This is how I roll 500T

This Is How I Roll 500T - 35mm Colour Negative Film - Without Remjet (AHU)

£12.00
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This is how I roll 500T
  • This is how I roll 500T
  • Decorative tower with lights and a flag at night
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  • City street with modern buildings and people walking in London
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This Is How I Roll 500T - 35mm Colour Negative Film - Without Remjet (AHU)

This Is How I Roll 500T - 35mm Colour Negative Film - Without Remjet (AHU)
£12.00

This Is How I Roll 500T - 35mm Colour Negative Film - Without Remjet (AHU)

Hollywood's film stock. In your camera. Without the drama. Kodak Vision3 500T is what they shot Dunkirk on. This Is How I Roll Film put it in a 35mm canister so you don't have to work on a film set to use it. An ISO 500 tungsten-balanced colour negative motion picture film, hand-rolled from a fresh 400ft Kodak roll into recycled canisters sourced from film labs around the UK. The AHU version replaces the original remjet backing with Kodak's factory Anti-Halation Undercoat, which washes away cleanly during processing. Not home-stripped remjet film — the genuine factory AHU version. In stock now and shipping fast from the UK.

What Makes TIHR 500T Worth The Habit

ISO 500 - Fast, tungsten-balanced, built for difficult light. The cinema speed for available light shooting after dark.

Kodak Vision3 500T Stock - Professional motion picture emulsion. Shot Dunkirk, 1917, and a significant portion of prestige cinema. Now in your camera.

Tungsten Balanced - Optimised for artificial light sources. Renders tungsten, LED, and mixed lighting beautifully without going orange.

No Remjet (Factory AHU) - The factory Anti-Halation Undercoat version. Develops cleanly in standard C-41. This distinction matters — it's not the same as DIY remjet removal.

Extended Highlight Latitude - Cinema film is engineered to handle extreme contrast ratios. That capability transfers directly to still photography.

C-41 Processing - Standard colour chemistry. Any lab, including ours.

Recycled Canisters - Hand-rolled into recycled canisters from UK film labs.

Best For

Night photography, concerts, indoor available light, tungsten-lit interiors, mixed lighting situations, and photographers who want the cinema colour palette at high speed without wrestling with remjet. Once you've shot it, send it our way. We develop, scan and print it too.

Perfect for photographers who want professional cinema colour in difficult light. 500T earns the cinematic comparison.

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