This is how I roll 500T

This Is How I Roll 500T - 35mm Colour Negative Film - Without Remjet (AHU)

£12.00
£12.00
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This is how I roll 500T
  • This is how I roll 500T
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This Is How I Roll 500T - 35mm Colour Negative Film - Without Remjet (AHU)

This Is How I Roll 500T - 35mm Colour Negative Film - Without Remjet (AHU)
£12.00
£12.00

This Is How I Roll 500T - 35mm Colour Negative Film - Without Remjet (AHU)

Hollywood's film stock. In your camera. Without the drama. Kodak Vision3 500T is what they shot Dunkirk on. This Is How I Roll Film put it in a 35mm canister so you don't have to work on a film set to use it. An ISO 500 tungsten-balanced colour negative motion picture film, hand-rolled from a fresh 400ft Kodak roll into recycled canisters sourced from film labs around the UK. The AHU version replaces the original remjet backing with Kodak's factory Anti-Halation Undercoat, which washes away cleanly during processing. Not home-stripped remjet film — the genuine factory AHU version. In stock now and shipping fast from the UK.

What Makes TIHR 500T Worth The Habit

ISO 500 - Fast, tungsten-balanced, built for difficult light. The cinema speed for available light shooting after dark.

Kodak Vision3 500T Stock - Professional motion picture emulsion. Shot Dunkirk, 1917, and a significant portion of prestige cinema. Now in your camera.

Tungsten Balanced - Optimised for artificial light sources. Renders tungsten, LED, and mixed lighting beautifully without going orange.

No Remjet (Factory AHU) - The factory Anti-Halation Undercoat version. Develops cleanly in standard C-41. This distinction matters — it's not the same as DIY remjet removal.

Extended Highlight Latitude - Cinema film is engineered to handle extreme contrast ratios. That capability transfers directly to still photography.

C-41 Processing - Standard colour chemistry. Any lab, including ours.

Recycled Canisters - Hand-rolled into recycled canisters from UK film labs.

Best For

Night photography, concerts, indoor available light, tungsten-lit interiors, mixed lighting situations, and photographers who want the cinema colour palette at high speed without wrestling with remjet. Once you've shot it, send it our way — we develop and scan it too.

Perfect for photographers who want professional cinema colour in difficult light. 500T earns the cinematic comparison.

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