters sourced from film labs around the UK. The AHU version replaces the original remjet backing with Kodak's factory Anti-Halation Undercoat, which washes away cleanly during processing. Not home-stripped remjet film — the genuine factory AHU version. In stock now and shipping fast from the UK.\u003c\/p\u003e\u003ch2\u003eWhat Makes TIHR 500T Worth The Habit\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eISO 500\u003c\/strong\u003e - Fast, tungsten-balanced, built for difficult light. The cinema speed for available light shooting after dark.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eKodak Vision3 500T Stock\u003c\/strong\u003e - Professional motion picture emulsion. Shot Dunkirk, 1917, and a significant portion of prestige cinema. 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Any lab, including ours.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRecycled Canisters\u003c\/strong\u003e - Hand-rolled into recycled canisters from UK film labs.\u003c\/p\u003e\u003ch2\u003eBest For\u003c\/h2\u003e\u003cp\u003eNight photography, concerts, indoor available light, tungsten-lit interiors, mixed lighting situations, and photographers who want the cinema colour palette at high speed without wrestling with remjet. Once you've shot it, send it our way — we develop and scan it too.\u003c\/p\u003e\u003chr\u003e\u003cp\u003ePerfect for photographers who want professional cinema colour in difficult light. 500T earns the cinematic comparison.\u003c\/p\u003e","brand":"This is How I Roll Film","offers":[{"title":"Default Title","offer_id":57614357987702,"sku":null,"price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/3892\/5430\/files\/Thisishowiroll_500T.jpg?v=1776320828"},{"product_id":"dragonfilm-no-i","title":"DragonFilm No.I 100 ISO - 35mm Black \u0026 White","description":"\u003ch1\u003eDragonFilm No.I 100 ISO - 35mm Black \u0026amp; White\u003c\/h1\u003e\u003cp\u003eCinema in a canister. Not all film has a barcode. Some has a story instead. DragonFilm No.I is an ISO 100 black and white cinematic emulsion built on Tasma Svema NK-2SH stock, manufactured in Ukraine. Originally designed for motion picture use, it produces images with a distinctively strong tonal character and very fine grain that sets it apart from conventional still photography films. Processes in standard black and white chemistry and rewards photographers who are willing to work with its particular personality rather than against it. If you want predictable and unremarkable, there are plenty of other films on this site. If you want something that photographs with genuine character, you're in the right place. In stock now and shipping fast from the UK.\u003c\/p\u003e\u003ch2\u003eWhat Makes DragonFilm No.I Good\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eISO 100\u003c\/strong\u003e - Slow and precise. Designed for deliberate shooting in good light where the fine grain can do its work.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTasma Svema NK-2SH Stock\u003c\/strong\u003e - Ukrainian cinematic emulsion with a distinctive tonal character that conventional still films don't replicate. The backstory is part of the result.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eVery Fine Grain\u003c\/strong\u003e - Exceptionally clean grain structure. Enlargements and scans stay sharp and detailed.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eStrong Tonal Character\u003c\/strong\u003e - A distinct rendering that sets images apart. Not just black and white — this particular black and white.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eStandard B\u0026amp;W Chemistry\u003c\/strong\u003e - Develops in standard chemistry without special handling.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e36 Exposures\u003c\/strong\u003e - A full roll of Ukrainian cinema stock for your camera.\u003c\/p\u003e\u003ch2\u003eBest For\u003c\/h2\u003e\u003cp\u003ePhotographers who want something genuinely different, fine art work, landscapes, portraiture, and anyone willing to shoot with a film that has its own opinions. Once you've shot it, send it our way — we develop and scan it too.\u003c\/p\u003e\u003chr\u003e\u003cp\u003ePerfect for photographers who are bored of the obvious choices. DragonFilm No.I shoots differently because it was made differently.\u003c\/p\u003e","brand":"DragonFilm","offers":[{"title":"Default Title","offer_id":57614364639606,"sku":null,"price":9.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/3892\/5430\/files\/DragonFilm_No1_100.jpg?v=1776320841"},{"product_id":"dragonfilm-no-iv","title":"DragonFilm No.IV 400 ISO - 35mm Black \u0026 White","description":"\u003ch1\u003eDragonFilm No.IV 400 ISO - 35mm Black \u0026amp; White\u003c\/h1\u003e\u003cp\u003eBuilt to photograph things from the sky. Works rather well from the ground. DragonFilm No.IV is an ISO 400 black and white film built on Tasma Svema 42L emulsion, manufactured in Ukraine and originally designed for aerial surveillance applications. High silver content, deep blacks, strong contrast, and a grain structure the manufacturer compares to Kodak Tri-X — bold, characterful, and entirely unapologetic about it. Push it and the contrast climbs further. Pull it and things get a little more controlled. Either way, images that look like they were made with intent. In stock now and shipping fast from the UK.\u003c\/p\u003e\u003ch2\u003eWhat Makes DragonFilm No.IV Good\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eISO 400\u003c\/strong\u003e - Fast enough for street photography, indoor available light, and challenging conditions. Versatile enough for most situations.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHigh Silver Content\u003c\/strong\u003e - Rich, dense blacks and strong tonal separation. The silver does the heavy lifting.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eStrong Contrast\u003c\/strong\u003e - Bold, characterful images with clear tonal separation. Similar character to Kodak Tri-X, built on completely different stock.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTasma Svema 42L Aerial Stock\u003c\/strong\u003e - Ukrainian surveillance emulsion with distinctive visual character. The aerial origins show in the resolution and contrast.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003ePush\/Pull Friendly\u003c\/strong\u003e - Push for more contrast, pull for more control. Responds predictably to both.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eStandard B\u0026amp;W Chemistry\u003c\/strong\u003e - Develops in standard chemistry without special handling.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e36 Exposures\u003c\/strong\u003e - A full roll for a proper shooting session.\u003c\/p\u003e\u003ch2\u003eBest For\u003c\/h2\u003e\u003cp\u003eStreet photography, documentary work, available light shooting, photographers who love the Tri-X character but want something less expected, and anyone curious about what Ukrainian aerial emulsion looks like at ground level. Once you've shot it, send it our way — we develop and scan it too.\u003c\/p\u003e\u003chr\u003e\u003cp\u003ePerfect for photographers who want bold, characterful black and white with a story behind the grain.\u003c\/p\u003e","brand":"DragonFilm","offers":[{"title":"Default Title","offer_id":57614365589878,"sku":null,"price":9.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/3892\/5430\/files\/DragonFilm_NoIV_400.jpg?v=1776320845"},{"product_id":"dragonfilm-no-vii","title":"DragonFilm No.VII 400 ISO - 35mm Black \u0026 White","description":"\u003ch1\u003e\u003cstrong\u003eDragonFilm No.VII 400 ISO - 35mm Black \u0026amp; White\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003cstrong\u003eThe one that goes to 3200. \u003c\/strong\u003e\u003cem\u003eSame box speed as No.IV. Entirely different character. Pay attention. \u003c\/em\u003eDragonFilm No.VII 35mm Film is an ISO 400 panchromatic black and white cinematic film built on A-2SH emulsion, manufactured in Ukraine using old Svema formulas and original Svema machinery in Shostka. Designed for both still photography and motion picture use, it combines high contrast and a wide tonal range with fine grain, which is a more unusual combination than it sounds at ISO 400. Rated at ISO 400 and pushable to ISO 3200, it has the speed range to cover everything from careful daylight work to seriously demanding low-light shooting. In stock now and shipping fast from the UK. Standard black and white chemistry, 24 exposures, no DX code.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eWhat Makes DragonFilm No.VII 35mm Film Habit-Forming\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eISO 400: Fast, Flexible, Cinematic\u003c\/strong\u003e ISO 400 is the most versatile speed in black and white film photography, and No.VII makes the most of it. It handles bright daylight without complaint, performs confidently under overcast skies and in indoor available light, and with its push range it keeps working long after most films would have asked you to change rolls. The panchromatic sensitisation ensures natural tonal rendering across colours, which matters for both portrait and landscape work.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFine Grain at ISO 400\u003c\/strong\u003e This is where No.VII distinguishes itself clearly from DragonFilm No.IV. Where No.IV carries bold, characterful grain in the Tri-X tradition, No.VII is fine-grained for its speed. The A-2SH emulsion was developed for cinematic use where image quality under enlargement matters, and that engineering shows. You get the contrast and tonal depth of a high-speed film without the grain structure dominating the image. For photographers who want impact without sacrificing detail, this is the more technically refined of the two ISO 400 DragonFilm options.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHigh Contrast, Wide Tonal Range\u003c\/strong\u003e The combination of high contrast and wide tonal range gives No.VII images genuine presence without losing nuance. Shadows hold their depth, highlights retain detail, and the separation across the midtones is clear and confident. It's the kind of contrast that comes from the emulsion rather than from heavy-handed processing: inherent, consistent, and repeatable.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSvema Heritage, Shostka Manufacture\u003c\/strong\u003e No.VII is built on old Svema formulas using original Svema machinery in Shostka, Ukraine. Svema was one of the major Soviet film manufacturers, with a production history stretching back decades. The A-2SH emulsion carries that lineage directly: this is a film formula with a long history in Eastern European cinema, produced with the original equipment it was designed for. That's a provenance that no amount of modern emulsion engineering can replicate.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePush Range: ISO 200 to ISO 3200\u003c\/strong\u003e The push range on No.VII is serious. From ISO 200 at the conservative end to ISO 3200 at the other, it covers conditions from bright studio work to genuinely dark environments. At ISO 3200 the contrast intensifies and the grain becomes more visible, but the underlying quality of the emulsion means the images hold together rather than falling apart. Microphen at stock for 32 minutes at ISO 3200 is the manufacturer's own recommendation, which is a useful starting point for home developers.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDual Purpose: Stills and Motion Picture\u003c\/strong\u003e The A-2SH emulsion was designed to perform in both still and motion picture applications, which means its quality requirements were set by two different and demanding disciplines simultaneously. In practice, this translates to consistent tonal rendering, reliable behaviour across processing chemistry, and image quality that holds up to scrutiny whether you're printing in a darkroom or scanning for digital output.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStandard Black and White Processing\u003c\/strong\u003e No.VII is compatible with a wide range of developers including D-76, ID-11, Rodinal, Microphen, and others, with development times well documented across multiple ISO settings. Home developers have solid data to work from; lab customers can drop it in without any special handling requirements.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNo DX Code\u003c\/strong\u003e Like all DragonFilm stocks, No.VII carries no DX code. Cameras with manual ISO override work without issue; fully automatic cameras that depend entirely on DX coding will not read the speed correctly. Set to ISO 400 manually and proceed as normal.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e24 Exposures\u003c\/strong\u003e A 24-exposure roll. The same considered approach to frame count as the rest of the DragonFilm range.\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003e\u003cstrong\u003eBest For\u003c\/strong\u003e DragonFilm No.VII suits photographers who want the versatility and speed of ISO 400 with finer grain than the No.IV delivers. It's a strong choice for portraiture where contrast is welcome but fine detail matters, for street and documentary photography across a wide range of lighting conditions, and for any situation where the push range to ISO 3200 gives you a meaningful safety net. The cinematic heritage makes it particularly well suited to work where tonal richness and depth are priorities, and the fine grain means enlargements and scans hold up to close inspection. Once you're done shooting, we develop black and white film here at Chemical Dependency Lab -- drop it in the bag with your other rolls.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePerfect for:\u003c\/strong\u003e Portrait and documentary photographers, street shooting across mixed lighting conditions, push processing enthusiasts who want fine grain even at high ISOs, and anyone whose dependency on Ukrainian cinematic emulsions has progressed beyond No.IV and is ready for something more refined.\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003eDragonFilm No.VII is what happens when a cinematic emulsion formula with decades of history behind it gets applied to the demands of still photography by people who understand both disciplines. The fine grain, high contrast, wide tonal range, and genuine push capability to ISO 3200 don't often appear together in the same film at this price point. 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It produces images of exceptional sharpness and smoothness that slower speeds make possible, with a tonal quality that faster films simply cannot match. What sets it apart from other fine-grain slow films is an additional characteristic that most stocks at this speed don't offer: sensitivity extending into the near-infrared range, which combined with a red filter opens up a whole separate set of creative possibilities. In stock now and shipping fast from the UK. Standard black and white chemistry, 24 exposures, no DX code.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eWhat Makes DragonFilm No.VI 35mm Film Habit-Forming\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eISO 64: Slow by Design\u003c\/strong\u003e ISO 64 is not a compromise or a limitation. It is a deliberate choice made by photographers who want the finest grain, the highest resolution, and the smoothest tonal gradation that a black and white emulsion can produce. It asks for good light, a steady hand or a tripod, and a considered approach to exposure. In return it delivers results that faster films cannot. If you're loading No.VI in a hurry, you've loaded the wrong film.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExceptional Fine Grain and Sharpness\u003c\/strong\u003e The FN-64 emulsion produces images of very high resolution with extremely fine grain, giving negatives that hold up to significant enlargement and scan with remarkable clarity. The smoothness of the image has a particular quality at this speed: not clinical or lifeless, but composed, with a tonal depth that rewards careful printing and scanning.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNear-Infrared Sensitivity\u003c\/strong\u003e This is the characteristic that makes No.VI genuinely unusual. The FN-64 emulsion's sensitivity extends into the near-infrared part of the spectrum, which means that shooting with a red filter produces results with the classic infrared look: darkened skies, luminous foliage, and a tonal rendering of the world that the human eye doesn't see and standard panchromatic films don't record. It isn't a full infrared film, but the effect with a red filter is pronounced and worth exploring. For photographers interested in infrared aesthetics without committing to a dedicated infrared stock, No.VI offers a credible and accessible entry point.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWide Tonal Range and Smooth Gradation\u003c\/strong\u003e At ISO 64 the tonal gradation across the full range from deep shadow to bright highlight is notably smooth, with transitions that feel natural and continuous rather than compressed or abrupt. Combined with the high contrast character typical of the DragonFilm range, the result is images with both depth in the shadows and detail in the highlights, handled with the composure that slow, high-resolution emulsions are known for.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePull\/Push Range: ISO 32 to ISO 100\u003c\/strong\u003e The usable range of ISO 32 to ISO 100 gives some flexibility around the box speed. Pulling to ISO 32 in very bright conditions or for extended exposures produces the finest grain the emulsion is capable of. Pushing to ISO 100 adds modest contrast without significantly compromising the grain structure. Neither extreme is dramatic, which is consistent with the measured character of the film overall.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSvema FN-64 Emulsion, Ukrainian Manufacture\u003c\/strong\u003e Like its siblings in the DragonFilm range, No.VI is built on a named Svema emulsion with a documented history in Eastern European film production. The FN-64 formula was developed for applications where resolution and fine grain were the primary requirements, which makes it a natural fit for the kind of deliberate, quality-focused photography this film rewards.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStandard Black and White Processing\u003c\/strong\u003e No.VI processes in standard black and white chemistry and is compatible with D-76, ID-11, HC-110, Rodinal, Ilfosol 3, and other common developers, with development times well documented at multiple ISO settings. No special handling required at the lab or in the home darkroom.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNo DX Code\u003c\/strong\u003e As with all DragonFilm stocks, No.VI carries no DX code. Manual ISO override is required. Set to ISO 64 and proceed; fully automatic cameras without manual ISO control are not compatible.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e24 Exposures\u003c\/strong\u003e A 24-exposure roll. At ISO 64 with a tripod and a red filter, 24 frames is a generous afternoon's work.\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003e\u003cstrong\u003eBest For\u003c\/strong\u003e DragonFilm No.VI is for photographers who shoot slowly and deliberately, and who want images with the finest grain and highest resolution the DragonFilm range offers. It excels at landscape and architectural photography in good natural light, controlled studio work, fine art and still life where tonal quality matters above all else, and any situation where enlargement or high-resolution output is the end goal. The near-infrared sensitivity makes it a compelling choice for photographers interested in the infrared aesthetic without investing in a dedicated infrared stock. It is not a film for available light, fast-moving subjects, or photographers in a hurry. When you're done shooting, black and white development is available here at Chemical Dependency Lab.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePerfect for:\u003c\/strong\u003e Landscape and architectural photographers, fine art and studio work, photographers curious about near-infrared effects with a red filter, and anyone whose dependency has slowed down enough to appreciate what ISO 64 actually offers.\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003eDragonFilm No.VI is the most patient film in the range and arguably the most rewarding for the right kind of shooting. The very fine grain, high resolution, and near-infrared sensitivity of the FN-64 emulsion combine to produce images that stand apart from anything faster or more convenient. Some dependencies are worth taking slowly.\u003c\/p\u003e","brand":"DragonFilm","offers":[{"title":"Default Title","offer_id":57659632025974,"sku":null,"price":9.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/3892\/5430\/files\/DragonFilm_NOVI_64.jpg?v=1775993966"}],"url":"https:\/\/chemicaldependency.co.uk\/collections\/featured-products.oembed?page=3","provider":"Chemical Dependency Lab","version":"1.0","type":"link"}