Kodak T-Max 400 - 35mm Black & White Film

For people who think grain is a bug, not a feature. Kodak T-Max 400 is what happens when engineers decide to solve black and white film's "grain problem" with advanced T-grain emulsion technology. The result? ISO 400 speed with sharpness and clarity that makes traditional film shooters mutter "that's not supposed to be possible." This is professional black and white film for photographers who want deep blacks, bright whites, smooth greys, and detail so crisp you'll zoom in on your scans just to admire how clean everything looks. It's the film you choose when you want speed without the textured aesthetic—because sometimes precision matters more than vibes.

What Makes Kodak T-Max Technical Perfection

ISO 400 - Fast enough for low-light and action, sharp enough to make you question whether you're actually shooting film. The speed you need without the grain compromise you'd normally accept.

T-Grain Emulsion Technology - Kodak's tabular grain magic that delivers finer grain and higher sharpness than physics should allow at ISO 400. We don't make the rules, we just appreciate when someone breaks them intelligently.

Exceptional Fine Grain - Minimised to the point where you forget you're shooting a 400-speed film. Outstanding clarity that makes every frame look intentional, even the ones that absolutely weren't.

Outstanding Sharpness - Details stay defined, edges stay crisp, and your images look like they were shot by someone who actually knows what they're doing (even if that's aspirational).

Wide Exposure Latitude - Push it, pull it, slightly mess up your metering—T-Max 400 forgives your creative experiments and questionable exposure decisions while maintaining excellent highlight separation.

Timeless Elegance - Classic black and white aesthetic without the vintage grain structure. For when you want your work to look timeless but not dated.

Thrives in Low Light - High sensitivity means you can actually shoot in dimly lit settings without blur or grain overwhelming your subject. Perfect for atmospheric interiors, moody nightscapes, and pretending you planned that candid street shot.

Best For

Professional applications where detail matters, architectural photography, landscapes that need maximum sharpness, portraits with nuanced tonal gradation, low-light work that still needs to look clean, and photographers who believe grain should be minimised rather than celebrated as "character."

Also perfect for: convincing people that film can be sharp, proving that analog doesn't mean fuzzy, and quiet superiority when someone asks "wait, you shot this on film?"

Perfect for photographers who want their black and white work to be technically excellent, not just aesthetically pleasing. T-Max 400 is the film for perfectionists who still love analog but refuse to compromise on sharpness.