Fomapan Creative 200 - 35mm Black & White Film

Budget black and white that refuses to quit. Creative by name, forgiving by nature. Fomapan Creative is a panchromatic black and white negative film that lives up to its name by tolerating creative abuse without complaint. Built with new-generation hexagonal core/shell tabular silver halide grains (fancy!), this ISO 200 film delivers excellent resolving power, low granularity, and impressively wide exposure latitude. You can rate it anywhere from ISO 100 to 800 without changing development time, which is the kind of flexibility that makes experimental shooting actually fun instead of anxiety-inducing.

What Makes Fomapan Creative Good

ISO 200 (Nominal) - Perfect for normal lighting conditions, but the real magic is in the flexibility. Under-exposed by a stop? Over by two? Fomapan Creative shrugs and keeps delivering.

Wide Exposure Latitude - Shoot anywhere from ISO 100 to 800 without adjusting your development. This is the film equivalent of a friend who goes with the flow no matter what chaos you're creating.

Excellent Resolving Power - Great detail resolution even in difficult lighting. You get sharpness and clarity without needing perfect conditions or perfect technique.

Low Granularity - Fine grain structure that keeps images clean and detailed. Not gritty for the sake of being gritty—just good, honest black and white photography.

New Generation Emulsion - Hexagonal core/shell tabular silver halide grains sound impressive because they are. Modern technology meets traditional film photography.

Loss-Free Contrast - Push it, pull it, abuse it creatively—Fomapan Creative maintains contrast without falling apart. It's built to withstand your experiments.

Affordable - Let's be honest, the price point means you can actually afford to experiment and learn without rationing every frame like it's precious cargo.

Best For

Everyday black and white shooting, learning film photography, experimental techniques, difficult lighting conditions, anyone who wants to push/pull without stress, and photographers who believe "good enough" often means "pretty damn good actually."

Perfect for photographers who want black and white film that works with them instead of against them. Creative freedom shouldn't require a perfect light meter and flawless execution.