{"title":"Kodak Film","description":"\u003cp\u003eThe name that defined a century of photography. Kodak film remains the gold standard (sometimes literally, in the case of Gold 200), for colour and black and white photography. Tri-X, the legendary emulsion \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Don_McCullin\" target=\"_blank\" title=\"Don McCullin Photographer Wikipedia Page\" rel=\"noopener\"\u003eDon McCullin\u003c\/a\u003e panic-bought 150 rolls of during bankruptcy fears. T-Max for technical perfection that makes people question whether you actually shot film. UltraMax for everyday reliability. ColorPlus for feeding the habit without depleting savings. They survived bankruptcy, the digital revolution, and decades of \"film is dead\" predictions. Your memories deserve Rochester's finest.\u003c\/p\u003e","products":[{"product_id":"kodak-gold-200-35mm","title":"Kodak Gold 200 - 35mm Colour Negative Film","description":"\u003ch1\u003eKodak Gold 200 - 35mm Colour Negative Film\u003c\/h1\u003e\u003cp\u003eThe gateway drug. Your first roll, your hundredth roll, and every time you need a reliable fix. Kodak Gold 200 is \u003cem\u003ethe\u003c\/em\u003e classic colour negative film, the one that's been enabling analog dependency for generations. With its warm tones, fine grain, and wide exposure latitude, it's the film that makes everything look like a golden-hour memory, even when it's an overcast Tuesday afternoon. ISO 200 keeps it sharp and versatile, perfect for daylight shooting with or without flash. In stock now and shipping fast from the UK.\u003c\/p\u003e\u003ch2\u003eWhat Makes Kodak Gold Good (and Dangerously Addictive)\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eISO 200\u003c\/strong\u003e - The sweet spot for daylight photography. Slow enough for fine grain and gorgeous sharpness, fast enough to shoot handheld in most conditions. The perfect balance for analog enablers everywhere.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWarm, Golden Tones\u003c\/strong\u003e - Everything looks just slightly better than reality. Sunlit portraits glow, landscapes radiate warmth, and even mundane scenes feel like they belong in a shoebox of precious memories. It's not manipulation, it's \u003cem\u003eenhancement\u003c\/em\u003e.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHigh Colour Saturation \u0026amp; Accuracy\u003c\/strong\u003e - Vibrant without being garish. Accurate without being boring. Kodak Gold nails the combination of rich colour and natural reproduction that makes photos feel \u003cem\u003eright\u003c\/em\u003e.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFine Grain Structure\u003c\/strong\u003e - Smooth, clean texture in prints and scans. Detail stays crisp, colours stay pure.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWide Exposure Latitude\u003c\/strong\u003e - Forgiving of imperfect metering. Handles overexposure particularly well, which is reassuring when you're shooting in variable light and don't want to think too hard about it.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eC-41 Processing\u003c\/strong\u003e - Standard colour negative chemistry. Develops everywhere, including here.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDX Coded\u003c\/strong\u003e - Automatic cameras read ISO 200 without any input from you. One less thing.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e24 or 36 Exposures\u003c\/strong\u003e - Choose your adventure length accordingly.\u003c\/p\u003e\u003ch2\u003eBest For\u003c\/h2\u003e\u003cp\u003eEverything you actually do. Family gatherings, travel, street photography, portraits, golden hour, overcast Tuesdays that somehow still look good on film. The everyday colour film that makes the everyday look like it was worth documenting. Once you've shot it, send it our way -- we develop and scan it too.\u003c\/p\u003e\u003chr\u003e\u003cp\u003ePerfect for photographers who want reliable beauty without overthinking it. Kodak Gold has been the gateway for generations of analog dependency. There's a reason it's still here.\u003c\/p\u003e","brand":"Kodak","offers":[{"title":"24","offer_id":56418466922870,"sku":null,"price":9.0,"currency_code":"GBP","in_stock":true},{"title":"36","offer_id":56418466955638,"sku":null,"price":11.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/3892\/5430\/files\/Kodak_Gold_36.jpg?v=1778159635"},{"product_id":"kodak-ultramax","title":"Kodak Ultramax - 35mm Colour Negative Film","description":"\u003ch1\u003eKodak UltraMax 400 - 35mm Colour Negative Film\u003c\/h1\u003e\u003cp\u003eThe people's champion. Reliable, affordable, and consistently good-looking. Kodak UltraMax 400 is the workhorse colour negative film that's been quietly delivering vibrant, saturated colour and crisp detail for decades. With an ISO 400 speed and wide exposure latitude, it handles pretty much any shooting condition you throw at it — bright daylight, overcast skies, indoor lighting, golden hour chaos. It's the all-around film that makes everyday photography look better than it has any right to, without requiring special equipment, perfect technique, or a trust fund. In stock now and shipping fast from the UK.\u003c\/p\u003e\u003ch2\u003eWhat Makes Kodak Ultramax Good\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eISO 400\u003c\/strong\u003e - Fast enough for handheld shooting in varied lighting, slow enough to keep grain fine and colours rich. The goldilocks speed that actually lives up to the hype.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eVivid, Accurate Colour\u003c\/strong\u003e - Bright blues, greens, and reds that pop without looking oversaturated or artificial. Colours feel \u003cem\u003eright\u003c\/em\u003e — vibrant but believable.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eNatural Skin Tones\u003c\/strong\u003e - Balanced for smooth, lifelike skin reproduction. Your portrait subjects will look like humans, not like they've been tangoed or drained of life. Refreshing.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWide Exposure Latitude\u003c\/strong\u003e - Forgiving when your metering isn't perfect (which is most of the time). Handles highlights and shadows with grace.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSharp, Fine Imagery\u003c\/strong\u003e - Detail stays crisp even in challenging conditions. You actually get to see what you photographed.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e24 or 36 Exposures Available\u003c\/strong\u003e - Choose your own adventure. Burn through a roll quickly or make it last.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eC-41 Processing\u003c\/strong\u003e - Standard colour negative chemistry. Every lab develops it without question, including us — send it in once you're done shooting.\u003c\/p\u003e\u003ch2\u003eBest For\u003c\/h2\u003e\u003cp\u003eLiterally everything. Family gatherings, travel, street photography, portraits, action scenes, spontaneous snapshots, weekend getaways, and any situation where you need a film that just \u003cem\u003eworks\u003c\/em\u003e without drama or personality disorders. Once you've shot it, we can develop and scan it for you too.\u003c\/p\u003e\u003chr\u003e\u003cp\u003ePerfect for photographers who want consistent, beautiful results without overthinking it. Sometimes the best film is the one that gets out of your way and lets you shoot.\u003c\/p\u003e","brand":"Kodak","offers":[{"title":"24","offer_id":56419508978038,"sku":null,"price":11.8,"currency_code":"GBP","in_stock":false},{"title":"36","offer_id":56419509010806,"sku":null,"price":13.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/3892\/5430\/files\/Kodak_Ultramax_400.jpg?v=1778159821"},{"product_id":"kodak-colorplus-35mm","title":"Kodak ColorPlus 200 - 35mm Colour Negative Film","description":"\u003ch1\u003eKodak ColorPlus 200 - 35mm Colour Negative Film\u003c\/h1\u003e\u003cp\u003eThe budget-friendly enabler. Great results without the guilt of checking your bank account. Kodak ColorPlus 200 is the film that proves you don't need to spend a fortune to feed your analog habit. As a worldwide bestseller, it delivers fine grain, high sharpness, and rich colour saturation at a price point that lets you actually shoot instead of hoarding precious rolls like they're made of gold. With ISO 200 speed and impressively wide exposure latitude (up to 2 stops under, 3 stops over), it's forgiving, versatile, and consistently good-looking. In stock now and shipping fast from the UK.\u003c\/p\u003e\u003ch2\u003eWhat Makes Kodak ColorPlus Good (and Affordably Habit-Forming)\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eISO 200\u003c\/strong\u003e - Medium speed for bright conditions and general shooting. Slow enough for fine grain, fast enough for handheld daylight work without drama.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRich Colour Saturation\u003c\/strong\u003e - Vivid, pleasing colour reproduction that doesn't require perfect lighting to look good. The kind of saturation that makes ordinary subjects interesting.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFine Grain\u003c\/strong\u003e - Clean, sharp results in prints and scans. More detail than the price tag suggests.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWide Exposure Latitude\u003c\/strong\u003e - Tolerates up to 2 stops under and 3 stops over without falling apart. Forgiving enough for beginners, reliable enough for shooters who know what they're doing.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHigh Sharpness\u003c\/strong\u003e - Crisp detail and good edge contrast. You actually get to see what you photographed.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eC-41 Processing\u003c\/strong\u003e - Develops in standard colour chemistry. Any lab, including ours.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDX Coded\u003c\/strong\u003e - Automatic cameras read the ISO correctly. One less setting to fiddle with.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e24 or 36 Exposures\u003c\/strong\u003e - Both available, depending on how long you want the roll to last.\u003c\/p\u003e\u003ch2\u003eBest For\u003c\/h2\u003e\u003cp\u003eEveryday shooting, travel, street photography, beginners building the habit, and anyone who wants to shoot more and worry less about cost per roll. Once you've shot it, send it our way — we develop and scan it too.\u003c\/p\u003e\u003chr\u003e\u003cp\u003ePerfect for photographers who want to shoot freely without checking their bank balance after every roll. ColorPlus proves the dependency doesn't have to be expensive to be good.\u003c\/p\u003e","brand":"Kodak","offers":[{"title":"24","offer_id":56471217996150,"sku":null,"price":8.5,"currency_code":"GBP","in_stock":false},{"title":"36","offer_id":56471218028918,"sku":null,"price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/3892\/5430\/files\/Kodak_ColorPlus_200_36.jpg?v=1775328485"},{"product_id":"kodak-t-max-400-35mm-black-white-film","title":"Kodak T-Max 400 - 35mm Black \u0026 White Film","description":"\u003ch1\u003eKodak T-Max 400 - 35mm Black \u0026amp; White Film\u003c\/h1\u003e\u003cp\u003eFor people who think grain is a bug, not a feature. Kodak T-Max 400 is what happens when engineers decide to solve black and white film's grain problem with advanced T-grain emulsion technology. The result? ISO 400 speed with sharpness and clarity that makes traditional film shooters mutter that's not supposed to be possible. This is professional black and white film for photographers who want deep blacks, bright whites, smooth greys, and detail so crisp you'll zoom in on your scans just to admire how clean everything looks. In stock now and shipping fast from the UK.\u003c\/p\u003e\u003ch2\u003eWhat Makes Kodak T-Max 400 Good\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eISO 400\u003c\/strong\u003e - Professional speed with T-grain precision. Fast enough for challenging light, fine-grained enough to rival slower films.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eT-Grain Emulsion Technology\u003c\/strong\u003e - Kodak's patented tabular grain structure produces finer grain and higher sharpness than conventional emulsions at the same speed. Engineering as a feature.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eExceptional Sharpness\u003c\/strong\u003e - Maximum resolution for an ISO 400 film. 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T-Max 400 is the film that refuses to accept that grain is inevitable.\u003c\/p\u003e","brand":"Kodak","offers":[{"title":"24","offer_id":56471421026678,"sku":null,"price":12.5,"currency_code":"GBP","in_stock":true},{"title":"36","offer_id":56471421059446,"sku":null,"price":14.5,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/3892\/5430\/files\/Kodak_TMax_400.jpg?v=1775331970"},{"product_id":"kodak-tri-x-400-35mm-black-white-film","title":"Kodak Tri-X 400 - 35mm Black \u0026 White Film","description":"\u003ch1\u003eKodak Tri-X 400 - 35mm Black \u0026amp; White Film\u003c\/h1\u003e\u003cp\u003eThe one. The legend. The film Don McCullin panic-bought 150 rolls of during Kodak's bankruptcy. Kodak Tri-X has been around since 1940, which means it's been getting the shot longer than most of us have been alive. This is \u003cem\u003ethe\u003c\/em\u003e black and white film for photojournalism, street photography, and pretty much everything else that matters. With its classic grain structure, exceptional tonal range, and flexibility that borders on supernatural, Tri-X handles any lighting situation you throw at it and still delivers images with soul. This isn't just film, it's a connection to 20th century photography history. Also, it survived Kodak's 2012 bankruptcy, so you know it's tougher than most of your relationships. In stock now and shipping fast from the UK.\u003c\/p\u003e\u003ch2\u003eWhat Makes Kodak Tri-X Legendary\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eISO 400\u003c\/strong\u003e - The iconic speed that defined an era of photojournalism. Fast enough for available light, slow enough for gorgeous grain and sharpness. This is the film that covered wars, revolutions, and your mate's birthday party with equal competence.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eOver 80 Years Old\u003c\/strong\u003e - First introduced in 1940 and still going strong. If Tri-X were a person, it would have \u003cem\u003estories\u003c\/em\u003e. Fortunately it's film, so it just quietly gets on with being excellent.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eClassic Grain Structure\u003c\/strong\u003e - That beautiful, characterful grain that makes everything look like it belongs in a gallery or a museum retrospective. Fine grain with personality, not clinical, not overwhelming, just \u003cem\u003eright\u003c\/em\u003e.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eExceptional Tonal Range\u003c\/strong\u003e - Incredible grey scale definition from deep blacks to bright whites with everything rendered gorgeously in between. 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That's the kind of panic that tells you everything about how irreplaceable this film is. Fortunately, it survived, and we're all better for it.\u003c\/p\u003e\u003ch2\u003eBest For\u003c\/h2\u003e\u003cp\u003ePhotojournalism, street photography, documentary work, portraits with character, any situation where you need a film that just \u003cem\u003eworks\u003c\/em\u003e, connecting with photography history, and feeling slightly superior about your film choice (justified, in this case).\u003c\/p\u003e\u003cp\u003ePerfect for indoor or outdoor shooting, any lighting condition, and creating images that look like they matter, because on Tri-X, somehow they do. Once you've shot it, we can develop and scan it for you too.\u003c\/p\u003e\u003chr\u003e\u003cp\u003ePerfect for photographers who want to shoot the same film as the legends. Tri-X isn't just film stock, it's a legacy you load into your camera 36 (or 24) frames at a time.\u003c\/p\u003e","brand":"Kodak","offers":[{"title":"24","offer_id":56471451042166,"sku":null,"price":9.75,"currency_code":"GBP","in_stock":false},{"title":"36","offer_id":56471451074934,"sku":"KDK_400TX_36","price":10.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/3892\/5430\/files\/Kodak_Tri-X_400.jpg?v=1775331952"},{"product_id":"kodak-t-max-p3200-35mm-black-white-film","title":"Kodak T-Max P3200 - 35mm Black \u0026 White Film","description":"\u003ch1\u003eKodak T-Max P3200 - 35mm Black \u0026amp; White Film\u003c\/h1\u003e\u003cp\u003eUltra-high-speed film for photographers who refuse to compromise on low light. Or use flash. Kodak T-Max P3200 is professional black and white film designed specifically for challenging lighting conditions where most films would surrender. With a nominal rating of ISO 3200 (pushable higher if you're feeling brave), this film uses Kodak's patented T-grain emulsion to deliver impressive detail, fine grain, and excellent sharpness in situations that would make slower films panic. In stock now and shipping fast from the UK.\u003c\/p\u003e\u003ch2\u003eWhat Makes T-Max P3200 Worth The Dependency\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eISO 3200 (Nominal)\u003c\/strong\u003e - Seriously fast. The film you reach for when the light is genuinely difficult and refusing to use flash has become a point of principle.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003ePushable Beyond 3200\u003c\/strong\u003e - Already fast, still willing to go further. Push it to 6400 or beyond for situations where normal rules don't apply.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eT-Grain Emulsion\u003c\/strong\u003e - Kodak's tabular grain technology keeps grain finer and sharpness higher than conventional emulsions at this speed. 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Once you've shot it, send it our way — we develop and scan it too.\u003c\/p\u003e\u003chr\u003e\u003cp\u003ePerfect for photographers who refuse to let the light win. T-Max P3200 is what the dependency looks like at 3am.\u003c\/p\u003e","brand":"Kodak","offers":[{"title":"Default Title","offer_id":57229273497974,"sku":null,"price":17.2,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/3892\/5430\/files\/Kodak_T-Max_P3200.jpg?v=1775328485"},{"product_id":"ektar-100","title":"Kodak Ektar 100 - 35mm Colour Negative Film","description":"\u003ch1\u003e\u003cstrong\u003eKodak Ektar 100 - 35mm Colour Negative Film\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003cstrong\u003eThe one Kodak calls the world's finest grain. They're not wrong.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eVivid, sharp, and unforgiving of bad light. Ektar 100 has strong opinions about how it wants to be shot and rewards photographers who listen.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eKodak Ektar 100 35mm Film is an ISO 100 daylight-balanced professional colour negative film and one of the most celebrated emulsions in the analogue photography world. Built on Kodak's T-GRAIN emulsion technology with VISION Film cinematic heritage, it delivers ultra-fine grain, exceptional sharpness, and a vivid, saturated colour palette that sits closer to slide film than most colour negative stocks. Kodak describes it as having the world's finest grain of any colour negative film, and the results bear that out. In stock now and shipping fast from the UK. DX coded, 36 exposures, standard C-41 chemistry.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eWhat Makes Kodak Ektar 100 35mm Film Habit-Forming\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eThe World's Finest Grain\u003c\/strong\u003e Kodak's own claim, and one that holds up to scrutiny. The T-GRAIN emulsion produces grain so fine that at normal print sizes it's essentially invisible, and even at 40 megapixel scans it remains barely perceptible. In 35mm the results rival what you'd expect from medium format; in medium format the grain disappears entirely. If fine grain in a colour film is the dependency, this is where it ends.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVivid, Saturated Colour\u003c\/strong\u003e Ektar 100 sits in unusual territory for a colour negative film. The saturation is closer to slide film than most C-41 stocks, with blues and greens that are particularly vivid and a colour palette that makes landscapes look genuinely extraordinary in good light. Kodak positioned it as a successor to Kodachrome for a reason, and for photographers who've chased that look through various modern alternatives, Ektar is the most direct route to it. It doesn't aim for flattery; it aims for accuracy and intensity simultaneously.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExceptional Sharpness\u003c\/strong\u003e The combination of T-GRAIN emulsion and proprietary DIR couplers gives Ektar 100 sharpness that makes the lens and scanner the limiting factors rather than the film. For enlargements, fine art prints, and any work where resolving fine detail matters, it delivers results that make 35mm feel considerably more capable than its reputation sometimes suggests.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBuilt for Scanning\u003c\/strong\u003e The T-GRAIN micro-structure was optimised with scanning in mind, and it shows. Negatives scan with remarkable clarity and hold colour information cleanly. The thin orange base is well behaved in most scanning setups, though underexposed shadows can produce blue-cyan shifts that benefit from careful inversion using Ektar-specific profiles or software like Negative Lab Pro.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExposure: Give It Light\u003c\/strong\u003e Ektar 100 has medium to low exposure latitude compared to more forgiving stocks like Portra. It tolerates around two stops of overexposure and one stop of underexposure, but it performs at its best when exposed correctly in good light. Underexposure compresses the shadows aggressively and loses the tonal nuance the film is capable of. In good daylight it is exceptional; in difficult or mixed light it requires more care than most films. This is not a criticism; it's information worth having before you load it.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLandscape and Nature Photography's Favourite\u003c\/strong\u003e The vivid blues and greens, exceptional sharpness, and fine grain make Ektar 100 a natural choice for landscape, nature, travel, and architectural photography where colour intensity and detail are the priorities. It's the film that makes a good landscape look like a great one, and a great landscape look like a postcard that actually does the scene justice.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA Word on Portraits\u003c\/strong\u003e Ektar's strong saturation and contrast can make skin tones challenging, particularly for lighter complexions where the heightened colour can read as unflattering. Photographers who shoot portraits regularly tend to reach for Portra instead. That said, careful scanning and considered post-processing can produce excellent portrait results, and in diffused or shadow light the colour rendering is considerably more gentle. Worth knowing, not worth avoiding the film over.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eC-41 Processing, DX Coded\u003c\/strong\u003e Standard C-41 chemistry, compatible with any colour lab including Chemical Dependency Lab. DX coded for automatic cameras. No special handling required.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e36 Exposures\u003c\/strong\u003e A full 36-exposure roll in standard 35mm format.\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003e\u003cstrong\u003eBest For\u003c\/strong\u003e Ektar 100 earns its place firmly in landscape, travel, nature, and architectural photography where the combination of fine grain, vivid colour, and exceptional sharpness can be used to full effect in good light. It's a strong choice for any work destined for large prints or high-resolution output, and for photographers who want the closest colour negative approximation to the look of slide film without the processing limitations. It rewards careful exposure and good light, and produces results under those conditions that are difficult to achieve with any other C-41 film. C-41 development is available here at Chemical Dependency Lab if you'd rather hand the developing over.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePerfect for:\u003c\/strong\u003e Landscape and travel photographers who want vivid, saturated colour with the finest grain available, architectural and nature work in good light, photographers making large prints who want 35mm to hold up to scrutiny, and anyone whose colour film dependency has been looking for an excuse to stop compromising on grain.\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003eEktar 100 has been earning its reputation since 2008 and the film community's growing enthusiasm for it shows no sign of slowing. The grain, the sharpness, the saturation: these are characteristics that reward photographers who understand them and work with them deliberately. Give it good light, expose it carefully, and Ektar 100 will produce colour negative results that make you wonder why you ever shot anything else outdoors. That's a very particular kind of dependency, and one that tends to stick.\u003c\/p\u003e","brand":"Kodak","offers":[{"title":"Default Title","offer_id":57815267901814,"sku":null,"price":17.7,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/3892\/5430\/files\/Kodak-Ektar-100.jpg?v=1778188867"},{"product_id":"kodak-ektachrome-e100","title":"Kodak Ektachrome E100 - 35mm Colour Slide Film","description":"\u003ch1\u003e\u003cstrong\u003eKodak Ektachrome E100 - 35mm Colour Reversal Film\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003cstrong\u003eThey brought it back. The film community is still not over it.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDiscontinued in 2012. Relaunched in 2018 after enough noise from enough photographers. Ektachrome E100 is proof that some dependencies are worth fighting for.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eKodak Ektachrome E100 35mm Film is an ISO 100 daylight-balanced colour transparency film and the only slide film currently in production by Kodak. Originally introduced in 1946 as a successor to Kodachrome, discontinued in 2012 as digital made slide film commercially unviable, and relaunched in 2018 following sustained pressure from the film community, Ektachrome E100 is a film with a story worth knowing. It produces images with ultra-fine grain, natural and moderately enhanced colour, exceptional sharpness, and the particular depth and luminosity that only slide film produces. It requires E-6 processing, not C-41. In stock now and shipping fast from the UK. DX coded, 36 exposures.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eImportant: Ektachrome E100 requires E-6 processing.\u003c\/strong\u003e Chemical Dependency Lab currently processes B\u0026amp;W and C-41 colour negative film only, though E-6 processing is in development and coming soon so watch this space. In the meantime, our friends at Not Quite North in Lincoln offer a mail-in E-6 slide processing service for both 24 and 36 exposure rolls. \u003ca href=\"https:\/\/www.not-quite-north.co.uk\/e635mmfilmprocessing\" target=\"_blank\" title=\"E6 processing at Not Quite North\" rel=\"noopener\"\u003eFind their E-6 service at not-quite-north.co.uk\u003c\/a\u003e.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eWhat Makes Kodak Ektachrome E100 35mm Film Habit-Forming\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eThe Comeback Story\u003c\/strong\u003e Slide film was the professional standard for decades. Kodachrome and Ektachrome built careers, filled National Geographic, and defined how colour photography looked from the 1950s through the 1990s. Digital killed the market. Labs closed, film stocks disappeared, and E-6 processing became increasingly hard to find. When Kodak announced the return of Ektachrome in 2017, the response from the film community was extraordinary. The relaunch in 2018 mattered not just as a product but as a statement. Some films are worth bringing back. Ektachrome is one of them.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSlide Film: A Different Kind of Result\u003c\/strong\u003e Colour transparency film produces a positive image directly on the film rather than a negative. The result is viewed by transmitted light: projected, lightboxed, or scanned from the original positive. The colours have a luminosity and depth that colour negative film, however good, renders differently. Ektachrome's colour balance is natural and moderately enhanced rather than aggressively saturated, which places it closer to Fuji Provia than to Velvia in character. The result is images that look true to the scene while retaining a quality of light that experienced photographers recognise immediately.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUltra-Fine Grain and Exceptional Sharpness\u003c\/strong\u003e Ektachrome E100 uses Kodak's T-GRAIN emulsion technology, producing grain so fine it is barely perceptible in 35mm at standard print sizes and virtually absent in medium format. Sharpness is exceptional, with scans at 40 megapixels revealing detail that makes the lens and scanner the limiting factors rather than the film. Reviewers consistently draw comparisons to Fuji Provia 100F in grain performance, with Ektachrome holding its own against the best slide films available.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNatural, Moderately Enhanced Colour\u003c\/strong\u003e The colour palette is neutral and accurate, with moderate enhancement that gives images presence without tipping into the bold saturation of Velvia. Blues are rendered with particular beauty, making it a long-standing favourite for landscape photographers. Skin tones are handled well in good light with accurate metering. The colour balance stays true under daylight conditions; under mixed or artificial light it will shift as any daylight-balanced film does.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWide Dynamic Range for a Slide Film\u003c\/strong\u003e Slide film is generally less forgiving than colour negative film, and Ektachrome E100 is no exception: it will blow highlights and crush shadows if exposure is off, even by half a stop. That said, the dynamic range is considered wide for a transparency film, and the low D-min (clear base) contributes to brighter whites and cleaner scans than some comparable stocks. Careful metering is not optional; accurate metering is where Ektachrome rewards you.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExposure: Meter Carefully and Expose for the Highlights\u003c\/strong\u003e This is the most important practical note for photographers new to slide film. Ektachrome E100 has no forgiveness for overexposure and limited tolerance for underexposure. High contrast scenes with bright highlights alongside deep shadows are genuinely challenging. A reliable metering system, an understanding of how to expose for slide film, and a willingness to bracket in demanding light are the practical prerequisites for getting the best from this film. Get the exposure right and the results are extraordinary. Get it wrong and the slide will show you exactly where.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBuilt for Scanning\u003c\/strong\u003e The T-GRAIN micro-structure was optimised for scanning applications, and the clear base means initial scans come through cleanly with good highlight detail. For photographers who want to scan their own slides, Ektachrome is one of the more cooperative transparency films to work with.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRefrigerated Storage Recommended\u003c\/strong\u003e Kodak recommends cold storage until use. Keep it in the fridge, shoot it in good light, and send it to an E-6 specialist promptly after exposure.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDX Coded, 36 Exposures\u003c\/strong\u003e DX coded for ISO 100 in automatic cameras. 36 exposures per roll.\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003e\u003cstrong\u003eBest For\u003c\/strong\u003e Ektachrome E100 earns its place for landscape, travel, portraiture in good light, and any photography where the depth and luminosity of slide film is the point rather than an incidental characteristic. It rewards photographers who meter carefully, understand slide film exposure, and want results that colour negative film produces differently. It is not a film for low light, fast-paced shooting, or photographers who prefer to fix exposure in post. Note that Ektachrome requires E-6 processing; while Chemical Dependency Lab develops C-41 and black and white, we've pointed you to Not Quite North above for E-6.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePerfect for:\u003c\/strong\u003e Landscape and travel photographers who want the slide film look, experienced shooters comfortable with demanding exposure requirements, photographers who want to project or lightbox their work, and anyone whose analogue dependency is ready for the film that the community fought to bring back.\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003eEktachrome E100 is not the easiest film to shoot, store, or develop. It demands accurate metering, specialist processing, and cold storage between purchase and use. In return it produces results with a quality of light and colour that experienced film photographers describe as unlike anything else currently available. That particular combination of difficulty and reward is a dependency of its own, and one that the film community felt strongly enough about to bring Ektachrome back from the dead.\u003c\/p\u003e","brand":"Kodak","offers":[{"title":"Default Title","offer_id":57815268622710,"sku":null,"price":26.5,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/3892\/5430\/files\/Kodak_Ektachrome_E100.jpg?v=1778188885"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/3892\/5430\/collections\/Kodak_Gold_200_24.jpg?v=1776018933","url":"https:\/\/chemicaldependency.co.uk\/collections\/kodak-film.oembed","provider":"Chemical Dependency Lab","version":"1.0","type":"link"}