{"product_id":"this-is-how-i-roll-film-noir-200-120-medium-format-black-white-film","title":"This Is How I Roll Film Noir 200 - 120 Medium Format Black \u0026 White Film","description":"\u003ch1\u003e\u003cstrong\u003eThis Is How I Roll Film Noir 200 - 120 Medium Format Black \u0026amp; White Film\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003cstrong\u003eThe middle of the range. Near-infrared capable. The most developer options. In medium format.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eISO 200, near-infrared sensitivity, and a developing flexibility that makes it the most versatile film in the Noir 120 collection.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThis Is How I Roll Film Noir 200 120 Film is the middle speed of the Noir collection in medium format, sitting between the fine-grain precision of the slower films and the low-light versatility of Noir 400. Panchromatic, coated onto a transparent polyester base that dries completely flat, and hand-rolled into recycled 120 spools, each individually wrapped in foil. That artisan approach is a hallmark of everything This Is How I Roll Film produces, and it shows in the care taken with each roll. Near-infrared sensitivity, a wide range of compatible developers including stand development, and the larger negative of medium format. In stock now and shipping fast from the UK. Standard black and white chemistry.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eWhat Makes This Is How I Roll Film Noir 200 120 Film Habit-Forming\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eISO 200 in Medium Format: Versatile and Capable\u003c\/strong\u003e ISO 200 handles a wider range of conditions than the slower Noir stocks without the grain trade-off that comes with ISO 400. In medium format that flexibility is particularly useful: the larger negative gives you more to work with in variable outdoor light, and the combination of ISO 200 speed with medium format quality produces images that sit in genuinely useful territory for a wide range of shooting situations.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHand-Rolled and Foil-Wrapped\u003c\/strong\u003e Every roll is hand-rolled and individually wrapped in foil before dispatch. It's an artisan process in a market where most film arrives off an automated production line, and it reflects the level of care that goes into every stock in the This Is How I Roll Film range.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNear-Infrared Sensitivity\u003c\/strong\u003e Noir 200 has spectral sensitivity extending into the near-infrared range, comparable to Ilford SFX. Shot unfiltered it behaves as a conventional panchromatic film. Add an R72 filter for the infrared look: darkened skies, luminous foliage, and tonal rendering that goes well beyond what ordinary panchromatic films record. Across a medium format negative the effect is rendered with more detail and gradation than the 35mm version allows.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Widest Developer Range in the Collection\u003c\/strong\u003e Noir 200 is compatible with a particularly broad range of developers, including HC-110 stand development (Dilution J, 60 minutes, agitate for the first minute only), a useful option for home developers who want even tonal development with minimal effort. Consult the 35mm developing times as a starting point and adjust for your equipment and preferences.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTransparent Polyester Base: Flat Negatives, Better Scans\u003c\/strong\u003e The transparent polyester base dries completely flat, making medium format negatives easy to load into scanning carriers and producing consistent results. A practical advantage for home developers that becomes apparent quickly when compared to curling acetate-based films.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLight Piping: Load in Dim Light\u003c\/strong\u003e The thin polyester base makes Noir 200 susceptible to light piping. Load in dim or subdued light and store in the black canister pot. The backing paper on 120 film offers some protection, but care during loading remains important.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e10 Exposures\u003c\/strong\u003e A standard 120 roll gives 10 exposures at 6x7, 12 at 6x6, or 16 at 6x4.5 depending on your camera.\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003e\u003cstrong\u003eBest For\u003c\/strong\u003e Noir 200 120 suits outdoor photography in variable light, portraiture, travel, and any situation where ISO 100 feels a little limiting but ISO 400 feels like more speed than the scene needs. The near-infrared sensitivity and wide developer compatibility make it the most versatile film in the Noir 120 collection, and the larger medium format negative gives the tonal quality of the Noir range more room to express itself. Black and white development for 120 format is available here at Chemical Dependency Lab when you're ready.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePerfect for:\u003c\/strong\u003e Photographers who want a versatile middle-speed option with near-infrared capability in medium format, home developers who want to experiment with stand development, travel and portrait work in variable light, and anyone whose Noir dependency has moved up to a larger format.\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003eNoir 200 doesn't make the loudest case for itself within the collection. It simply offers the most flexibility: useful speed, near-infrared sensitivity, stand development capability, a flat-drying polyester base, hand-rolled and foil-wrapped with care, and a medium format negative that makes the most of all of them.\u003c\/p\u003e","brand":"This is How I Roll Film","offers":[{"title":"Default Title","offer_id":57948840362358,"sku":null,"price":8.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/3892\/5430\/files\/Noir_120-200.jpg?v=1779720489","url":"https:\/\/chemicaldependency.co.uk\/products\/this-is-how-i-roll-film-noir-200-120-medium-format-black-white-film","provider":"Chemical Dependency Lab","version":"1.0","type":"link"}